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Ausgabe: | 1st ed. |
Sprache/n: | Englisch |
Veröffentlichungsangabe: | Darmstadt : wbg Academic, 2022 |
Copyright-Datum: | ©2022 |
Umfang: | 1 online resource (180 pages) |
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Anmerkung: | Description based on publisher supplied metadata and other sources. |
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ISBN: | 978-3-534-40673-9 |
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Inhalt: | Cover -- Impressum -- Contents -- 1 Introduction -- 2 Theorizing Productive Failure -- 2.1 The Concept of Sincerity -- 2.2 Navigating Sincerity and Irony in Literature -- 2.3 The Voice of Productive Failure -- 3 Belief and Sincerity in Dave Eggers' A Heartbreaking Work of Staggering Genius -- 3.1 Introduction -- 3.2 "The Consciousness Behind the Text": The Yearning for Sincerity in AHWOSG -- 3.3 "The Core is the Core is the Core": The Limits of Representation in AHWOSG -- 3.4 "A Mistake the Author Could not Refrain from Making": Productive Failure in AHWOSG -- 3.5 Conclusion -- 4 Paradoxical Desires: Romantic Irony and Autofictionality in Ben Lerner's Leaving the Atocha Station -- 4.1 Introduction -- 4.2 Adam Gordon as Experiencing-I: Sincerity and Romantic Irony -- 4.3 Adam Gordon as Narrating-I: Risk and Autofictionality -- 4.4 Conclusion -- 5 "A Sincere Attempt to Get Somewhere": Between Authentic and Relational Selfhood in How Should a Person Be? -- 5.1 Introduction -- 5.2 Out with the Old (Sincerity) -- 5.3 In with the New (Sincerity) -- 5.4 The Role of Failure -- 5.5 Conclusion -- 6 Conclusion -- 6.1 The Complicated Relationship between Romanticism, Postmodernism and the New Sincerity -- 6.2 Formal and Thematic Similarities Shared by Eggers, Lerner and Heti -- 6.3 The Case of AHWOSG -- 6.4 The Case of LTAS -- 6.5 The Case of HSAPB -- 6.6 Productive Failure: Literature as a Privileged Medium -- 6.7 The New Sincerity in a North American Context -- 6.8 Quo vadis, New Sincerity? -- 7 Bibliography -- Backcover. |
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Standort: | Elektronische Ressource - Nutzung mit Bibliotheksausweis der Staatsbibliothek zu Berlin |
Anmerkung: | Einzelnutzerlizenz |
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