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7 von 538306 |
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Ihre Aktion |
Suchen (Alle Wörter (XALL)) Early
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001@ | $e1 |
001A | $00001:08-05-24 |
001B | $00001:08-05-24$t14:36:43.000 |
001D | $00001:08-05-24 |
001F | $00 |
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002@ | $0Aax |
002C | $aText$btxt |
002C | $aunbewegtes Bild$bsti |
002D | $aohne Hilfsmittel zu benutzen$bn |
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003@ | $01888136693 |
004A | $0978-0-393-24105-1 |
004A | $00-393-24105-X |
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010@ | $aeng |
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011@ | $a2024$n[2024] |
011F | $n© 2024 |
019@ | $aXD-US |
021A | $aBecoming Ella Fitzgerald$dthe jazz singer who transformed American song$hJudith Tick |
027A | $aJazz singer who transformed American song |
028A | $dJudith$aTick$BVerfasserIn$4aut |
032@ | $aFirst edition |
033A | $pNew York, NY$nW. W. Norton and Company |
034D | $axxii, 560 Seiten, 16 ungezählte Seiten Tafeln |
034I | $a24,3 cm |
034M | $aIllustrationen, Notenbeispiele |
039D | $iErscheint auch als$nOnline-Ausgabe$CISBN$69780393242027 |
045F | $e22$a781.65 |
045V | $iFID$aMUS$qDE-12 |
046M | $uYoung Ella (1917-1932) -- Amateur Nights (1933-1935) -- Into Chick Webb's Orbit (1935) -- Swing-Song Singer (1935-1936) -- The Second Feature (1936-1937) -- "Truckin' On Down The Avenue" (1938) -- Chick And Ella (1939) -- Orchestra Leader (1940-1942) -- The Home Front (1941-1945) -- "Going Dizzy" (1945-1947) -- Ella's Moon (1947-1949) -- "The Singer And The Label Are In It Together" (1948-1953) -- Early Years With Jazz At The Philharmonic (1949-1952) -- Europe With Jazz At The Philharmonic (1952-1953) -- Upwardly Mobile (1954-1955) -- "We Got Ella!" (1954-1956) -- The Cole Porter Experiment (1956-1957) -- Sing Me A Standard (1956-1957) -- Flouting Categories (1957-1958) -- Midcentury Modern Triumphs (1959) -- "It's Quite A Problem Trying To Please Everyone" (1960-1964) -- Generation Gaps (1963-1965) -- A Jazz Oasis In A Changing Scene (1966-1967) -- Reinventing Herself (1968-1969) -- Keeping On (1970-1972) -- "You Can Always Learn" (1973-1978) -- "Push Me, Push Me" (1979-1985) -- "Don't Ever Wish For The Phrase To End" (1986-1996). |
047F | $bBroadcast-Übernahme aus 24.6 WorldCat |
047I | $aA landmark biography that reclaims Ella Fitzgerald as a major American artist and modernist innovator |
047I | $aA landmark biography that reclaims Ella Fitzgerald as a major American artist and modernist innovator. Ella Fitzgerald (1917-1996) possessed one of the twentieth century's most astonishing voices. In this first major biography since Fitzgerald's death, historian Judith Tick offers a sublime portrait of this ambitious risk-taker whose exceptional musical spontaneity made her a transformational artist. Becoming Ella Fitzgerald clears up long-enduring mysteries. Archival research and in-depth family interviews shed new light on the singer's difficult childhood in Yonkers, New York, the tragic death of her mother, and the year she spent in a girls' reformatory school -- |
047I | $aWhere she sang in its renowned choir and dreamed of being a dancer. Rarely seen profiles from the Black press offer precious glimpses of Fitzgerald's tense experiences of racial discrimination and her struggles with constricting models of Black and white femininity at midcentury. Tick's compelling narrative depicts Fitzgerald's complicated career in fresh and original detail, upending the traditional view that segregates vocal jazz from the genre's mainstream. As she navigated the shifting tides between jazz and pop, she used her originality to pioneer modernist vocal jazz. Interpreting long-lost setlists, reviews from both white and Black newspapers, and newly released footage and recordings, the book explores how Ella's transcendence as an improvisor produced onstage performances every bit as significant as her historic recorded oeuvre |
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IKT |
ILN |
Index |
Key |
Phrase |
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|
33 (XTSL) |
0 |
0 |
@ |
becoelfi |
|
|
33 (XTSL) |
0 |
0 |
@ |
jazzsiwht |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
judith |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
tick |
|
|
1000 (XATS) |
0 |
9 |
I |
tickbeco |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
becoming ella fitzgerald |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
jazz singer who transformed american song |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
039324105x |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
039324105x |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
0393242021 |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
1888136693 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
9780393241051 |
|
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7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
9780393241051 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
9780393242027 |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
A |
tick,judith |
|
|
3010 (XSYS), 8272 (XSDC) |
0 |
18 |
m |
781.65 |
|
|
8312 (XSRR), 8544 (XGTI) |
0 |
19 |
E |
1888136693 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
0 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
0 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
0 |
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1016 (XALL) |
0 |
20 |
A |
039324105x |
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1016 (XALL) |
0 |
20 |
A |
039324105x |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
039324105x |
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1016 (XALL) |
0 |
20 |
A |
0393242021 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1 |
|
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1016 (XALL) |
0 |
20 |
A |
16 |
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1016 (XALL) |
0 |
20 |
A |
1888136693 |
|
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1016 (XALL) |
0 |
20 |
A |
1917 |
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1016 (XALL) |
0 |
20 |
A |
1917 |
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1016 (XALL) |
0 |
20 |
A |
19171932 |
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1016 (XALL) |
0 |
20 |
A |
19171996 |
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1016 (XALL) |
0 |
20 |
A |
1932 |
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1016 (XALL) |
0 |
20 |
A |
1933 |
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1016 (XALL) |
0 |
20 |
A |
19331935 |
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1016 (XALL) |
0 |
20 |
A |
1935 |
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1016 (XALL) |
0 |
20 |
A |
1935 |
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1016 (XALL) |
0 |
20 |
A |
1935 |
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1016 (XALL) |
0 |
20 |
A |
1935 |
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1016 (XALL) |
0 |
20 |
A |
19351936 |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
1936 |
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20 |
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19361937 |
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20 |
A |
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20 |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
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20 |
A |
19401942 |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
19411945 |
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1016 (XALL) |
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20 |
A |
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20 |
A |
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20 |
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1016 (XALL) |
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20 |
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19451947 |
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A |
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1016 (XALL) |
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19471949 |
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1016 (XALL) |
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20 |
A |
1948 |
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1016 (XALL) |
0 |
20 |
A |
19481953 |
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1016 (XALL) |
0 |
20 |
A |
1949 |
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1016 (XALL) |
0 |
20 |
A |
1949 |
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1016 (XALL) |
0 |
20 |
A |
19491952 |
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1016 (XALL) |
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20 |
A |
1952 |
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1016 (XALL) |
0 |
20 |
A |
1952 |
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1016 (XALL) |
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20 |
A |
19521953 |
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1016 (XALL) |
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20 |
A |
1953 |
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1016 (XALL) |
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20 |
A |
1953 |
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1016 (XALL) |
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A |
1954 |
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1016 (XALL) |
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20 |
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1954 |
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1016 (XALL) |
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20 |
A |
19541955 |
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1016 (XALL) |
0 |
20 |
A |
19541956 |
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1016 (XALL) |
0 |
20 |
A |
1955 |
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1016 (XALL) |
0 |
20 |
A |
1956 |
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1016 (XALL) |
0 |
20 |
A |
1956 |
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1016 (XALL) |
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20 |
A |
1956 |
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1016 (XALL) |
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20 |
A |
19561957 |
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1016 (XALL) |
0 |
20 |
A |
19561957 |
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1016 (XALL) |
0 |
20 |
A |
1957 |
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1016 (XALL) |
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20 |
A |
1957 |
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1016 (XALL) |
0 |
20 |
A |
1957 |
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1016 (XALL) |
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20 |
A |
19571958 |
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1016 (XALL) |
0 |
20 |
A |
1958 |
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1016 (XALL) |
0 |
20 |
A |
1959 |
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1016 (XALL) |
0 |
20 |
A |
1959 |
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0 |
20 |
A |
1960 |
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1016 (XALL) |
0 |
20 |
A |
19601964 |
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1016 (XALL) |
0 |
20 |
A |
1963 |
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1016 (XALL) |
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20 |
A |
19631965 |
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1016 (XALL) |
0 |
20 |
A |
1964 |
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A |
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0 |
20 |
A |
1970 |
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A |
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20 |
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19731978 |
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20 |
A |
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20 |
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1016 (XALL) |
0 |
20 |
A |
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20 |
A |
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1016 (XALL) |
0 |
20 |
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0 |
20 |
A |
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0 |
20 |
A |
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0 |
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31 (XJAH), 1016 (XALL) |
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20 |
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2024 |
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31 (XJAH), 1016 (XALL) |
0 |
20 |
W |
2024 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
24105 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
24105 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
24202 |
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1016 (XALL) |
0 |
20 |
A |
243 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
393 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
393 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
393 |
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1016 (XALL) |
0 |
20 |
A |
560 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
7 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
978 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
978 |
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1016 (XALL) |
0 |
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9780393241051 |
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1016 (XALL) |
0 |
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1010 (XTXT), 1016 (XALL) |
0 |
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C |
9780393241051 |
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1016 (XALL) |
0 |
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1010 (XTXT), 1016 (XALL) |
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1016 (XALL) |
0 |
20 |
A |
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A |
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20 |
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1016 (XALL) |
0 |
20 |
A |
american |
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4 (XTIT), 1016 (XALL) |
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B |
american |
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4 (XTIT), 1016 (XALL) |
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4 (XTIT), 1016 (XALL) |
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artist |
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1016 (XALL) |
0 |
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A |
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4 (XTIT), 1016 (XALL) |
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20 |
B |
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1016 (XALL) |
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20 |
A |
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A |
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A |
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20 |
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A |
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A |
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4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
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1016 (XALL) |
0 |
20 |
A |
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0 |
20 |
A |
ellas |
|
|
1016 (XALL) |
0 |
20 |
A |
end |
|
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1016 (XALL) |
0 |
20 |
A |
end |
|
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1016 (XALL) |
0 |
20 |
A |
enduring |
|
|
1016 (XALL) |
0 |
20 |
A |
europe |
|
|
1016 (XALL) |
0 |
20 |
A |
ever |
|
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1016 (XALL) |
0 |
20 |
A |
every |
|
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1016 (XALL) |
0 |
20 |
A |
everyone |
|
|
1016 (XALL) |
0 |
20 |
A |
everyone |
|
|
1016 (XALL) |
0 |
20 |
A |
exceptional |
|
|
1016 (XALL) |
0 |
20 |
A |
experiences |
|
|
1016 (XALL) |
0 |
20 |
A |
experiment |
|
|
1016 (XALL) |
0 |
20 |
A |
explores |
|
|
1016 (XALL) |
0 |
20 |
A |
family |
|
|
1016 (XALL) |
0 |
20 |
A |
feature |
|
|
1016 (XALL) |
0 |
20 |
A |
femininity |
|
|
1016 (XALL) |
0 |
20 |
A |
first |
|
|
1016 (XALL), 8623 (XABZ) |
0 |
20 |
K |
first |
|
|
1016 (XALL) |
0 |
20 |
A |
fitzgerald |
|
|
1016 (XALL) |
0 |
20 |
A |
fitzgerald |
|
|
1016 (XALL) |
0 |
20 |
A |
fitzgerald |
|
|
1016 (XALL) |
0 |
20 |
A |
fitzgerald |
|
|
1016 (XALL) |
0 |
20 |
A |
fitzgerald |
|
|
1016 (XALL) |
0 |
20 |
A |
fitzgerald |
|
|
1016 (XALL) |
0 |
20 |
A |
fitzgerald |
|
|
1016 (XALL) |
0 |
20 |
A |
fitzgerald |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
fitzgerald |
|
|
1016 (XALL) |
0 |
20 |
A |
fitzgeralds |
|
|
1016 (XALL) |
0 |
20 |
A |
fitzgeralds |
|
|
1016 (XALL) |
0 |
20 |
A |
fitzgeralds |
|
|
1016 (XALL) |
0 |
20 |
A |
flouting |
|
|
1016 (XALL) |
0 |
20 |
A |
footage |
|
|
1016 (XALL) |
0 |
20 |
A |
for |
|
|
1016 (XALL) |
0 |
20 |
A |
fresh |
|
|
1016 (XALL) |
0 |
20 |
A |
from |
|
|
1016 (XALL) |
0 |
20 |
A |
from |
|
|
1016 (XALL) |
0 |
20 |
A |
from |
|
|
1016 (XALL) |
0 |
20 |
A |
front |
|
|
1016 (XALL) |
0 |
20 |
A |
gaps |
|
|
1016 (XALL) |
0 |
20 |
A |
generation |
|
|
1016 (XALL) |
0 |
20 |
A |
genre |
|
|
1016 (XALL) |
0 |
20 |
A |
genres |
|
|
1016 (XALL) |
0 |
20 |
A |
girls |
|
|
1016 (XALL) |
0 |
20 |
A |
girls |
|
|
1016 (XALL) |
0 |
20 |
A |
glimpses |
|
|
1016 (XALL) |
0 |
20 |
A |
going |
|
|
1016 (XALL) |
0 |
20 |
A |
got |
|
|
1016 (XALL) |
0 |
20 |
A |
her |
|
|
1016 (XALL) |
0 |
20 |
A |
her |
|
|
1016 (XALL) |
0 |
20 |
A |
her |
|
|
1016 (XALL) |
0 |
20 |
A |
her |
|
|
1016 (XALL) |
0 |
20 |
A |
her |
|
|
1016 (XALL) |
0 |
20 |
A |
herself |
|
|
1016 (XALL) |
0 |
20 |
A |
historian |
|
|
1016 (XALL) |
0 |
20 |
A |
historic |
|
|
1016 (XALL) |
0 |
20 |
A |
home |
|
|
1016 (XALL) |
0 |
20 |
A |
how |
|
|
1016 (XALL) |
0 |
20 |
A |
illustrationen |
|
|
1016 (XALL) |
0 |
20 |
A |
improvisor |
|
|
1016 (XALL) |
0 |
20 |
A |
indepth |
|
|
1016 (XALL) |
0 |
20 |
A |
innovator |
|
|
1016 (XALL) |
0 |
20 |
A |
innovator |
|
|
1016 (XALL) |
0 |
20 |
A |
interpreting |
|
|
1016 (XALL) |
0 |
20 |
A |
interviews |
|
|
1016 (XALL) |
0 |
20 |
A |
into |
|
|
1016 (XALL) |
0 |
20 |
A |
isbn |
|
|
1016 (XALL) |
0 |
20 |
A |
it |
|
|
1016 (XALL) |
0 |
20 |
A |
it |
|
|
1016 (XALL) |
0 |
20 |
A |
its |
|
|
1016 (XALL) |
0 |
20 |
A |
its |
|
|
1016 (XALL) |
0 |
20 |
A |
jazz |
|
|
1016 (XALL) |
0 |
20 |
A |
jazz |
|
|
1016 (XALL) |
0 |
20 |
A |
jazz |
|
|
1016 (XALL) |
0 |
20 |
A |
jazz |
|
|
1016 (XALL) |
0 |
20 |
A |
jazz |
|
|
1016 (XALL) |
0 |
20 |
A |
jazz |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
jazz |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
jazz |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
jazz |
|
|
1016 (XALL) |
0 |
20 |
A |
judith |
|
|
1016 (XALL) |
0 |
20 |
A |
judith |
|
|
1016 (XALL) |
0 |
20 |
A |
judith |
|
|
1016 (XALL) |
0 |
20 |
A |
keeping |
|
|
1016 (XALL) |
0 |
20 |
A |
label |
|
|
1016 (XALL) |
0 |
20 |
A |
landmark |
|
|
1016 (XALL) |
0 |
20 |
A |
landmark |
|
|
1016 (XALL) |
0 |
20 |
A |
leader |
|
|
1016 (XALL) |
0 |
20 |
A |
learn |
|
|
1016 (XALL) |
0 |
20 |
A |
learn |
|
|
1016 (XALL) |
0 |
20 |
A |
light |
|
|
1016 (XALL) |
0 |
20 |
A |
long |
|
|
1016 (XALL) |
0 |
20 |
A |
long |
|
|
1016 (XALL) |
0 |
20 |
A |
longenduring |
|
|
1016 (XALL) |
0 |
20 |
A |
longlost |
|
|
1016 (XALL) |
0 |
20 |
A |
lost |
|
|
1016 (XALL) |
0 |
20 |
A |
made |
|
|
1016 (XALL) |
0 |
20 |
A |
mainstream |
|
|
1016 (XALL) |
0 |
20 |
A |
major |
|
|
1016 (XALL) |
0 |
20 |
A |
major |
|
|
1016 (XALL) |
0 |
20 |
A |
major |
|
|
1016 (XALL) |
0 |
20 |
A |
me |
|
|
1016 (XALL) |
0 |
20 |
A |
me |
|
|
1016 (XALL) |
0 |
20 |
A |
me |
|
|
1016 (XALL) |
0 |
20 |
A |
me |
|
|
1016 (XALL) |
0 |
20 |
A |
midcentury |
|
|
1016 (XALL) |
0 |
20 |
A |
midcentury |
|
|
1016 (XALL) |
0 |
20 |
A |
mobile |
|
|
1016 (XALL) |
0 |
20 |
A |
models |
|
|
1016 (XALL) |
0 |
20 |
A |
modern |
|
|
1016 (XALL) |
0 |
20 |
A |
modernist |
|
|
1016 (XALL) |
0 |
20 |
A |
modernist |
|
|
1016 (XALL) |
0 |
20 |
A |
modernist |
|
|
1016 (XALL) |
0 |
20 |
A |
moon |
|
|
1016 (XALL) |
0 |
20 |
A |
most |
|
|
1016 (XALL) |
0 |
20 |
A |
mother |
|
|
1016 (XALL) |
0 |
20 |
A |
musical |
|
|
1016 (XALL) |
0 |
20 |
A |
mysteries |
|
|
1016 (XALL) |
0 |
20 |
A |
narrative |
|
|
1016 (XALL) |
0 |
20 |
A |
navigated |
|
|
1016 (XALL) |
0 |
20 |
A |
new |
|
|
1016 (XALL) |
0 |
20 |
A |
new |
|
|
1016 (XALL) |
0 |
20 |
A |
new |
|
|
1016 (XALL) |
0 |
20 |
A |
newly |
|
|
1016 (XALL) |
0 |
20 |
A |
newspapers |
|
|
1016 (XALL) |
0 |
20 |
A |
nights |
|
|
1016 (XALL) |
0 |
20 |
A |
norton |
|
|
1016 (XALL) |
0 |
20 |
A |
notenbeispiele |
|
|
1016 (XALL) |
0 |
20 |
A |
ny |
|
|
1016 (XALL) |
0 |
20 |
A |
oasis |
|
|
1016 (XALL) |
0 |
20 |
A |
oeuvre |
|
|
1016 (XALL) |
0 |
20 |
A |
offer |
|
|
1016 (XALL) |
0 |
20 |
A |
offers |
|
|
1016 (XALL) |
0 |
20 |
A |
one |
|
|
1016 (XALL) |
0 |
20 |
A |
onstage |
|
|
1016 (XALL) |
0 |
20 |
A |
orbit |
|
|
1016 (XALL) |
0 |
20 |
A |
orchestra |
|
|
1016 (XALL) |
0 |
20 |
A |
original |
|
|
1016 (XALL) |
0 |
20 |
A |
originality |
|
|
1016 (XALL) |
0 |
20 |
A |
performances |
|
|
1016 (XALL) |
0 |
20 |
A |
philharmonic |
|
|
1016 (XALL) |
0 |
20 |
A |
philharmonic |
|
|
1016 (XALL) |
0 |
20 |
A |
phrase |
|
|
1016 (XALL) |
0 |
20 |
A |
pioneer |
|
|
1016 (XALL) |
0 |
20 |
A |
please |
|
|
1016 (XALL) |
0 |
20 |
A |
pop |
|
|
1016 (XALL) |
0 |
20 |
A |
porter |
|
|
1016 (XALL) |
0 |
20 |
A |
portrait |
|
|
1016 (XALL) |
0 |
20 |
A |
possessed |
|
|
1016 (XALL) |
0 |
20 |
A |
precious |
|
|
1016 (XALL) |
0 |
20 |
A |
press |
|
|
1016 (XALL) |
0 |
20 |
A |
problem |
|
|
1016 (XALL) |
0 |
20 |
A |
produced |
|
|
1016 (XALL) |
0 |
20 |
A |
profiles |
|
|
1016 (XALL) |
0 |
20 |
A |
push |
|
|
1016 (XALL) |
0 |
20 |
A |
push |
|
|
1016 (XALL) |
0 |
20 |
A |
quite |
|
|
1016 (XALL) |
0 |
20 |
A |
racial |
|
|
1016 (XALL) |
0 |
20 |
A |
rarely |
|
|
1016 (XALL) |
0 |
20 |
A |
reclaims |
|
|
1016 (XALL) |
0 |
20 |
A |
reclaims |
|
|
1016 (XALL) |
0 |
20 |
A |
recorded |
|
|
1016 (XALL) |
0 |
20 |
A |
recordings |
|
|
1016 (XALL) |
0 |
20 |
A |
reformatory |
|
|
1016 (XALL) |
0 |
20 |
A |
reinventing |
|
|
1016 (XALL) |
0 |
20 |
A |
released |
|
|
1016 (XALL) |
0 |
20 |
A |
renowned |
|
|
1016 (XALL) |
0 |
20 |
A |
research |
|
|
1016 (XALL) |
0 |
20 |
A |
reviews |
|
|
1016 (XALL) |
0 |
20 |
A |
risk |
|
|
1016 (XALL) |
0 |
20 |
A |
risktaker |
|
|
1016 (XALL) |
0 |
20 |
A |
sang |
|
|
1016 (XALL) |
0 |
20 |
A |
scene |
|
|
1016 (XALL) |
0 |
20 |
A |
school |
|
|
1016 (XALL) |
0 |
20 |
A |
second |
|
|
1016 (XALL) |
0 |
20 |
A |
seen |
|
|
1016 (XALL) |
0 |
20 |
A |
segregates |
|
|
1016 (XALL) |
0 |
20 |
A |
seiten |
|
|
1016 (XALL) |
0 |
20 |
A |
seiten |
|
|
1016 (XALL) |
0 |
20 |
A |
setlists |
|
|
1016 (XALL) |
0 |
20 |
A |
she |
|
|
1016 (XALL) |
0 |
20 |
A |
she |
|
|
1016 (XALL) |
0 |
20 |
A |
she |
|
|
1016 (XALL) |
0 |
20 |
A |
she |
|
|
1016 (XALL) |
0 |
20 |
A |
shed |
|
|
1016 (XALL) |
0 |
20 |
A |
shifting |
|
|
1016 (XALL) |
0 |
20 |
A |
significant |
|
|
1016 (XALL) |
0 |
20 |
A |
since |
|
|
1016 (XALL) |
0 |
20 |
A |
sing |
|
|
1016 (XALL) |
0 |
20 |
A |
singer |
|
|
1016 (XALL) |
0 |
20 |
A |
singer |
|
|
1016 (XALL) |
0 |
20 |
A |
singer |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
singer |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
singer |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
singer |
|
|
1016 (XALL) |
0 |
20 |
A |
singers |
|
|
1016 (XALL) |
0 |
20 |
A |
song |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
song |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
song |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
song |
|
|
1016 (XALL) |
0 |
20 |
A |
spent |
|
|
1016 (XALL) |
0 |
20 |
A |
spontaneity |
|
|
1016 (XALL) |
0 |
20 |
A |
standard |
|
|
1016 (XALL) |
0 |
20 |
A |
struggles |
|
|
1016 (XALL) |
0 |
20 |
A |
sublime |
|
|
1016 (XALL) |
0 |
20 |
A |
swing |
|
|
1016 (XALL) |
0 |
20 |
A |
swingsong |
|
|
1016 (XALL) |
0 |
20 |
A |
tafeln |
|
|
1016 (XALL) |
0 |
20 |
A |
taker |
|
|
1016 (XALL) |
0 |
20 |
A |
tense |
|
|
1016 (XALL) |
0 |
20 |
A |
that |
|
|
1016 (XALL) |
0 |
20 |
A |
that |
|
|
1016 (XALL) |
0 |
20 |
A |
that |
|
|
1016 (XALL) |
0 |
20 |
A |
this |
|
|
1016 (XALL) |
0 |
20 |
A |
this |
|
|
1016 (XALL) |
0 |
20 |
A |
tick |
|
|
1016 (XALL) |
0 |
20 |
A |
tick |
|
|
1016 (XALL) |
0 |
20 |
A |
tick |
|
|
1016 (XALL) |
0 |
20 |
A |
tick |
|
|
1016 (XALL) |
0 |
20 |
A |
ticks |
|
|
1016 (XALL) |
0 |
20 |
A |
tides |
|
|
1016 (XALL) |
0 |
20 |
A |
together |
|
|
1016 (XALL) |
0 |
20 |
A |
together |
|
|
1016 (XALL) |
0 |
20 |
A |
traditional |
|
|
1016 (XALL) |
0 |
20 |
A |
tragic |
|
|
1016 (XALL) |
0 |
20 |
A |
transcendence |
|
|
1016 (XALL) |
0 |
20 |
A |
transformational |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
transformed |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
transformed |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
transformed |
|
|
1016 (XALL) |
0 |
20 |
A |
triumphs |
|
|
1016 (XALL) |
0 |
20 |
A |
truckin |
|
|
1016 (XALL) |
0 |
20 |
A |
truckin |
|
|
1016 (XALL) |
0 |
20 |
A |
trying |
|
|
1016 (XALL) |
0 |
20 |
A |
twentieth |
|
|
1016 (XALL) |
0 |
20 |
A |
ungezaehlte |
|
|
1016 (XALL) |
0 |
20 |
A |
ungezählte |
|
|
1016 (XALL) |
0 |
20 |
A |
up |
|
|
1016 (XALL) |
0 |
20 |
A |
upending |
|
|
1016 (XALL) |
0 |
20 |
A |
upwardly |
|
|
1016 (XALL) |
0 |
20 |
A |
used |
|
|
1016 (XALL) |
0 |
20 |
A |
verfasserin |
|
|
1016 (XALL) |
0 |
20 |
A |
view |
|
|
1016 (XALL) |
0 |
20 |
A |
vocal |
|
|
1016 (XALL) |
0 |
20 |
A |
vocal |
|
|
1016 (XALL) |
0 |
20 |
A |
voices |
|
|
1016 (XALL) |
0 |
20 |
A |
w |
|
|
1016 (XALL) |
0 |
20 |
A |
w |
|
|
1016 (XALL) |
0 |
20 |
A |
we |
|
|
1016 (XALL) |
0 |
20 |
A |
webb |
|
|
1016 (XALL) |
0 |
20 |
A |
webbs |
|
|
1016 (XALL) |
0 |
20 |
A |
where |
|
|
1016 (XALL) |
0 |
20 |
A |
white |
|
|
1016 (XALL) |
0 |
20 |
A |
white |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
who |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
who |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
who |
|
|
1016 (XALL) |
0 |
20 |
A |
whose |
|
|
1016 (XALL) |
0 |
20 |
A |
wish |
|
|
1016 (XALL) |
0 |
20 |
A |
with |
|
|
1016 (XALL) |
0 |
20 |
A |
with |
|
|
1016 (XALL) |
0 |
20 |
A |
with |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
x |
|
|
1016 (XALL) |
0 |
20 |
A |
xxii |
|
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1016 (XALL) |
0 |
20 |
A |
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|
|
1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
you |
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1016 (XALL) |
0 |
20 |
A |
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8661 (XCLT) |
0 |
21 |
A |
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8661 (XCLT) |
0 |
21 |
A |
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8661 (XCLT) |
0 |
21 |
A |
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8661 (XCLT) |
0 |
21 |
A |
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8661 (XCLT) |
0 |
21 |
A |
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8661 (XCLT) |
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21 |
A |
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8661 (XCLT) |
0 |
21 |
A |
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8661 (XCLT) |
0 |
21 |
A |
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8661 (XCLT) |
0 |
21 |
A |
tick |
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8661 (XCLT) |
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A |
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8661 (XCLT) |
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1018 (XVLG), 2100 (XVER) |
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1018 (XVLG), 2100 (XVER) |
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22 |
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22 |
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22 |
B |
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59 (XVLO), 2100 (XVER) |
0 |
22 |
a |
york |
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8314 (XPUS) |
0 |
23 |
A |
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8314 (XPUS) |
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A |
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12 (XPPN) |
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X |
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2050 (XCOD), 8630 (XIMD) |
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2050 (XCOD), 8630 (XIMD) |
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A |
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31 |
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2050 (XCOD), 8630 (XIMD) |
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31 |
E |
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2050 (XCOD), 8630 (XIMD) |
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2050 (XCOD), 8630 (XIMD) |
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31 |
E |
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2050 (XCOD), 8630 (XIMD) |
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31 |
E |
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2050 (XCOD), 8630 (XIMD) |
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31 |
E |
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2050 (XCOD), 8630 (XIMD) |
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31 |
E |
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1053 (XLCD), 2050 (XCOD) |
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31 |
B |
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1053 (XLCD), 2050 (XCOD) |
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31 |
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2050 (XCOD), 8630 (XIMD) |
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31 |
E |
zu |
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8600 (XBBG) |
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A |
Aax |
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5041 (XTHM) |
0 |
42 |
A |
american |
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5041 (XTHM) |
0 |
42 |
A |
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5041 (XTHM) |
0 |
42 |
A |
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5041 (XTHM) |
0 |
42 |
A |
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5041 (XTHM) |
0 |
42 |
A |
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5041 (XTHM) |
0 |
42 |
A |
jazz |
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5041 (XTHM) |
0 |
42 |
A |
jazz |
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5041 (XTHM) |
0 |
42 |
A |
judith |
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5041 (XTHM) |
0 |
42 |
A |
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5041 (XTHM) |
0 |
42 |
A |
singer |
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5041 (XTHM) |
0 |
42 |
A |
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5041 (XTHM) |
0 |
42 |
A |
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5041 (XTHM) |
0 |
42 |
A |
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5041 (XTHM) |
0 |
42 |
A |
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5041 (XTHM) |
0 |
42 |
A |
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5041 (XTHM) |
0 |
42 |
A |
who |
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5041 (XTHM) |
0 |
42 |
A |
who |
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8715 |
0 |
53 |
B |
xd-us |
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8205 (XSSG), 8206 (XSFK) |
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58 |
B |
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8205 (XSSG), 8206 (XSFK) |
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58 |
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8205 (XSSG), 8206 (XSFK) |
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58 |
B |
fidmusde12 |
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8205 (XSSG), 8206 (XSFK) |
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58 |
B |
mus |
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1012 (XAED) |
0 |
64 |
A |
0001 |
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1012 (XAED) |
0 |
64 |
A |
2024-05-08 |
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1012 (XAED) |
0 |
64 |
A |
2024-05-08 14 36 43.000 |
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8399 (XTMP) |
0 |
110 |
A |
k10plus |
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1016 (XALL) |
0 |
20 |
a |
4521676197 |
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8000 (XEPN) |
0 |
25 |
Y |
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8636 (XAUI) |
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45 |
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a |
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2140 (XSGB) |
0 |
45 |
A |
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8317 (XSGC) |
0 |
45 |
B |
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2170 (XSGN) |
0 |
53 |
A |
bestellt |
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4012 (XAEE) |
0 |
64 |
B |
2024-05-08 |
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4015 (XSXN) |
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64 |
C |
2024-05-08 |
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4015 (XSXN) |
0 |
64 |
C |
2024-05-08 |
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30 (XDTM) |
0 |
65 |
A |
20240508 |
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|
8410 (XSLK) |
0 |
65 |
B |
a 2024-05-08 |
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8149 (XSLS) |
0 |
77 |
B |
a |
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33 (XTSL) |
0 |
0 |
@ |
becoelfi |
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33 (XTSL) |
0 |
0 |
@ |
jazzsiwht |
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1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
judith |
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1003 (XGPK), 2088 (XPST) |
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3 |
B |
tick |
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1000 (XATS) |
0 |
9 |
I |
tickbeco |
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8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
becoming ella fitzgerald |
|
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8060 (XHTP), 8062 (XTPR) |
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10 |
b |
jazz singer who transformed american song |
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7 (XISB), 1007 (XNUM) |
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14 |
a |
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7 (XISB), 1007 (XNUM) |
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7 (XISB), 1007 (XNUM) |
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1007 (XNUM), 8530 (XSNR) |
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z |
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7 (XISB), 1007 (XNUM) |
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14 |
a |
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1 (XPRS), 1004 (XPER) |
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16 |
A |
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3010 (XSYS), 8272 (XSDC) |
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18 |
m |
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8312 (XSRR), 8544 (XGTI) |
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E |
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1010 (XTXT), 1016 (XALL) |
0 |
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1010 (XTXT), 1016 (XALL) |
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1010 (XTXT), 1016 (XALL) |
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1016 (XALL) |
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A |
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1016 (XALL) |
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C |
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1016 (XALL) |
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A |
0393242021 |
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1010 (XTXT), 1016 (XALL) |
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20 |
C |
1 |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
1917 |
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1016 (XALL) |
0 |
20 |
A |
1917 |
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1016 (XALL) |
0 |
20 |
A |
19171932 |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
1933 |
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1016 (XALL) |
0 |
20 |
A |
19331935 |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
1935 |
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1016 (XALL) |
0 |
20 |
A |
1935 |
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1016 (XALL) |
0 |
20 |
A |
1935 |
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1016 (XALL) |
0 |
20 |
A |
19351936 |
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1016 (XALL) |
0 |
20 |
A |
1936 |
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1016 (XALL) |
0 |
20 |
A |
1936 |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
1938 |
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1016 (XALL) |
0 |
20 |
A |
1939 |
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1016 (XALL) |
0 |
20 |
A |
1939 |
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1016 (XALL) |
0 |
20 |
A |
1940 |
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1016 (XALL) |
0 |
20 |
A |
19401942 |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
1942 |
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1016 (XALL) |
0 |
20 |
A |
1945 |
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1016 (XALL) |
0 |
20 |
A |
1945 |
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1016 (XALL) |
0 |
20 |
A |
19451947 |
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1016 (XALL) |
0 |
20 |
A |
1947 |
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1016 (XALL) |
0 |
20 |
A |
1947 |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
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20 |
A |
1949 |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
1953 |
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1016 (XALL) |
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A |
1954 |
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1016 (XALL) |
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20 |
A |
1954 |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
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20 |
A |
1955 |
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1016 (XALL) |
0 |
20 |
A |
1956 |
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1016 (XALL) |
0 |
20 |
A |
1956 |
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1016 (XALL) |
0 |
20 |
A |
1956 |
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1016 (XALL) |
0 |
20 |
A |
19561957 |
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1016 (XALL) |
0 |
20 |
A |
19561957 |
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1016 (XALL) |
0 |
20 |
A |
1957 |
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1016 (XALL) |
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20 |
A |
1957 |
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1016 (XALL) |
0 |
20 |
A |
1957 |
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1016 (XALL) |
0 |
20 |
A |
19571958 |
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1016 (XALL) |
0 |
20 |
A |
1958 |
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1016 (XALL) |
0 |
20 |
A |
1959 |
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1016 (XALL) |
0 |
20 |
A |
1959 |
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1016 (XALL) |
0 |
20 |
A |
1960 |
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1016 (XALL) |
0 |
20 |
A |
19601964 |
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1016 (XALL) |
0 |
20 |
A |
1963 |
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1016 (XALL) |
0 |
20 |
A |
19631965 |
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1016 (XALL) |
0 |
20 |
A |
1964 |
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1016 (XALL) |
0 |
20 |
A |
1965 |
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1016 (XALL) |
0 |
20 |
A |
1966 |
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1016 (XALL) |
0 |
20 |
A |
19661967 |
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1016 (XALL) |
0 |
20 |
A |
1967 |
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1016 (XALL) |
0 |
20 |
A |
1968 |
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1016 (XALL) |
0 |
20 |
A |
19681969 |
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1016 (XALL) |
0 |
20 |
A |
1969 |
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1016 (XALL) |
0 |
20 |
A |
1970 |
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1016 (XALL) |
0 |
20 |
A |
19701972 |
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1016 (XALL) |
0 |
20 |
A |
1972 |
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1016 (XALL) |
0 |
20 |
A |
1973 |
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1016 (XALL) |
0 |
20 |
A |
19731978 |
|
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1016 (XALL) |
0 |
20 |
A |
1978 |
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1016 (XALL) |
0 |
20 |
A |
1979 |
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1016 (XALL) |
0 |
20 |
A |
19791985 |
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1016 (XALL) |
0 |
20 |
A |
1985 |
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1016 (XALL) |
0 |
20 |
A |
1986 |
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1016 (XALL) |
0 |
20 |
A |
19861996 |
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1016 (XALL) |
0 |
20 |
A |
1996 |
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1016 (XALL) |
0 |
20 |
A |
1996 |
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1016 (XALL) |
0 |
20 |
A |
2024 |
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31 (XJAH), 1016 (XALL) |
0 |
20 |
W |
2024 |
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31 (XJAH), 1016 (XALL) |
0 |
20 |
W |
2024 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
24105 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
24105 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
24202 |
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1016 (XALL) |
0 |
20 |
A |
243 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
393 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
393 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
393 |
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1016 (XALL) |
0 |
20 |
A |
560 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
978 |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
978 |
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1016 (XALL) |
0 |
20 |
A |
9780393241051 |
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1016 (XALL) |
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A |
9780393241051 |
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1010 (XTXT), 1016 (XALL) |
0 |
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C |
9780393241051 |
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1016 (XALL) |
0 |
20 |
A |
9780393242027 |
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1016 (XALL) |
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20 |
A |
9780393242027 |
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1010 (XTXT), 1016 (XALL) |
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20 |
C |
9780393242027 |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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4 (XTIT), 1016 (XALL) |
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20 |
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4 (XTIT), 1016 (XALL) |
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20 |
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4 (XTIT), 1016 (XALL) |
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20 |
B |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
artist |
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1016 (XALL) |
0 |
20 |
A |
as |
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1016 (XALL) |
0 |
20 |
A |
as |
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1016 (XALL) |
0 |
20 |
A |
as |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
as |
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1016 (XALL) |
0 |
20 |
A |
as |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
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A |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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|
1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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A |
black |
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1016 (XALL) |
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A |
black |
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1016 (XALL) |
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A |
black |
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1016 (XALL) |
0 |
20 |
A |
book |
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1016 (XALL) |
0 |
20 |
A |
both |
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1016 (XALL) |
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A |
can |
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1016 (XALL) |
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A |
career |
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1016 (XALL) |
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20 |
A |
categories |
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1016 (XALL) |
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20 |
A |
century |
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1016 (XALL) |
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A |
centurys |
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1016 (XALL) |
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A |
changing |
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1016 (XALL) |
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A |
chick |
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1016 (XALL) |
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A |
chick |
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1016 (XALL) |
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A |
childhood |
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1016 (XALL) |
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A |
choir |
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1016 (XALL) |
0 |
20 |
A |
clears |
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1016 (XALL) |
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A |
cm |
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1016 (XALL) |
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20 |
A |
cole |
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1016 (XALL) |
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20 |
A |
company |
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1016 (XALL) |
0 |
20 |
A |
compelling |
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1016 (XALL) |
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20 |
A |
complicated |
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1016 (XALL) |
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20 |
A |
constricting |
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1016 (XALL) |
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20 |
A |
dancer |
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1016 (XALL) |
0 |
20 |
A |
death |
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1016 (XALL) |
0 |
20 |
A |
death |
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1016 (XALL) |
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20 |
A |
depicts |
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1016 (XALL) |
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20 |
A |
depth |
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1016 (XALL) |
0 |
20 |
A |
detail |
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1016 (XALL) |
0 |
20 |
A |
difficult |
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1016 (XALL) |
0 |
20 |
A |
discrimination |
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1016 (XALL) |
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A |
dizzy |
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1016 (XALL) |
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A |
dizzy |
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1016 (XALL) |
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A |
don |
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1016 (XALL) |
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A |
dont |
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1016 (XALL) |
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20 |
A |
down |
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1016 (XALL) |
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20 |
A |
dreamed |
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1016 (XALL) |
0 |
20 |
A |
early |
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1016 (XALL), 8623 (XABZ) |
0 |
20 |
K |
edition |
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1016 (XALL) |
0 |
20 |
A |
ella |
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1016 (XALL) |
0 |
20 |
A |
ella |
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1016 (XALL) |
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20 |
A |
ella |
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1016 (XALL) |
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20 |
A |
ella |
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1016 (XALL) |
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20 |
A |
ella |
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1016 (XALL) |
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A |
ella |
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1016 (XALL) |
0 |
20 |
A |
ella |
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1016 (XALL) |
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20 |
A |
ella |
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1016 (XALL) |
0 |
20 |
A |
ella |
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1016 (XALL) |
0 |
20 |
A |
ella |
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1016 (XALL) |
0 |
20 |
A |
ella |
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4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
ella |
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1016 (XALL) |
0 |
20 |
A |
ellas |
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1016 (XALL) |
0 |
20 |
A |
ellas |
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1016 (XALL) |
0 |
20 |
A |
end |
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1016 (XALL) |
0 |
20 |
A |
end |
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1016 (XALL) |
0 |
20 |
A |
enduring |
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1016 (XALL) |
0 |
20 |
A |
europe |
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1016 (XALL) |
0 |
20 |
A |
ever |
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1016 (XALL) |
0 |
20 |
A |
every |
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1016 (XALL) |
0 |
20 |
A |
everyone |
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1016 (XALL) |
0 |
20 |
A |
everyone |
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1016 (XALL) |
0 |
20 |
A |
exceptional |
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1016 (XALL) |
0 |
20 |
A |
experiences |
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1016 (XALL) |
0 |
20 |
A |
experiment |
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1016 (XALL) |
0 |
20 |
A |
explores |
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1016 (XALL) |
0 |
20 |
A |
family |
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1016 (XALL) |
0 |
20 |
A |
feature |
|
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1016 (XALL) |
0 |
20 |
A |
femininity |
|
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1016 (XALL) |
0 |
20 |
A |
first |
|
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1016 (XALL), 8623 (XABZ) |
0 |
20 |
K |
first |
|
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1016 (XALL) |
0 |
20 |
A |
fitzgerald |
|
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1016 (XALL) |
0 |
20 |
A |
fitzgerald |
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1016 (XALL) |
0 |
20 |
A |
fitzgerald |
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1016 (XALL) |
0 |
20 |
A |
fitzgerald |
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1016 (XALL) |
0 |
20 |
A |
fitzgerald |
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1016 (XALL) |
0 |
20 |
A |
fitzgerald |
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1016 (XALL) |
0 |
20 |
A |
fitzgerald |
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1016 (XALL) |
0 |
20 |
A |
fitzgerald |
|
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4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
fitzgerald |
|
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1016 (XALL) |
0 |
20 |
A |
fitzgeralds |
|
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1016 (XALL) |
0 |
20 |
A |
fitzgeralds |
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1016 (XALL) |
0 |
20 |
A |
fitzgeralds |
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1016 (XALL) |
0 |
20 |
A |
flouting |
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1016 (XALL) |
0 |
20 |
A |
footage |
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1016 (XALL) |
0 |
20 |
A |
for |
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1016 (XALL) |
0 |
20 |
A |
fresh |
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1016 (XALL) |
0 |
20 |
A |
from |
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1016 (XALL) |
0 |
20 |
A |
from |
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1016 (XALL) |
0 |
20 |
A |
from |
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1016 (XALL) |
0 |
20 |
A |
front |
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1016 (XALL) |
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20 |
A |
gaps |
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1016 (XALL) |
0 |
20 |
A |
generation |
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1016 (XALL) |
0 |
20 |
A |
genre |
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1016 (XALL) |
0 |
20 |
A |
genres |
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1016 (XALL) |
0 |
20 |
A |
girls |
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1016 (XALL) |
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20 |
A |
girls |
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1016 (XALL) |
0 |
20 |
A |
glimpses |
|
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1016 (XALL) |
0 |
20 |
A |
going |
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1016 (XALL) |
0 |
20 |
A |
got |
|
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1016 (XALL) |
0 |
20 |
A |
her |
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1016 (XALL) |
0 |
20 |
A |
her |
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1016 (XALL) |
0 |
20 |
A |
her |
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1016 (XALL) |
0 |
20 |
A |
her |
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1016 (XALL) |
0 |
20 |
A |
her |
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1016 (XALL) |
0 |
20 |
A |
herself |
|
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1016 (XALL) |
0 |
20 |
A |
historian |
|
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1016 (XALL) |
0 |
20 |
A |
historic |
|
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1016 (XALL) |
0 |
20 |
A |
home |
|
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1016 (XALL) |
0 |
20 |
A |
how |
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1016 (XALL) |
0 |
20 |
A |
illustrationen |
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1016 (XALL) |
0 |
20 |
A |
improvisor |
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1016 (XALL) |
0 |
20 |
A |
indepth |
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1016 (XALL) |
0 |
20 |
A |
innovator |
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1016 (XALL) |
0 |
20 |
A |
innovator |
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1016 (XALL) |
0 |
20 |
A |
interpreting |
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1016 (XALL) |
0 |
20 |
A |
interviews |
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1016 (XALL) |
0 |
20 |
A |
into |
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1016 (XALL) |
0 |
20 |
A |
isbn |
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1016 (XALL) |
0 |
20 |
A |
it |
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1016 (XALL) |
0 |
20 |
A |
it |
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1016 (XALL) |
0 |
20 |
A |
its |
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1016 (XALL) |
0 |
20 |
A |
its |
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1016 (XALL) |
0 |
20 |
A |
jazz |
|
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1016 (XALL) |
0 |
20 |
A |
jazz |
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1016 (XALL) |
0 |
20 |
A |
jazz |
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1016 (XALL) |
0 |
20 |
A |
jazz |
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1016 (XALL) |
0 |
20 |
A |
jazz |
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1016 (XALL) |
0 |
20 |
A |
jazz |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
jazz |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
jazz |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
jazz |
|
|
1016 (XALL) |
0 |
20 |
A |
judith |
|
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1016 (XALL) |
0 |
20 |
A |
judith |
|
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1016 (XALL) |
0 |
20 |
A |
judith |
|
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1016 (XALL) |
0 |
20 |
A |
keeping |
|
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1016 (XALL) |
0 |
20 |
A |
label |
|
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1016 (XALL) |
0 |
20 |
A |
landmark |
|
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1016 (XALL) |
0 |
20 |
A |
landmark |
|
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1016 (XALL) |
0 |
20 |
A |
leader |
|
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1016 (XALL) |
0 |
20 |
A |
learn |
|
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1016 (XALL) |
0 |
20 |
A |
learn |
|
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1016 (XALL) |
0 |
20 |
A |
light |
|
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1016 (XALL) |
0 |
20 |
A |
long |
|
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1016 (XALL) |
0 |
20 |
A |
long |
|
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1016 (XALL) |
0 |
20 |
A |
longenduring |
|
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1016 (XALL) |
0 |
20 |
A |
longlost |
|
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1016 (XALL) |
0 |
20 |
A |
lost |
|
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1016 (XALL) |
0 |
20 |
A |
made |
|
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1016 (XALL) |
0 |
20 |
A |
mainstream |
|
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1016 (XALL) |
0 |
20 |
A |
major |
|
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1016 (XALL) |
0 |
20 |
A |
major |
|
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1016 (XALL) |
0 |
20 |
A |
major |
|
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1016 (XALL) |
0 |
20 |
A |
me |
|
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1016 (XALL) |
0 |
20 |
A |
me |
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1016 (XALL) |
0 |
20 |
A |
me |
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1016 (XALL) |
0 |
20 |
A |
me |
|
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1016 (XALL) |
0 |
20 |
A |
midcentury |
|
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1016 (XALL) |
0 |
20 |
A |
midcentury |
|
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1016 (XALL) |
0 |
20 |
A |
mobile |
|
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1016 (XALL) |
0 |
20 |
A |
models |
|
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1016 (XALL) |
0 |
20 |
A |
modern |
|
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1016 (XALL) |
0 |
20 |
A |
modernist |
|
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1016 (XALL) |
0 |
20 |
A |
modernist |
|
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1016 (XALL) |
0 |
20 |
A |
modernist |
|
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1016 (XALL) |
0 |
20 |
A |
moon |
|
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1016 (XALL) |
0 |
20 |
A |
most |
|
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1016 (XALL) |
0 |
20 |
A |
mother |
|
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1016 (XALL) |
0 |
20 |
A |
musical |
|
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1016 (XALL) |
0 |
20 |
A |
mysteries |
|
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1016 (XALL) |
0 |
20 |
A |
narrative |
|
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1016 (XALL) |
0 |
20 |
A |
navigated |
|
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1016 (XALL) |
0 |
20 |
A |
new |
|
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1016 (XALL) |
0 |
20 |
A |
new |
|
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1016 (XALL) |
0 |
20 |
A |
new |
|
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1016 (XALL) |
0 |
20 |
A |
newly |
|
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1016 (XALL) |
0 |
20 |
A |
newspapers |
|
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1016 (XALL) |
0 |
20 |
A |
nights |
|
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1016 (XALL) |
0 |
20 |
A |
norton |
|
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1016 (XALL) |
0 |
20 |
A |
notenbeispiele |
|
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1016 (XALL) |
0 |
20 |
A |
ny |
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1016 (XALL) |
0 |
20 |
A |
oasis |
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1016 (XALL) |
0 |
20 |
A |
oeuvre |
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1016 (XALL) |
0 |
20 |
A |
offer |
|
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1016 (XALL) |
0 |
20 |
A |
offers |
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1016 (XALL) |
0 |
20 |
A |
one |
|
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1016 (XALL) |
0 |
20 |
A |
onstage |
|
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1016 (XALL) |
0 |
20 |
A |
orbit |
|
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1016 (XALL) |
0 |
20 |
A |
orchestra |
|
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1016 (XALL) |
0 |
20 |
A |
original |
|
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1016 (XALL) |
0 |
20 |
A |
originality |
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1016 (XALL) |
0 |
20 |
A |
performances |
|
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1016 (XALL) |
0 |
20 |
A |
philharmonic |
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1016 (XALL) |
0 |
20 |
A |
philharmonic |
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1016 (XALL) |
0 |
20 |
A |
phrase |
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1016 (XALL) |
0 |
20 |
A |
pioneer |
|
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1016 (XALL) |
0 |
20 |
A |
please |
|
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1016 (XALL) |
0 |
20 |
A |
pop |
|
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1016 (XALL) |
0 |
20 |
A |
porter |
|
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1016 (XALL) |
0 |
20 |
A |
portrait |
|
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1016 (XALL) |
0 |
20 |
A |
possessed |
|
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1016 (XALL) |
0 |
20 |
A |
precious |
|
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1016 (XALL) |
0 |
20 |
A |
press |
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1016 (XALL) |
0 |
20 |
A |
problem |
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1016 (XALL) |
0 |
20 |
A |
produced |
|
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1016 (XALL) |
0 |
20 |
A |
profiles |
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1016 (XALL) |
0 |
20 |
A |
push |
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1016 (XALL) |
0 |
20 |
A |
push |
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1016 (XALL) |
0 |
20 |
A |
quite |
|
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1016 (XALL) |
0 |
20 |
A |
racial |
|
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1016 (XALL) |
0 |
20 |
A |
rarely |
|
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1016 (XALL) |
0 |
20 |
A |
reclaims |
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1016 (XALL) |
0 |
20 |
A |
reclaims |
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1016 (XALL) |
0 |
20 |
A |
recorded |
|
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1016 (XALL) |
0 |
20 |
A |
recordings |
|
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1016 (XALL) |
0 |
20 |
A |
reformatory |
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1016 (XALL) |
0 |
20 |
A |
reinventing |
|
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1016 (XALL) |
0 |
20 |
A |
released |
|
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1016 (XALL) |
0 |
20 |
A |
renowned |
|
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1016 (XALL) |
0 |
20 |
A |
research |
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1016 (XALL) |
0 |
20 |
A |
reviews |
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1016 (XALL) |
0 |
20 |
A |
risk |
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1016 (XALL) |
0 |
20 |
A |
risktaker |
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1016 (XALL) |
0 |
20 |
A |
sang |
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1016 (XALL) |
0 |
20 |
A |
scene |
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1016 (XALL) |
0 |
20 |
A |
school |
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1016 (XALL) |
0 |
20 |
A |
second |
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1016 (XALL) |
0 |
20 |
A |
seen |
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1016 (XALL) |
0 |
20 |
A |
segregates |
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1016 (XALL) |
0 |
20 |
A |
seiten |
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1016 (XALL) |
0 |
20 |
A |
seiten |
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1016 (XALL) |
0 |
20 |
A |
setlists |
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1016 (XALL) |
0 |
20 |
A |
she |
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1016 (XALL) |
0 |
20 |
A |
she |
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1016 (XALL) |
0 |
20 |
A |
she |
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1016 (XALL) |
0 |
20 |
A |
she |
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1016 (XALL) |
0 |
20 |
A |
shed |
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1016 (XALL) |
0 |
20 |
A |
shifting |
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1016 (XALL) |
0 |
20 |
A |
significant |
|
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1016 (XALL) |
0 |
20 |
A |
since |
|
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1016 (XALL) |
0 |
20 |
A |
sing |
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1016 (XALL) |
0 |
20 |
A |
singer |
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1016 (XALL) |
0 |
20 |
A |
singer |
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1016 (XALL) |
0 |
20 |
A |
singer |
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4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
singer |
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4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
singer |
|
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4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
singer |
|
|
1016 (XALL) |
0 |
20 |
A |
singers |
|
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1016 (XALL) |
0 |
20 |
A |
song |
|
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4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
song |
|
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4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
song |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
song |
|
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1016 (XALL) |
0 |
20 |
A |
spent |
|
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1016 (XALL) |
0 |
20 |
A |
spontaneity |
|
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1016 (XALL) |
0 |
20 |
A |
standard |
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1016 (XALL) |
0 |
20 |
A |
struggles |
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1016 (XALL) |
0 |
20 |
A |
sublime |
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1016 (XALL) |
0 |
20 |
A |
swing |
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1016 (XALL) |
0 |
20 |
A |
swingsong |
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1016 (XALL) |
0 |
20 |
A |
tafeln |
|
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1016 (XALL) |
0 |
20 |
A |
taker |
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1016 (XALL) |
0 |
20 |
A |
tense |
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1016 (XALL) |
0 |
20 |
A |
that |
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1016 (XALL) |
0 |
20 |
A |
that |
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1016 (XALL) |
0 |
20 |
A |
that |
|
|
1016 (XALL) |
0 |
20 |
A |
this |
|
|
1016 (XALL) |
0 |
20 |
A |
this |
|
|
1016 (XALL) |
0 |
20 |
A |
tick |
|
|
1016 (XALL) |
0 |
20 |
A |
tick |
|
|
1016 (XALL) |
0 |
20 |
A |
tick |
|
|
1016 (XALL) |
0 |
20 |
A |
tick |
|
|
1016 (XALL) |
0 |
20 |
A |
ticks |
|
|
1016 (XALL) |
0 |
20 |
A |
tides |
|
|
1016 (XALL) |
0 |
20 |
A |
together |
|
|
1016 (XALL) |
0 |
20 |
A |
together |
|
|
1016 (XALL) |
0 |
20 |
A |
traditional |
|
|
1016 (XALL) |
0 |
20 |
A |
tragic |
|
|
1016 (XALL) |
0 |
20 |
A |
transcendence |
|
|
1016 (XALL) |
0 |
20 |
A |
transformational |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
transformed |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
transformed |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
transformed |
|
|
1016 (XALL) |
0 |
20 |
A |
triumphs |
|
|
1016 (XALL) |
0 |
20 |
A |
truckin |
|
|
1016 (XALL) |
0 |
20 |
A |
truckin |
|
|
1016 (XALL) |
0 |
20 |
A |
trying |
|
|
1016 (XALL) |
0 |
20 |
A |
twentieth |
|
|
1016 (XALL) |
0 |
20 |
A |
ungezaehlte |
|
|
1016 (XALL) |
0 |
20 |
A |
ungezählte |
|
|
1016 (XALL) |
0 |
20 |
A |
up |
|
|
1016 (XALL) |
0 |
20 |
A |
upending |
|
|
1016 (XALL) |
0 |
20 |
A |
upwardly |
|
|
1016 (XALL) |
0 |
20 |
A |
used |
|
|
1016 (XALL) |
0 |
20 |
A |
verfasserin |
|
|
1016 (XALL) |
0 |
20 |
A |
view |
|
|
1016 (XALL) |
0 |
20 |
A |
vocal |
|
|
1016 (XALL) |
0 |
20 |
A |
vocal |
|
|
1016 (XALL) |
0 |
20 |
A |
voices |
|
|
1016 (XALL) |
0 |
20 |
A |
w |
|
|
1016 (XALL) |
0 |
20 |
A |
w |
|
|
1016 (XALL) |
0 |
20 |
A |
we |
|
|
1016 (XALL) |
0 |
20 |
A |
webb |
|
|
1016 (XALL) |
0 |
20 |
A |
webbs |
|
|
1016 (XALL) |
0 |
20 |
A |
where |
|
|
1016 (XALL) |
0 |
20 |
A |
white |
|
|
1016 (XALL) |
0 |
20 |
A |
white |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
who |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
who |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
who |
|
|
1016 (XALL) |
0 |
20 |
A |
whose |
|
|
1016 (XALL) |
0 |
20 |
A |
wish |
|
|
1016 (XALL) |
0 |
20 |
A |
with |
|
|
1016 (XALL) |
0 |
20 |
A |
with |
|
|
1016 (XALL) |
0 |
20 |
A |
with |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
x |
|
|
1016 (XALL) |
0 |
20 |
A |
xxii |
|
|
1016 (XALL) |
0 |
20 |
A |
year |
|
|
1016 (XALL) |
0 |
20 |
A |
years |
|
|
1016 (XALL) |
0 |
20 |
A |
yonkers |
|
|
1016 (XALL) |
0 |
20 |
A |
york |
|
|
1016 (XALL) |
0 |
20 |
A |
york |
|
|
1016 (XALL) |
0 |
20 |
A |
you |
|
|
1016 (XALL) |
0 |
20 |
A |
young |
|
|
8661 (XCLT) |
0 |
21 |
A |
american |
|
|
8661 (XCLT) |
0 |
21 |
A |
becoming |
|
|
8661 (XCLT) |
0 |
21 |
A |
ella |
|
|
8661 (XCLT) |
0 |
21 |
A |
fitzgerald |
|
|
8661 (XCLT) |
0 |
21 |
A |
jazz |
|
|
8661 (XCLT) |
0 |
21 |
A |
judith |
|
|
8661 (XCLT) |
0 |
21 |
A |
singer |
|
|
8661 (XCLT) |
0 |
21 |
A |
song |
|
|
8661 (XCLT) |
0 |
21 |
A |
tick |
|
|
8661 (XCLT) |
0 |
21 |
A |
transformed |
|
|
8661 (XCLT) |
0 |
21 |
A |
who |
|
|
1018 (XVLG), 2100 (XVER) |
0 |
22 |
B |
and |
|
|
1018 (XVLG), 2100 (XVER) |
0 |
22 |
B |
company |
|
|
59 (XVLO), 2100 (XVER) |
0 |
22 |
a |
new |
|
|
1018 (XVLG), 2100 (XVER) |
0 |
22 |
B |
norton |
|
|
59 (XVLO), 2100 (XVER) |
0 |
22 |
a |
ny |
|
|
1018 (XVLG), 2100 (XVER) |
0 |
22 |
B |
w |
|
|
1018 (XVLG), 2100 (XVER) |
0 |
22 |
B |
w |
|
|
59 (XVLO), 2100 (XVER) |
0 |
22 |
a |
york |
|
|
8314 (XPUS) |
0 |
23 |
A |
new york ny |
|
|
8314 (XPUS) |
0 |
23 |
A |
new york ny w w norton and company |
|
|
12 (XPPN) |
0 |
24 |
X |
1888136693 |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
band |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
benutzen |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
bild |
|
|
54 (XSPR), 2050 (XCOD) |
0 |
31 |
A |
eng |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
hilfsmittel |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
n |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
nc |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
ohne |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
sti |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
text |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
txt |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
unbewegtes |
|
|
1053 (XLCD), 2050 (XCOD) |
0 |
31 |
B |
us |
|
|
1053 (XLCD), 2050 (XCOD) |
0 |
31 |
B |
xd |
|
|
1053 (XLCD), 2050 (XCOD) |
0 |
31 |
B |
xdus |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
zu |
|
|
8600 (XBBG) |
0 |
34 |
A |
Aax |
|
|
5041 (XTHM) |
0 |
42 |
A |
american |
|
|
5041 (XTHM) |
0 |
42 |
A |
american |
|
|
5041 (XTHM) |
0 |
42 |
A |
becoming |
|
|
5041 (XTHM) |
0 |
42 |
A |
ella |
|
|
5041 (XTHM) |
0 |
42 |
A |
fitzgerald |
|
|
5041 (XTHM) |
0 |
42 |
A |
jazz |
|
|
5041 (XTHM) |
0 |
42 |
A |
jazz |
|
|
5041 (XTHM) |
0 |
42 |
A |
judith |
|
|
5041 (XTHM) |
0 |
42 |
A |
singer |
|
|
5041 (XTHM) |
0 |
42 |
A |
singer |
|
|
5041 (XTHM) |
0 |
42 |
A |
song |
|
|
5041 (XTHM) |
0 |
42 |
A |
song |
|
|
5041 (XTHM) |
0 |
42 |
A |
tick |
|
|
5041 (XTHM) |
0 |
42 |
A |
transformed |
|
|
5041 (XTHM) |
0 |
42 |
A |
transformed |
|
|
5041 (XTHM) |
0 |
42 |
A |
who |
|
|
5041 (XTHM) |
0 |
42 |
A |
who |
|
|
8715 |
0 |
53 |
B |
xd-us |
|
|
8205 (XSSG), 8206 (XSFK) |
0 |
58 |
B |
de12 |
|
|
8205 (XSSG), 8206 (XSFK) |
0 |
58 |
B |
fid |
|
|
8205 (XSSG), 8206 (XSFK) |
0 |
58 |
B |
fidmusde12 |
|
|
8205 (XSSG), 8206 (XSFK) |
0 |
58 |
B |
mus |
|
|
1012 (XAED) |
0 |
64 |
A |
0001 |
|
|
1012 (XAED) |
0 |
64 |
A |
2024-05-08 |
|
|
1012 (XAED) |
0 |
64 |
A |
2024-05-08 14 36 43.000 |
|
|
8399 (XTMP) |
0 |
110 |
A |
k10plus |
|
|
1016 (XALL) |
0 |
20 |
a |
4521676197 |
|
|
8000 (XEPN) |
0 |
25 |
Y |
4521676197 |
|
|
8636 (XAUI) |
0 |
45 |
C |
a |
|
|
2140 (XSGB) |
0 |
45 |
A |
bestellt |
|
|
8317 (XSGC) |
0 |
45 |
B |
bestellt |
|
|
2170 (XSGN) |
0 |
53 |
A |
bestellt |
|
|
4012 (XAEE) |
0 |
64 |
B |
2024-05-08 |
|
|
4015 (XSXN) |
0 |
64 |
C |
2024-05-08 |
|
|
4015 (XSXN) |
0 |
64 |
C |
2024-05-08 |
|
|
30 (XDTM) |
0 |
65 |
A |
20240508 |
|
|
8410 (XSLK) |
0 |
65 |
B |
a 2024-05-08 |
|
|
8149 (XSLS) |
0 |
77 |
B |
a |
|
|
|
|
IKT |
Mnm |
Access |
Type |
Value |
|
9000 |
JHR |
interval |
interval |
2024-2024 |
|
9001 |
MAT |
upshift |
ascii |
B |
|
9003 |
BKD |
bclcode |
number |
255.255 |
|
9004 |
TAA |
upshift |
ascii |
ENG |
|
9005 |
LND |
upshift |
ascii |
US |
|
9006 |
RBT |
bitmap |
bitmap |
0x00 |
|
9008 |
SUP |
upshift |
ascii |
Y |
|
9022 |
ZBI |
upshift |
ascii |
1 |
|
9029 |
TLT |
upshift |
ascii |
X |
|
9030 |
KEY |
upshift |
ascii |
X |
|
|
|
|
|
7 von 538306 |
|
|
|
7 von 538306 |
|
|
|