Spaces of Connoisseurship : Judging Old Masters at Agnews and the National Gallery, c.1874-1916 / Alison Clarke

Englisch

Leiden ; Boston : Brill, 2022

1 Online-Ressource (XIII, 338 Seiten) : Illustrationen

Includes bibliographical references and index

Erscheint auch als: Druck-Ausgabe- Spaces of connoisseurship. - Leiden : Brill, 2022. - XIII, 338 Seiten

978-90-04-51890-2 electronic book

Weitere Ausgaben: 978-90-04-51889-6 (Druckausgabe) hardback

DOI: 10.1163/9789004518902

List of Illustrations -- Introduction -- 1 On Institutions, Subjects and Dates -- 2 On Sources and a Spatial Methodology -- Section I: Connoisseurship and Acquisition: The What, Where and How -- 1 What? The Criteria of Connoisseurship -- 1 Avoiding the Limbo of Mistaken Acquisitions: Attribution -- 2 Much Painted on & Spoilt by Some Vandal: Condition and Restoration -- 3 A Very Dull Velázquez: Beauty and Aesthetics -- 4 Selecting Typical Specimens: Representativeness and Importance -- 5 Should Think Unsaleable: Negotiating Customer Appeal -- 2 Where? Examining Paintings at Home and Abroad -- 1 Beyond Texts: Moving on from Dematerialised Connoisseurship -- 2 Mobility: Artworks and Connoisseurs -- 3 The Spaces of Connoisseurship -- 4 Spatial Factors Affecting Connoisseurship -- 5 The Chronology of Connoisseurship -- 3 How? The Supremacy of Visual Connoisseurship -- 1 Categorisation and Comparison: Viewing Artworks in Person -- 2 My Treacherous Memory: Comparison from Reproductions -- 3 Visual Experience and the Mental Canon -- 4 Provenance: Archives and Libraries as Alternative Spaces of Connoisseurship? -- 5 A Lack of Evidence for Technical Testing -- 6 Connoisseurship and a Model for Perceptual Expertise -- Section II: Connoisseurship and Display: Exhibiting Expertise -- 4 The National Gallery and Display -- 1 Public Ownership, Public Criticism -- 2 The Trafalgar Square Building and its Extensions -- 3 Walking through Art History: Rooms, Schools, Chronology and Hang -- 4 The Aesthetics of Display: Décor and Lighting -- 5 Where Can These Pictures Be Hung? Disruptions to Display -- 5 Agnews and Display -- 1 Private Ownership, Public Reputation -- 2 Lent from Various Great Houses: Special Exhibitions -- Conclusion and Final Thoughts -- 1 A Cautionary Tale -- Appendix -- Bibliography -- Primary Sources -- Secondary Sources -- Index.

*Thos. Agnew & Sons / The National Gallery <London> / Malerei / Kunstkennerschaft / Gutachten / Bewertung / Geschichte 1870-1916

*Thomas Agnew & Sons -- History ; National Gallery (Great Britain) -- History ; Painting -- Economic aspects -- Great Britain -- History -- 19th century ; Painting -- Economic aspects -- Great Britain -- History -- 20th century ; Painting -- Expertising -- Great Britain ; Thomas Agnew & Sons -- History ; National Gallery (Great Britain) -- History

Klassifikation der Library of Congress: ND1630

Dewey Dezimal-Klassifikation: 709 ; 750.1/18

Book Industry Communication: AC

bisacsh: ART 015000

Spaces of Connoisseurship explores the who, where and how of judging Old Master paintings in the nineteenth-century British art trade, via a comparison of family art dealers Thomas Agnew & Sons (Agnews) and Londons National Gallery

In Spaces of Connoisseurship , Alison Clarke explores the who, where and how of judging Old Master paintings in the nineteenth-century British art trade. She describes how the staff at family art dealers Thomas Agnew & Sons (Agnews) and Londons National Gallery took advantage of emerging technologies such as the railways and photography. Through encounters with pictures in a range of locations, both private and public, these art market actors could build up the visual memory and necessary expertise to compare artworks and judge them in terms of attribution, condition and beauty. Also explored are the display tactics adopted by both commercial outfit and art museum to showcase pictures once acquired. In a time of ever-spiralling art prices, this book tackles the question of why some paintings are preferred over others, and exactly how art experts reach their judgements

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