Playing the waves : Lars Von Trier's game cinema / Jan Simons

Englisch

Amsterdam : Amsterdam University Press, 2010

1 Online-Ressource (251 pages)

Includes bibliographical references (pages 223-236)-and indexes

Use copy Restrictions unspecified star MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

Print version: Simons, Jan: Playing the waves. - Amsterdam : Amsterdam University Press, ©2007

90-5356-979-0

90-5356-991-X

90-485-0186-5 : electronic bk.

90-485-0174-1 : electronic bk.

978-90-5356-979-5

978-90-5356-991-7

978-90-485-0186-1 : electronic bk.

978-90-485-0174-8 : electronic bk.

Weitere Ausgaben: 978-90-5356-991-7 (Druckausgabe), 90-5356-991-X (Druckausgabe)

Machine generated contents note: 1. Manifesto and modernism -- manifesto as a postmodern parody -- manifesto taken seriously -- manifesto and modernism -- From 'essence' to game -- manifesto : reiteration and difference -- 2. name of this game is Dogma 95 -- Filmmaking as a game -- Film and formalism : the parametric film -- Aesthetics and dramaturgy -- Filming : story as reconstruction and as representation -- Enter the matrix : game, simulation, rules and art -- Complex art : Psykomobile #1 : the World Clock -- 'There is something digital in the state of Denmark' -- 3. Filming the game -- rules of the game -- game of filming, and films about games -- Idioterne (1) -- Idioterne (2) -- 4. Virtual explorations : journeys to the end of the night -- Rules and manifestos -- Virtual explorations : the Europa trilogy -- Virtual worlds -- Virtual film -- 5. leader of the game -- Many films, one game -- 'von Trier' gameworlds -- Nuances and subtleties -- 6. Between cinema and computer -- Filming the virtual -- Spirituality and virtuality -- Registrations of simulations -- Virtuality -- Virtual realism -- viewer as lurker -- 'von Trier system' revisited -- 7. Between Hollywood and Copenhagen -- Dogma, film and gaming -- Enter the Matrix : virtual Hollywood -- Matrix unloaded : virtual realism -- Dogma 95 : Nouvelle Vague II? -- Between new Hollywood and old Europe -- Today's Hollywood, today's Europe -- 8. name of the game : punish or perish -- Cinematic games : games or movies? -- Game theory and games studies -- Narrative and game theory -- Punish or perish; exploit or be exploited -- Stories and games reconsidered : probabilities and tragic endings.

*Dogme 95 (Group) -- History ; Game theory ; Games in art ; Trier, Lars von -- 1956- -- Criticism and interpretation ; Trier, Lars von -- 1956- -- Criticism and interpretation ; Dogme 95 (Group) -- History ; Game theory ; Games in art

*Trier, Lars von ; Trier, Lars von ; Trier, Lars von ; Dogma95 ; Dogme 95 (Group) ; PERFORMING ARTS ; Film & Video ; Direction & Production ; PERFORMING ARTS ; Film & Video ; General ; Mathematics and science ; Science: general issues ; Game theory ; Games in art ; Filmkunst ; Dogma 95 ; Film ; Criticism, interpretation, etc ; History

Klassifikation der Library of Congress: PN1998.3.T747

Dewey Dezimal-Klassifikation: 791.430233

bisacsh: PER004000

bisacsh: PER 004010

bisacsh: PER004000

bisacsh: PER 004010

Playing the waves offers a unique approach to the work Dannish filmmaker Lars von Trier

 

Online-Ausg.

[S.l.] : HathiTrust Digital Library

Electronic reproduction

http://www.jstor.org/stable/10.2307/j.ctt46mxps [Volltext]

https://www.jstor.org/stable/10.2307/j.ctt46mxps Kostenfrei zugänglich ohne Registrierung

Elektronische Ressource - frei verfügbar

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