Inhalt: | Intro -- Preface -- Acknowledgements -- Contents -- List of Figures -- Prelude: Scenes from the New Germany -- Scene 1: West Germany 1991/the Heiner Müller Archive, 1997/A Stage in North-East Germany, 2000 -- Scene 2: Moers Schlosstheater, North-Rhein Westphalia 2011/Istanbul, Turkey Late 1960s -- Scene 3: The Main Stage & -- Foyer of the HAU Theatre: Berlin, 2006 -- Scene 4: The Sony Centre, Potsdamer Platz, Berlin, 2011 -- Scene 5: Heidelberg, the Same Year -- Scene 6: The Weekly Column of the Maxim Gorki Theatre, Berlin (2019)/A Desk in London (2020) -- Works Cited -- Introduction: Turkish-German Scripts of Postmigration -- Turkish-German Theatre: From the Wings to Centre Stage -- Situating the Script -- Interculturalism, Postmigration, Mimeticism -- Scripts of Postmigration -- Works Cited -- Scripts of Migration: Emine Sevgi Özdamar's Early Plays (1982-2000) -- Staging Arrival in Alamania -- "These People no Longer Have a Stage": Addressing the "Ausländer" Script -- Turkish Tradition Meets Postdramatic Performance -- "Oh Those Turks!" Intertextuality, Orientalism, and Dreams of Capital -- Alamania Again: Scripts of Migration at the Millennium -- Works Cited -- Zaimoglu/Senkel/Shakespeare: Othello (2003) and the Turkish-German Rewrite -- Zaimoglu/Senkel/Shakespeare -- Offending the Audience: The Playwright as "Protestant Ethnic"? -- Othello in Performance at the Kammerspiele: Casting and Coercive Mimeticism -- Rewriting and the Turkish-German Stage: Spring's Awakening, the Robbers and Hamlet -- Works Cited -- The "Neo-Muslima" Enters the Scene: Zaimoglu/Senkel's Black Virgins (2006) and the Postmigrant Theatre -- Beyond Belonging -- Documentary, Authenticity and an "Uncanny Emancipation" -- Staging Close Encounters with Islam: Spielberg Meets Kreuzberg -- Authenticity and Interculturalism in the Theatrical Context -- Works Cited. |
