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Ihre Aktion |
Suchen (Systematiken (XSYS)) PER004030
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001@ | $e1 |
001A | $0EBP:08-06-23 |
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019@ | $aXD-US |
021A | $a"Singing a Different Tune"$dThe Slavic Film Musical in a Transnational Context$hHelena Goscilo |
028A | $9538268859$8Goscilo, Helena *1945-*$7gnd/133194191$BVerfasserIn$4aut |
028C | $dBeth$aHolmgren$BMitwirkendeR$4ctb |
028C | $dLilya$aKaganovsky$BMitwirkendeR$4ctb |
028C | $dElżbieta$aOstrowska$BMitwirkendeR$4ctb |
028C | $dAlexander$aProkhorov$BMitwirkendeR$4ctb |
028C | $dElena$aProkhorov$BMitwirkendeR$4ctb |
028C | $dRimgaila$aSalys$BMitwirkendeR$4ctb |
028C | $dJustin$aWilmes$BMitwirkendeR$4ctb |
033A | $pBoston, MA$nAcademic Studies Press |
034D | $a1 Online-Ressource (319 Seiten) |
036E | $aFilm and Media Studies |
044A | $N650$Ss$aMusical films$zSlavic countries$xHistory and criticism |
044K | $91668669951$8Liszt, Franz *1811-1886*. Polnisch |
044K | $9104213191$8Musical |
044K | $9104755202$8Musikfilm |
044K | $ADE-16/s57-23 |
044K/01 | $9104253231$8Russisch |
044K/01 | $9104213191$8Musical |
044K/01 | $9104755202$8Musikfilm |
044K/01 | $ADE-16/s57-23 |
044N | $ibisacsh$Ss$aPERFORMING ARTS / Film & Video / History & Criticism |
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045A | $aPN1995.9.M86 |
045F | $e23/eng/20221230$a791.430947 |
045X | $ibisacsh$aPER004030 |
046L | $aIn English |
046M | $aFrontmatter |
046M | $aContents |
046M | $aAcknowledgements |
046M | $aIntroduction |
046M | $aPart One: Polish Film Musicals |
046M | $a1. Early Polish-Language Musicals: The Tug of War between Genre Film and Cabaret |
046M | $a2. Between the Market and the Mirror: Stanisław Bareja’s Marriage of Convenience |
046M | $a3. Paweł Pawlikowski’s Cold War: Music, Space, and Identity |
046M | $a4. The Allure of Agnieszka Smoczyńska’s Lure (2015) as an Intrepid Feminist Hybrid |
046M | $aPart Two: Russian Film Musicals |
046M | $a5. Perplexing Popularity: Ivan Pyr′ev’s Kolkhoz Musical Comedy Films |
046M | $a6. The Thaw as Carnival: Soviet Musical Comedy after Stalin |
046M | $a7. Constructing the Pop Diva: Alla Pugacheva, Sofia Rotaru, and the Celebrity Musical of the 1970s–1980s |
046M | $a8. Postmodernity, Freedom, and Authenticity in Kirill Serebrennikov’s Leto (2018) |
046M | $aFilmography |
046M | $aIndex |
047I | $aA beneficiary of the pioneering incorporation of sound and synchronicity into cinema, the Hollywood musical became the most popular film genre in America’s thirties and forties. Its eastward migration resulted in a barrage of Polish screen musicals that relied on the country’s famous cabaret stars, while in the Soviet Union it inspired the audience-pleasing kolkhoz musicals of Ivan Pyr’ev and their urban counterpart, directed by Grigorii Aleksandrov. Like Stalin, Slavic moviegoers delectated tuneful melodies, mobile bodies in choreographed dance numbers, colorful costumes, and the notion that “all’s well that ends well.” Yet Slavic versions of the musical elaborated scenarios that differed from the Hollywood model. This volume examines the vagaries of this genre in both countries, from its early instantiations to its contemporary variations almost a century after its dramatic birth |
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| |
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IKT |
ILN |
Index |
Key |
Phrase |
|
|
33 (XTSL) |
0 |
0 |
@ |
1 eapol |
|
|
33 (XTSL) |
0 |
0 |
@ |
1 eapom |
|
|
33 (XTSL) |
0 |
0 |
@ |
1 eapom |
|
|
33 (XTSL) |
0 |
0 |
@ |
2 bethm |
|
|
33 (XTSL) |
0 |
0 |
@ |
3 papac |
|
|
33 (XTSL) |
0 |
0 |
@ |
4 thalo |
|
|
33 (XTSL) |
0 |
0 |
@ |
5 pepoi |
|
|
33 (XTSL) |
0 |
0 |
@ |
6 ththa |
|
|
33 (XTSL) |
0 |
0 |
@ |
7 cothp |
|
|
33 (XTSL) |
0 |
0 |
@ |
7 cothp |
|
|
33 (XTSL) |
0 |
0 |
@ |
7 cothp |
|
|
33 (XTSL) |
0 |
0 |
@ |
8 pofra |
|
|
33 (XTSL) |
0 |
0 |
@ |
ackn |
|
|
33 (XTSL) |
0 |
0 |
@ |
cont |
|
|
33 (XTSL) |
0 |
0 |
@ |
film |
|
|
33 (XTSL) |
0 |
0 |
@ |
fron |
|
|
33 (XTSL) |
0 |
0 |
@ |
inde |
|
|
33 (XTSL) |
0 |
0 |
@ |
intr |
|
|
33 (XTSL) |
0 |
0 |
@ |
partonpof |
|
|
33 (XTSL) |
0 |
0 |
@ |
parttwruf |
|
|
33 (XTSL) |
0 |
0 |
@ |
singa dit |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
alexander |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
beth |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
elena |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
elżbieta |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
holmgren |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
justin |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
kaganovsky |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
lilya |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
ostrowska |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
prokhorov |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
prokhorov |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
rimgaila |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
salys |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
wilmes |
|
|
46 (XSP), 8310 (XSWW) |
0 |
8 |
D |
musical films |
|
|
1000 (XATS) |
0 |
9 |
I |
goscsing |
|
|
1000 (XATS) |
0 |
9 |
I |
holmsing |
|
|
1000 (XATS) |
0 |
9 |
I |
kagasing |
|
|
1000 (XATS) |
0 |
9 |
I |
ostrsing |
|
|
1000 (XATS) |
0 |
9 |
I |
proksing |
|
|
1000 (XATS) |
0 |
9 |
I |
proksing |
|
|
1000 (XATS) |
0 |
9 |
I |
salysing |
|
|
1000 (XATS) |
0 |
9 |
I |
wilmsing |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
1. early polishlanguage musicals the tug of war between genre film and cabaret |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
2. between the market and the mirror stanislaw barejas marriage of convenience |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
3. pawel pawlikowskis cold war music space and identity |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
4. the allure of agnieszka smoczyńskas lure 2015 as an intrepid feminist hybrid |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
5. perplexing popularity ivan pyrevs kolkhoz musical comedy films |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
6. the thaw as carnival soviet musical comedy after stalin |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
7. constructing the pop diva alla pugacheva sofia rotaru and the celebrity musical of the 1970s1980s |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
8. postmodernity freedom and authenticity in kirill serebrennikovs leto 2018 |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
acknowledgements |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
contents |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
filmography |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
frontmatter |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
index |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
introduction |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
part one polish film musicals |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
part two russian film musicals |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
singing a different tune |
|
|
5 (XSER), 8541 (XVSE) |
0 |
13 |
A |
and |
|
|
5 (XSER), 8541 (XVSE) |
0 |
13 |
A |
film |
|
|
5 (XSER), 8541 (XVSE) |
0 |
13 |
A |
media |
|
|
5 (XSER), 8541 (XVSE) |
0 |
13 |
A |
studies |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
093081626 |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
093081626 |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
1015159798887191287 |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
653113 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
8887190208 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
888719128x |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
8887191298 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
9798887190204 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
9798887191287 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
9798887191294 |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
ebp093081626 |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
gruy653113 |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
A |
holmgren,beth |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
A |
kaganovsky,lilya |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
A |
ostrowska,elżbieta |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
A |
prokhorov,alexander |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
A |
prokhorov,elena |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
A |
salys,rimgaila |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
A |
wilmes,justin |
|
|
3010 (XSYS), 8272 (XSDC) |
0 |
18 |
m |
791.430947 |
|
|
3010 (XSYS) |
0 |
18 |
P |
per004030 |
|
|
16 (XLCC), 3010 (XSYS) |
0 |
18 |
A |
pn1995.9.m86 |
|
|
16 (XLCC), 3010 (XSYS) |
0 |
18 |
A |
pn1995.9.m86 |
|
|
8312 (XSRR), 8544 (XGTI) |
0 |
19 |
E |
1847913636 |
|
|
8540 (XRTI), 8544 (XGTI) |
0 |
19 |
a |
film and media studies |
|
|
8540 (XRTI), 8544 (XGTI) |
0 |
19 |
a |
film and media studies |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
020 |
|
|
1016 (XALL) |
0 |
20 |
A |
093081626 |
|
|
1016 (XALL) |
0 |
20 |
A |
1 |
|
|
1016 (XALL) |
0 |
20 |
A |
1 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
101515 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
101515 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1015159798887191287 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
128 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
129 |
|
|
1016 (XALL) |
0 |
20 |
A |
1970s |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1970s |
|
|
1016 (XALL) |
0 |
20 |
A |
1970s1980s |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1970s1980s |
|
|
1016 (XALL) |
0 |
20 |
A |
1980s |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1980s |
|
|
1016 (XALL) |
0 |
20 |
A |
2 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
2 |
|
|
1016 (XALL) |
0 |
20 |
A |
2015 |
|
|
1016 (XALL) |
0 |
20 |
A |
2015 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
2015 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
2015 |
|
|
1016 (XALL) |
0 |
20 |
A |
2018 |
|
|
1016 (XALL) |
0 |
20 |
A |
2018 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
2018 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
2018 |
|
|
1016 (XALL) |
0 |
20 |
A |
2023 |
|
|
31 (XJAH), 1016 (XALL) |
0 |
20 |
W |
2023 |
|
|
31 (XJAH), 1016 (XALL) |
0 |
20 |
W |
2023 |
|
|
1016 (XALL) |
0 |
20 |
A |
3 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
3 |
|
|
1016 (XALL) |
0 |
20 |
A |
319 |
|
|
1016 (XALL) |
0 |
20 |
A |
4 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
4 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
4 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
4 |
|
|
1016 (XALL) |
0 |
20 |
A |
5 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
5 |
|
|
1016 (XALL) |
0 |
20 |
A |
6 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
6 |
|
|
1016 (XALL) |
0 |
20 |
A |
7 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
7 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
7 |
|
|
1016 (XALL) |
0 |
20 |
A |
8 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
8 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
8 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
8 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
8 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
88719 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
88719 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
88719 |
|
|
1016 (XALL) |
0 |
20 |
A |
8887190208 |
|
|
1016 (XALL) |
0 |
20 |
A |
888719128x |
|
|
1016 (XALL) |
0 |
20 |
A |
8887191298 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
979 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
979 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
979 |
|
|
1016 (XALL) |
0 |
20 |
A |
9798887190204 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9798887190204 |
|
|
1016 (XALL) |
0 |
20 |
A |
9798887191287 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9798887191287 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9798887191287 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9798887191287 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9798887191287 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9798887191287 |
|
|
1016 (XALL) |
0 |
20 |
A |
9798887191294 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9798887191294 |
|
|
1016 (XALL) |
0 |
20 |
A |
academic |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
accessright |
|
|
1016 (XALL) |
0 |
20 |
A |
acknowledgements |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
acknowledgements |
|
|
1016 (XALL) |
0 |
20 |
A |
after |
|
|
1016 (XALL) |
0 |
20 |
A |
after |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
after |
|
|
1016 (XALL) |
0 |
20 |
A |
agnieszka |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
agnieszka |
|
|
1016 (XALL) |
0 |
20 |
A |
aleksandrov |
|
|
1016 (XALL) |
0 |
20 |
A |
alexander |
|
|
1016 (XALL) |
0 |
20 |
A |
all |
|
|
1016 (XALL) |
0 |
20 |
A |
alla |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
alla |
|
|
1016 (XALL) |
0 |
20 |
A |
alls |
|
|
1016 (XALL) |
0 |
20 |
A |
allure |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
allure |
|
|
1016 (XALL) |
0 |
20 |
A |
almost |
|
|
1016 (XALL) |
0 |
20 |
A |
america |
|
|
1016 (XALL) |
0 |
20 |
A |
americas |
|
|
1016 (XALL) |
0 |
20 |
A |
arts |
|
|
1016 (XALL) |
0 |
20 |
A |
as |
|
|
1016 (XALL) |
0 |
20 |
A |
as |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
as |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
as |
|
|
1016 (XALL) |
0 |
20 |
A |
audience |
|
|
1016 (XALL) |
0 |
20 |
A |
audiencepleasing |
|
|
1016 (XALL) |
0 |
20 |
A |
authenticity |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
authenticity |
|
|
1016 (XALL) |
0 |
20 |
A |
bareja |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
bareja |
|
|
1016 (XALL) |
0 |
20 |
A |
barejas |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
barejas |
|
|
1016 (XALL) |
0 |
20 |
A |
barrage |
|
|
1016 (XALL) |
0 |
20 |
A |
became |
|
|
1016 (XALL) |
0 |
20 |
A |
beneficiary |
|
|
1016 (XALL) |
0 |
20 |
A |
beth |
|
|
1016 (XALL) |
0 |
20 |
A |
between |
|
|
1016 (XALL) |
0 |
20 |
A |
between |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
between |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
between |
|
|
1016 (XALL) |
0 |
20 |
A |
birth |
|
|
1016 (XALL) |
0 |
20 |
A |
bodies |
|
|
1016 (XALL) |
0 |
20 |
A |
boston |
|
|
1016 (XALL) |
0 |
20 |
A |
both |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
c16ec |
|
|
1016 (XALL) |
0 |
20 |
A |
cabaret |
|
|
1016 (XALL) |
0 |
20 |
A |
cabaret |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
cabaret |
|
|
1016 (XALL) |
0 |
20 |
A |
carnival |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
carnival |
|
|
1016 (XALL) |
0 |
20 |
A |
celebrity |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
celebrity |
|
|
1016 (XALL) |
0 |
20 |
A |
century |
|
|
1016 (XALL) |
0 |
20 |
A |
choreographed |
|
|
1016 (XALL) |
0 |
20 |
A |
cinema |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
coar |
|
|
1016 (XALL) |
0 |
20 |
A |
cold |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
cold |
|
|
1016 (XALL) |
0 |
20 |
A |
colorful |
|
|
1016 (XALL) |
0 |
20 |
A |
comedy |
|
|
1016 (XALL) |
0 |
20 |
A |
comedy |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
comedy |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
comedy |
|
|
1016 (XALL) |
0 |
20 |
A |
constructing |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
constructing |
|
|
1016 (XALL) |
0 |
20 |
A |
contemporary |
|
|
1016 (XALL) |
0 |
20 |
A |
contents |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
contents |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
context |
|
|
1016 (XALL) |
0 |
20 |
A |
convenience |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
convenience |
|
|
1016 (XALL) |
0 |
20 |
A |
costumes |
|
|
1016 (XALL) |
0 |
20 |
A |
counterpart |
|
|
1016 (XALL) |
0 |
20 |
A |
countries |
|
|
1016 (XALL) |
0 |
20 |
A |
countries |
|
|
1016 (XALL) |
0 |
20 |
A |
country |
|
|
1016 (XALL) |
0 |
20 |
A |
countrys |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
cover |
|
|
1016 (XALL) |
0 |
20 |
A |
criticism |
|
|
1016 (XALL) |
0 |
20 |
A |
criticism |
|
|
1016 (XALL) |
0 |
20 |
A |
dance |
|
|
1016 (XALL) |
0 |
20 |
A |
delectated |
|
|
1016 (XALL) |
0 |
20 |
A |
differed |
|
|
1016 (XALL) |
0 |
20 |
A |
different |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
different |
|
|
1016 (XALL) |
0 |
20 |
A |
directed |
|
|
1016 (XALL) |
0 |
20 |
A |
diva |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
diva |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
document |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
doiorg |
|
|
1016 (XALL) |
0 |
20 |
A |
dramatic |
|
|
1016 (XALL) |
0 |
20 |
A |
early |
|
|
1016 (XALL) |
0 |
20 |
A |
early |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
early |
|
|
1016 (XALL) |
0 |
20 |
A |
eastward |
|
|
1016 (XALL) |
0 |
20 |
A |
elaborated |
|
|
1016 (XALL) |
0 |
20 |
A |
elena |
|
|
1016 (XALL) |
0 |
20 |
A |
elżbieta |
|
|
1016 (XALL) |
0 |
20 |
A |
ends |
|
|
1016 (XALL) |
0 |
20 |
A |
english |
|
|
1016 (XALL) |
0 |
20 |
A |
ev |
|
|
1016 (XALL) |
0 |
20 |
A |
examines |
|
|
1016 (XALL) |
0 |
20 |
A |
famous |
|
|
1016 (XALL) |
0 |
20 |
A |
feminist |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
feminist |
|
|
1016 (XALL) |
0 |
20 |
A |
film |
|
|
1016 (XALL) |
0 |
20 |
A |
film |
|
|
1016 (XALL) |
0 |
20 |
A |
film |
|
|
1016 (XALL) |
0 |
20 |
A |
film |
|
|
1016 (XALL) |
0 |
20 |
A |
film |
|
|
1016 (XALL) |
0 |
20 |
A |
film |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
film |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
film |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
film |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
film |
|
|
1016 (XALL) |
0 |
20 |
A |
filmography |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
filmography |
|
|
1016 (XALL) |
0 |
20 |
A |
films |
|
|
1016 (XALL) |
0 |
20 |
A |
films |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
films |
|
|
1016 (XALL) |
0 |
20 |
A |
forties |
|
|
1016 (XALL) |
0 |
20 |
A |
freedom |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
freedom |
|
|
1016 (XALL) |
0 |
20 |
A |
from |
|
|
1016 (XALL) |
0 |
20 |
A |
from |
|
|
1016 (XALL) |
0 |
20 |
A |
frontmatter |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
frontmatter |
|
|
1016 (XALL) |
0 |
20 |
A |
genre |
|
|
1016 (XALL) |
0 |
20 |
A |
genre |
|
|
1016 (XALL) |
0 |
20 |
A |
genre |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
genre |
|
|
1016 (XALL) |
0 |
20 |
A |
goscilo |
|
|
1016 (XALL) |
0 |
20 |
A |
grigorii |
|
|
1016 (XALL) |
0 |
20 |
A |
helena |
|
|
1016 (XALL) |
0 |
20 |
A |
history |
|
|
1016 (XALL) |
0 |
20 |
A |
history |
|
|
1016 (XALL) |
0 |
20 |
A |
hollywood |
|
|
1016 (XALL) |
0 |
20 |
A |
hollywood |
|
|
1016 (XALL) |
0 |
20 |
A |
holmgren |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
http |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
httppurlorgcoaraccessrightc16ec |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
https |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
https |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
https |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
httpsdoiorg1015159798887191287 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
httpswwwdegruytercomdocumentcoverisbn9798887191287original |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
httpswwwdegruytercomisbn9798887191287 |
|
|
1016 (XALL) |
0 |
20 |
A |
hybrid |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
hybrid |
|
|
1016 (XALL) |
0 |
20 |
A |
identity |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
identity |
|
|
1016 (XALL) |
0 |
20 |
A |
incorporation |
|
|
1016 (XALL) |
0 |
20 |
A |
index |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
index |
|
|
1016 (XALL) |
0 |
20 |
A |
inspired |
|
|
1016 (XALL) |
0 |
20 |
A |
instantiations |
|
|
1016 (XALL) |
0 |
20 |
A |
into |
|
|
1016 (XALL) |
0 |
20 |
A |
intrepid |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
intrepid |
|
|
1016 (XALL) |
0 |
20 |
A |
introduction |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
introduction |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
isbn |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
isbn |
|
|
1016 (XALL) |
0 |
20 |
A |
it |
|
|
1016 (XALL) |
0 |
20 |
A |
its |
|
|
1016 (XALL) |
0 |
20 |
A |
its |
|
|
1016 (XALL) |
0 |
20 |
A |
its |
|
|
1016 (XALL) |
0 |
20 |
A |
its |
|
|
1016 (XALL) |
0 |
20 |
A |
ivan |
|
|
1016 (XALL) |
0 |
20 |
A |
ivan |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
ivan |
|
|
1016 (XALL) |
0 |
20 |
A |
justin |
|
|
1016 (XALL) |
0 |
20 |
A |
kaganovsky |
|
|
1016 (XALL) |
0 |
20 |
A |
kirill |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
kirill |
|
|
1016 (XALL) |
0 |
20 |
A |
kolkhoz |
|
|
1016 (XALL) |
0 |
20 |
A |
kolkhoz |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
kolkhoz |
|
|
1016 (XALL) |
0 |
20 |
A |
language |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
language |
|
|
1016 (XALL) |
0 |
20 |
A |
leto |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
leto |
|
|
1016 (XALL) |
0 |
20 |
A |
like |
|
|
1016 (XALL) |
0 |
20 |
A |
lilya |
|
|
1016 (XALL) |
0 |
20 |
A |
lure |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
lure |
|
|
1016 (XALL) |
0 |
20 |
A |
ma |
|
|
1016 (XALL) |
0 |
20 |
A |
market |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
market |
|
|
1016 (XALL) |
0 |
20 |
A |
marriage |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
marriage |
|
|
1016 (XALL) |
0 |
20 |
A |
media |
|
|
1016 (XALL) |
0 |
20 |
A |
melodies |
|
|
1016 (XALL) |
0 |
20 |
A |
migration |
|
|
1016 (XALL) |
0 |
20 |
A |
mirror |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
mirror |
|
|
1016 (XALL) |
0 |
20 |
A |
mitwirkender |
|
|
1016 (XALL) |
0 |
20 |
A |
mitwirkender |
|
|
1016 (XALL) |
0 |
20 |
A |
mitwirkender |
|
|
1016 (XALL) |
0 |
20 |
A |
mitwirkender |
|
|
1016 (XALL) |
0 |
20 |
A |
mitwirkender |
|
|
1016 (XALL) |
0 |
20 |
A |
mitwirkender |
|
|
1016 (XALL) |
0 |
20 |
A |
mitwirkender |
|
|
1016 (XALL) |
0 |
20 |
A |
mobile |
|
|
1016 (XALL) |
0 |
20 |
A |
model |
|
|
1016 (XALL) |
0 |
20 |
A |
most |
|
|
1016 (XALL) |
0 |
20 |
A |
moviegoers |
|
|
1016 (XALL) |
0 |
20 |
A |
music |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
music |
|
|
1016 (XALL) |
0 |
20 |
A |
musical |
|
|
1016 (XALL) |
0 |
20 |
A |
musical |
|
|
1016 (XALL) |
0 |
20 |
A |
musical |
|
|
1016 (XALL) |
0 |
20 |
A |
musical |
|
|
1016 (XALL) |
0 |
20 |
A |
musical |
|
|
1016 (XALL) |
0 |
20 |
A |
musical |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
musical |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
musical |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
musical |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
musical |
|
|
1016 (XALL) |
0 |
20 |
A |
musicals |
|
|
1016 (XALL) |
0 |
20 |
A |
musicals |
|
|
1016 (XALL) |
0 |
20 |
A |
musicals |
|
|
1016 (XALL) |
0 |
20 |
A |
musicals |
|
|
1016 (XALL) |
0 |
20 |
A |
musicals |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
musicals |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
musicals |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
musicals |
|
|
1016 (XALL) |
0 |
20 |
A |
notion |
|
|
1016 (XALL) |
0 |
20 |
A |
numbers |
|
|
1016 (XALL) |
0 |
20 |
A |
one |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
one |
|
|
1016 (XALL) |
0 |
20 |
A |
online |
|
|
1016 (XALL) |
0 |
20 |
A |
onlineressource |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
original |
|
|
1016 (XALL) |
0 |
20 |
A |
ostrowska |
|
|
1016 (XALL) |
0 |
20 |
A |
part |
|
|
1016 (XALL) |
0 |
20 |
A |
part |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
part |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
part |
|
|
1016 (XALL) |
0 |
20 |
A |
pawel |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
pawel |
|
|
1016 (XALL) |
0 |
20 |
A |
pawlikowski |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
pawlikowski |
|
|
1016 (XALL) |
0 |
20 |
A |
pawlikowskis |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
pawlikowskis |
|
|
1016 (XALL) |
0 |
20 |
A |
performing |
|
|
1016 (XALL) |
0 |
20 |
A |
perplexing |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
perplexing |
|
|
1016 (XALL) |
0 |
20 |
A |
pioneering |
|
|
1016 (XALL) |
0 |
20 |
A |
pleasing |
|
|
1016 (XALL) |
0 |
20 |
A |
polish |
|
|
1016 (XALL) |
0 |
20 |
A |
polish |
|
|
1016 (XALL) |
0 |
20 |
A |
polish |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
polish |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
polish |
|
|
1016 (XALL) |
0 |
20 |
A |
polishlanguage |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
polishlanguage |
|
|
1016 (XALL) |
0 |
20 |
A |
pop |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
pop |
|
|
1016 (XALL) |
0 |
20 |
A |
popular |
|
|
1016 (XALL) |
0 |
20 |
A |
popularity |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
popularity |
|
|
1016 (XALL) |
0 |
20 |
A |
postmodernity |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
postmodernity |
|
|
1016 (XALL) |
0 |
20 |
A |
press |
|
|
1016 (XALL) |
0 |
20 |
A |
prokhorov |
|
|
1016 (XALL) |
0 |
20 |
A |
prokhorov |
|
|
1016 (XALL) |
0 |
20 |
A |
pugacheva |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
pugacheva |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
purlorg |
|
|
1016 (XALL) |
0 |
20 |
A |
pyr |
|
|
1016 (XALL) |
0 |
20 |
A |
pyrev |
|
|
1016 (XALL) |
0 |
20 |
A |
pyrev |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
pyrev |
|
|
1016 (XALL) |
0 |
20 |
A |
pyrevs |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
pyrevs |
|
|
1016 (XALL) |
0 |
20 |
A |
relied |
|
|
1016 (XALL) |
0 |
20 |
A |
ressource |
|
|
1016 (XALL) |
0 |
20 |
A |
resulted |
|
|
1016 (XALL) |
0 |
20 |
A |
rimgaila |
|
|
1016 (XALL) |
0 |
20 |
A |
rotaru |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
rotaru |
|
|
1016 (XALL) |
0 |
20 |
A |
russian |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
russian |
|
|
1016 (XALL) |
0 |
20 |
A |
salys |
|
|
1016 (XALL) |
0 |
20 |
A |
scenarios |
|
|
1016 (XALL) |
0 |
20 |
A |
screen |
|
|
1016 (XALL) |
0 |
20 |
A |
seiten |
|
|
1016 (XALL) |
0 |
20 |
A |
seiten |
|
|
1016 (XALL) |
0 |
20 |
A |
serebrennikov |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
serebrennikov |
|
|
1016 (XALL) |
0 |
20 |
A |
serebrennikovs |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
serebrennikovs |
|
|
1016 (XALL) |
0 |
20 |
A |
singing |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
singing |
|
|
1016 (XALL) |
0 |
20 |
A |
slavic |
|
|
1016 (XALL) |
0 |
20 |
A |
slavic |
|
|
1016 (XALL) |
0 |
20 |
A |
slavic |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
slavic |
|
|
1016 (XALL) |
0 |
20 |
A |
smoczyńska |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
smoczyńska |
|
|
1016 (XALL) |
0 |
20 |
A |
smoczyńskas |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
smoczyńskas |
|
|
1016 (XALL) |
0 |
20 |
A |
sofia |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
sofia |
|
|
1016 (XALL) |
0 |
20 |
A |
sound |
|
|
1016 (XALL) |
0 |
20 |
A |
soviet |
|
|
1016 (XALL) |
0 |
20 |
A |
soviet |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
soviet |
|
|
1016 (XALL) |
0 |
20 |
A |
space |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
space |
|
|
1016 (XALL) |
0 |
20 |
A |
stalin |
|
|
1016 (XALL) |
0 |
20 |
A |
stalin |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
stalin |
|
|
1016 (XALL) |
0 |
20 |
A |
stanislaw |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
stanislaw |
|
|
1016 (XALL) |
0 |
20 |
A |
stars |
|
|
1016 (XALL) |
0 |
20 |
A |
studies |
|
|
1016 (XALL) |
0 |
20 |
A |
studies |
|
|
1016 (XALL) |
0 |
20 |
A |
synchronicity |
|
|
1016 (XALL) |
0 |
20 |
A |
that |
|
|
1016 (XALL) |
0 |
20 |
A |
that |
|
|
1016 (XALL) |
0 |
20 |
A |
that |
|
|
1016 (XALL) |
0 |
20 |
A |
that |
|
|
1016 (XALL) |
0 |
20 |
A |
thaw |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
thaw |
|
|
1016 (XALL) |
0 |
20 |
A |
their |
|
|
1016 (XALL) |
0 |
20 |
A |
thirties |
|
|
1016 (XALL) |
0 |
20 |
A |
this |
|
|
1016 (XALL) |
0 |
20 |
A |
this |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
transnational |
|
|
1016 (XALL) |
0 |
20 |
A |
tug |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
tug |
|
|
1016 (XALL) |
0 |
20 |
A |
tune |
|
|
1016 (XALL) |
0 |
20 |
A |
tune |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
tune |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
tune |
|
|
1016 (XALL) |
0 |
20 |
A |
tuneful |
|
|
1016 (XALL) |
0 |
20 |
A |
two |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
two |
|
|
1016 (XALL) |
0 |
20 |
A |
union |
|
|
1016 (XALL) |
0 |
20 |
A |
urban |
|
|
1016 (XALL) |
0 |
20 |
A |
vagaries |
|
|
1016 (XALL) |
0 |
20 |
A |
variations |
|
|
1016 (XALL) |
0 |
20 |
A |
verfasserin |
|
|
1016 (XALL) |
0 |
20 |
A |
versions |
|
|
1016 (XALL) |
0 |
20 |
A |
video |
|
|
1016 (XALL) |
0 |
20 |
A |
volume |
|
|
1016 (XALL) |
0 |
20 |
A |
war |
|
|
1016 (XALL) |
0 |
20 |
A |
war |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
war |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
war |
|
|
1016 (XALL) |
0 |
20 |
A |
well |
|
|
1016 (XALL) |
0 |
20 |
A |
well |
|
|
1016 (XALL) |
0 |
20 |
A |
while |
|
|
1016 (XALL) |
0 |
20 |
A |
wilmes |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
wwwdegruytercom |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
wwwdegruytercom |
|
|
1016 (XALL) |
0 |
20 |
A |
yet |
|
|
8661 (XCLT) |
0 |
21 |
A |
arts |
|
|
8661 (XCLT) |
0 |
21 |
A |
context |
|
|
8661 (XCLT) |
0 |
21 |
A |
criticism |
|
|
8661 (XCLT) |
0 |
21 |
A |
different |
|
|
8661 (XCLT) |
0 |
21 |
A |
film |
|
|
8661 (XCLT) |
0 |
21 |
A |
film |
|
|
8661 (XCLT) |
0 |
21 |
A |
films |
|
|
8661 (XCLT) |
0 |
21 |
A |
history |
|
|
8661 (XCLT) |
0 |
21 |
A |
musical |
|
|
8661 (XCLT) |
0 |
21 |
A |
musical |
|
|
8661 (XCLT) |
0 |
21 |
A |
performing |
|
|
8661 (XCLT) |
0 |
21 |
A |
singing |
|
|
8661 (XCLT) |
0 |
21 |
A |
slavic |
|
|
8661 (XCLT) |
0 |
21 |
A |
transnational |
|
|
8661 (XCLT) |
0 |
21 |
A |
tune |
|
|
8661 (XCLT) |
0 |
21 |
A |
tune |
|
|
8661 (XCLT) |
0 |
21 |
A |
video |
|
|
1018 (XVLG), 2100 (XVER) |
0 |
22 |
B |
academic |
|
|
59 (XVLO), 2100 (XVER) |
0 |
22 |
a |
boston |
|
|
59 (XVLO), 2100 (XVER) |
0 |
22 |
a |
ma |
|
|
1018 (XVLG), 2100 (XVER) |
0 |
22 |
B |
press |
|
|
1018 (XVLG), 2100 (XVER) |
0 |
22 |
B |
studies |
|
|
8314 (XPUS) |
0 |
23 |
A |
boston ma |
|
|
8314 (XPUS) |
0 |
23 |
A |
boston ma academic studies press |
|
|
12 (XPPN) |
0 |
24 |
X |
1847913636 |
|
|
8183 (XONX) |
0 |
30 |
A |
93 |
|
|
8183 (XONX) |
0 |
30 |
A |
cover |
|
|
8183 (XONX) |
0 |
30 |
A |
cover |
|
|
8183 (XONX) |
0 |
30 |
A |
link |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
c |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
computermedien |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
cr |
|
|
54 (XSPR), 2050 (XCOD) |
0 |
31 |
A |
eng |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
online |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
onlineressource |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
ressource |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
text |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
txt |
|
|
1053 (XLCD), 2050 (XCOD) |
0 |
31 |
B |
us |
|
|
1053 (XLCD), 2050 (XCOD) |
0 |
31 |
B |
xd |
|
|
1053 (XLCD), 2050 (XCOD) |
0 |
31 |
B |
xdus |
|
|
8600 (XBBG) |
0 |
34 |
A |
Oau |
|
|
1032 (XURL) |
0 |
35 |
a |
doi.org10.15159798887191287 |
|
|
1032 (XURL) |
0 |
35 |
a |
www.degruyter.comdocumentcoverisbn9798887191287original |
|
|
1032 (XURL) |
0 |
35 |
a |
www.degruyter.comisbn9798887191287 |
|
|
5041 (XTHM) |
0 |
42 |
A |
context |
|
|
5041 (XTHM) |
0 |
42 |
A |
different |
|
|
5041 (XTHM) |
0 |
42 |
A |
film |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
B |
films |
|
|
5041 (XTHM) |
0 |
42 |
A |
goscilo |
|
|
5041 (XTHM) |
0 |
42 |
A |
helena |
|
|
5041 (XTHM) |
0 |
42 |
A |
musical |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
B |
musical |
|
|
5041 (XTHM) |
0 |
42 |
A |
singing |
|
|
5041 (XTHM) |
0 |
42 |
A |
slavic |
|
|
5041 (XTHM) |
0 |
42 |
A |
transnational |
|
|
5041 (XTHM) |
0 |
42 |
A |
tune |
|
|
8715 |
0 |
53 |
B |
xd-us |
|
|
1012 (XAED) |
0 |
64 |
A |
0001 |
|
|
1012 (XAED) |
0 |
64 |
A |
2024-01-11 |
|
|
1012 (XAED) |
0 |
64 |
A |
2024-01-11 11 18 32.000 |
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|
8607 (XUUU) |
0 |
99 |
A |
https://doi.org/10.1515/9798887191287 |
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|
8607 (XUUU) |
0 |
99 |
A |
https://www.degruyter.com/document/cover/isbn/9798887191287/original |
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|
8607 (XUUU) |
0 |
99 |
A |
https://www.degruyter.com/isbn/9798887191287 |
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2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba cl muar |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba cl muar |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba ebkall |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba ebkall |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba ecl muar |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba ecl muar |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba eebkall |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba eebkall |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba esshall |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba esshall |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba ppall |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba ppall |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba sshall |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba sshall |
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|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
gbv degruyter alles |
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|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
gbv degruyter alles |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
pda11sshe |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
pda11sshe |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
pda13enge |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
pda13enge |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
pda17sshee |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
pda17sshee |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
pda5ebk |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
pda5ebk |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
zdb 23 dgg |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
zdb 23 dgg |
|
|
8399 (XTMP) |
0 |
110 |
A |
k10plus |
|
|
8711 (XVFR) |
0 |
117 |
B |
093081626 |
|
|
8711 (XVFR) |
0 |
117 |
B |
653113 |
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|
46 (XSP) |
0 |
8 |
C |
rel 10421319 |
|
|
46 (XSP) |
0 |
8 |
C |
rel 10421319 |
|
|
8310 (XSWW) |
0 |
8 |
E |
rel 10421319 |
|
|
8310 (XSWW) |
0 |
8 |
E |
rel 10421319 |
|
|
8530 (XSNR), 8533 (XNID) |
0 |
14 |
V |
rel 10421319 |
|
|
8530 (XSNR), 8533 (XNID) |
0 |
14 |
V |
rel 10421319 |
|
|
1 (XPRS), 1009 (XPSW) |
0 |
16 |
N |
rel 10421319 |
|
|
1 (XPRS), 1009 (XPSW) |
0 |
16 |
N |
rel 10421319 |
|
|
1016 (XALL) |
0 |
20 |
A |
rel 10421319 |
|
|
1016 (XALL) |
0 |
20 |
A |
rel 10421319 |
|
|
8661 (XCLT) |
0 |
21 |
D |
rel 10421319 |
|
|
8661 (XCLT) |
0 |
21 |
D |
rel 10421319 |
|
|
21 (XSW), 2073 (XSWP), 2074 (XSWS), 2075 (XSWG), 2076 (XSWC), 2077 (XSWK), 2078 (XSWU) |
0 |
41 |
Z |
rel 10421319 |
|
|
21 (XSW), 2073 (XSWP), 2074 (XSWS), 2075 (XSWG), 2076 (XSWC), 2077 (XSWK), 2078 (XSWU) |
0 |
41 |
Z |
rel 10421319 |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
C |
rel 10421319 |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
C |
rel 10421319 |
|
|
46 (XSP) |
0 |
8 |
C |
rel 10425323 |
|
|
8310 (XSWW) |
0 |
8 |
E |
rel 10425323 |
|
|
8530 (XSNR), 8533 (XNID) |
0 |
14 |
V |
rel 10425323 |
|
|
1 (XPRS), 1009 (XPSW) |
0 |
16 |
N |
rel 10425323 |
|
|
1016 (XALL) |
0 |
20 |
A |
rel 10425323 |
|
|
8661 (XCLT) |
0 |
21 |
D |
rel 10425323 |
|
|
21 (XSW), 2073 (XSWP), 2074 (XSWS), 2075 (XSWG), 2076 (XSWC), 2077 (XSWK), 2078 (XSWU) |
0 |
41 |
Z |
rel 10425323 |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
C |
rel 10425323 |
|
|
46 (XSP) |
0 |
8 |
C |
rel 10475520 |
|
|
46 (XSP) |
0 |
8 |
C |
rel 10475520 |
|
|
8310 (XSWW) |
0 |
8 |
E |
rel 10475520 |
|
|
8310 (XSWW) |
0 |
8 |
E |
rel 10475520 |
|
|
8530 (XSNR), 8533 (XNID) |
0 |
14 |
V |
rel 10475520 |
|
|
8530 (XSNR), 8533 (XNID) |
0 |
14 |
V |
rel 10475520 |
|
|
1 (XPRS), 1009 (XPSW) |
0 |
16 |
N |
rel 10475520 |
|
|
1 (XPRS), 1009 (XPSW) |
0 |
16 |
N |
rel 10475520 |
|
|
1016 (XALL) |
0 |
20 |
A |
rel 10475520 |
|
|
1016 (XALL) |
0 |
20 |
A |
rel 10475520 |
|
|
8661 (XCLT) |
0 |
21 |
D |
rel 10475520 |
|
|
8661 (XCLT) |
0 |
21 |
D |
rel 10475520 |
|
|
21 (XSW), 2073 (XSWP), 2074 (XSWS), 2075 (XSWG), 2076 (XSWC), 2077 (XSWK), 2078 (XSWU) |
0 |
41 |
Z |
rel 10475520 |
|
|
21 (XSW), 2073 (XSWP), 2074 (XSWS), 2075 (XSWG), 2076 (XSWC), 2077 (XSWK), 2078 (XSWU) |
0 |
41 |
Z |
rel 10475520 |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
C |
rel 10475520 |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
C |
rel 10475520 |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
C |
rel 53826885 |
|
|
8530 (XSNR), 8533 (XNID) |
0 |
14 |
V |
rel 53826885 |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
P |
rel 53826885 |
|
|
1 (XPRS), 8195 (XPNE) |
0 |
16 |
R |
rel 53826885 |
|
|
1016 (XALL) |
0 |
20 |
A |
rel 53826885 |
|
|
8661 (XCLT) |
0 |
21 |
C |
rel 53826885 |
|
|
46 (XSP) |
0 |
8 |
C |
rel 166866995 |
|
|
8310 (XSWW) |
0 |
8 |
E |
rel 166866995 |
|
|
8530 (XSNR), 8533 (XNID) |
0 |
14 |
V |
rel 166866995 |
|
|
1 (XPRS), 1009 (XPSW) |
0 |
16 |
N |
rel 166866995 |
|
|
1016 (XALL) |
0 |
20 |
A |
rel 166866995 |
|
|
8661 (XCLT) |
0 |
21 |
D |
rel 166866995 |
|
|
21 (XSW), 2073 (XSWP), 2074 (XSWS), 2075 (XSWG), 2076 (XSWC), 2077 (XSWK), 2078 (XSWU) |
0 |
41 |
Z |
rel 166866995 |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
C |
rel 166866995 |
|
|
1016 (XALL) |
0 |
20 |
a |
1 |
|
|
1016 (XALL) |
0 |
20 |
a |
36506 |
|
|
1016 (XALL) |
0 |
20 |
a |
444013209x |
|
|
8000 (XEPN) |
0 |
25 |
Y |
444013209x |
|
|
1032 (XURL), 8588 (XLRL) |
0 |
35 |
c |
erf.sbb.spkberlin.dehan609779974www.degruyter.comisbn9798887191287 |
|
|
8578 (XEXK) |
0 |
37 |
A |
29 |
|
|
8578 (XEXK) |
0 |
37 |
A |
an |
|
|
8578 (XEXK) |
0 |
37 |
A |
book |
|
|
8578 (XEXK) |
0 |
37 |
A |
e |
|
|
8578 (XEXK) |
0 |
37 |
A |
ebook |
|
|
8578 (XEXK) |
0 |
37 |
A |
endbenutzer |
|
|
8578 (XEXK) |
0 |
37 |
A |
iiid |
|
|
8578 (XEXK) |
0 |
37 |
A |
kauf |
|
|
8578 (XEXK) |
0 |
37 |
A |
kx |
|
|
8578 (XEXK) |
0 |
37 |
A |
papierkopie |
|
|
8636 (XAUI) |
0 |
45 |
C |
s |
|
|
8615 (XABR) |
0 |
49 |
B |
acq |
|
|
8615 (XABR) |
0 |
49 |
B |
degruyter |
|
|
8615 (XABR) |
0 |
49 |
B |
einzelkauf |
|
|
2134 (XSST) |
0 |
49 |
A |
remote |
|
|
4015 (XSXN) |
0 |
64 |
C |
2023-12-18 |
|
|
4012 (XAEE) |
0 |
64 |
B |
2024-01-11 |
|
|
4015 (XSXN) |
0 |
64 |
C |
2024-01-11 |
|
|
30 (XDTM) |
0 |
65 |
A |
20240111 |
|
|
8410 (XSLK) |
0 |
65 |
B |
k 2024-01-11 |
|
|
2160 (XLNR), 8534 (XZNM) |
0 |
66 |
C |
1e36506 |
|
|
8149 (XSLS) |
0 |
77 |
B |
k |
|
|
8714 (XHAU) |
0 |
116 |
D |
5 |
|
|
33 (XTSL) |
0 |
0 |
@ |
1 eapol |
|
|
33 (XTSL) |
0 |
0 |
@ |
1 eapom |
|
|
33 (XTSL) |
0 |
0 |
@ |
1 eapom |
|
|
33 (XTSL) |
0 |
0 |
@ |
2 bethm |
|
|
33 (XTSL) |
0 |
0 |
@ |
3 papac |
|
|
33 (XTSL) |
0 |
0 |
@ |
4 thalo |
|
|
33 (XTSL) |
0 |
0 |
@ |
5 pepoi |
|
|
33 (XTSL) |
0 |
0 |
@ |
6 ththa |
|
|
33 (XTSL) |
0 |
0 |
@ |
7 cothp |
|
|
33 (XTSL) |
0 |
0 |
@ |
7 cothp |
|
|
33 (XTSL) |
0 |
0 |
@ |
7 cothp |
|
|
33 (XTSL) |
0 |
0 |
@ |
8 pofra |
|
|
33 (XTSL) |
0 |
0 |
@ |
ackn |
|
|
33 (XTSL) |
0 |
0 |
@ |
cont |
|
|
33 (XTSL) |
0 |
0 |
@ |
film |
|
|
33 (XTSL) |
0 |
0 |
@ |
fron |
|
|
33 (XTSL) |
0 |
0 |
@ |
inde |
|
|
33 (XTSL) |
0 |
0 |
@ |
intr |
|
|
33 (XTSL) |
0 |
0 |
@ |
partonpof |
|
|
33 (XTSL) |
0 |
0 |
@ |
parttwruf |
|
|
33 (XTSL) |
0 |
0 |
@ |
singa dit |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
alexander |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
beth |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
elena |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
elżbieta |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
holmgren |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
justin |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
kaganovsky |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
lilya |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
ostrowska |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
prokhorov |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
prokhorov |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
rimgaila |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
salys |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
wilmes |
|
|
46 (XSP), 8310 (XSWW) |
0 |
8 |
D |
musical films |
|
|
1000 (XATS) |
0 |
9 |
I |
goscsing |
|
|
1000 (XATS) |
0 |
9 |
I |
holmsing |
|
|
1000 (XATS) |
0 |
9 |
I |
kagasing |
|
|
1000 (XATS) |
0 |
9 |
I |
ostrsing |
|
|
1000 (XATS) |
0 |
9 |
I |
proksing |
|
|
1000 (XATS) |
0 |
9 |
I |
proksing |
|
|
1000 (XATS) |
0 |
9 |
I |
salysing |
|
|
1000 (XATS) |
0 |
9 |
I |
wilmsing |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
1. early polishlanguage musicals the tug of war between genre film and cabaret |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
2. between the market and the mirror stanislaw barejas marriage of convenience |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
3. pawel pawlikowskis cold war music space and identity |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
4. the allure of agnieszka smoczyńskas lure 2015 as an intrepid feminist hybrid |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
5. perplexing popularity ivan pyrevs kolkhoz musical comedy films |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
6. the thaw as carnival soviet musical comedy after stalin |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
7. constructing the pop diva alla pugacheva sofia rotaru and the celebrity musical of the 1970s1980s |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
8. postmodernity freedom and authenticity in kirill serebrennikovs leto 2018 |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
acknowledgements |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
contents |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
filmography |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
frontmatter |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
index |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
introduction |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
part one polish film musicals |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
part two russian film musicals |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
singing a different tune |
|
|
5 (XSER), 8541 (XVSE) |
0 |
13 |
A |
and |
|
|
5 (XSER), 8541 (XVSE) |
0 |
13 |
A |
film |
|
|
5 (XSER), 8541 (XVSE) |
0 |
13 |
A |
media |
|
|
5 (XSER), 8541 (XVSE) |
0 |
13 |
A |
studies |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
093081626 |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
093081626 |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
1015159798887191287 |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
653113 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
8887190208 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
888719128x |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
8887191298 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
9798887190204 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
9798887191287 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
9798887191294 |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
ebp093081626 |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
gruy653113 |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
A |
holmgren,beth |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
A |
kaganovsky,lilya |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
A |
ostrowska,elżbieta |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
A |
prokhorov,alexander |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
A |
prokhorov,elena |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
A |
salys,rimgaila |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
A |
wilmes,justin |
|
|
3010 (XSYS), 8272 (XSDC) |
0 |
18 |
m |
791.430947 |
|
|
3010 (XSYS) |
0 |
18 |
P |
per004030 |
|
|
16 (XLCC), 3010 (XSYS) |
0 |
18 |
A |
pn1995.9.m86 |
|
|
16 (XLCC), 3010 (XSYS) |
0 |
18 |
A |
pn1995.9.m86 |
|
|
8312 (XSRR), 8544 (XGTI) |
0 |
19 |
E |
1847913636 |
|
|
8540 (XRTI), 8544 (XGTI) |
0 |
19 |
a |
film and media studies |
|
|
8540 (XRTI), 8544 (XGTI) |
0 |
19 |
a |
film and media studies |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
020 |
|
|
1016 (XALL) |
0 |
20 |
A |
093081626 |
|
|
1016 (XALL) |
0 |
20 |
A |
1 |
|
|
1016 (XALL) |
0 |
20 |
A |
1 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
101515 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
101515 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1015159798887191287 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
128 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
129 |
|
|
1016 (XALL) |
0 |
20 |
A |
1970s |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1970s |
|
|
1016 (XALL) |
0 |
20 |
A |
1970s1980s |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1970s1980s |
|
|
1016 (XALL) |
0 |
20 |
A |
1980s |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1980s |
|
|
1016 (XALL) |
0 |
20 |
A |
2 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
2 |
|
|
1016 (XALL) |
0 |
20 |
A |
2015 |
|
|
1016 (XALL) |
0 |
20 |
A |
2015 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
2015 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
2015 |
|
|
1016 (XALL) |
0 |
20 |
A |
2018 |
|
|
1016 (XALL) |
0 |
20 |
A |
2018 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
2018 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
2018 |
|
|
1016 (XALL) |
0 |
20 |
A |
2023 |
|
|
31 (XJAH), 1016 (XALL) |
0 |
20 |
W |
2023 |
|
|
31 (XJAH), 1016 (XALL) |
0 |
20 |
W |
2023 |
|
|
1016 (XALL) |
0 |
20 |
A |
3 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
3 |
|
|
1016 (XALL) |
0 |
20 |
A |
319 |
|
|
1016 (XALL) |
0 |
20 |
A |
4 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
4 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
4 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
4 |
|
|
1016 (XALL) |
0 |
20 |
A |
5 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
5 |
|
|
1016 (XALL) |
0 |
20 |
A |
6 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
6 |
|
|
1016 (XALL) |
0 |
20 |
A |
7 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
7 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
7 |
|
|
1016 (XALL) |
0 |
20 |
A |
8 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
8 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
8 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
8 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
8 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
88719 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
88719 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
88719 |
|
|
1016 (XALL) |
0 |
20 |
A |
8887190208 |
|
|
1016 (XALL) |
0 |
20 |
A |
888719128x |
|
|
1016 (XALL) |
0 |
20 |
A |
8887191298 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
979 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
979 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
979 |
|
|
1016 (XALL) |
0 |
20 |
A |
9798887190204 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9798887190204 |
|
|
1016 (XALL) |
0 |
20 |
A |
9798887191287 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9798887191287 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9798887191287 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9798887191287 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9798887191287 |
|
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9798887191287 |
|
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1016 (XALL) |
0 |
20 |
A |
9798887191294 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9798887191294 |
|
|
1016 (XALL) |
0 |
20 |
A |
academic |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
accessright |
|
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1016 (XALL) |
0 |
20 |
A |
acknowledgements |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
acknowledgements |
|
|
1016 (XALL) |
0 |
20 |
A |
after |
|
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1016 (XALL) |
0 |
20 |
A |
after |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
after |
|
|
1016 (XALL) |
0 |
20 |
A |
agnieszka |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
agnieszka |
|
|
1016 (XALL) |
0 |
20 |
A |
aleksandrov |
|
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1016 (XALL) |
0 |
20 |
A |
alexander |
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1016 (XALL) |
0 |
20 |
A |
all |
|
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1016 (XALL) |
0 |
20 |
A |
alla |
|
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
alla |
|
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1016 (XALL) |
0 |
20 |
A |
alls |
|
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1016 (XALL) |
0 |
20 |
A |
allure |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
allure |
|
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1016 (XALL) |
0 |
20 |
A |
almost |
|
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1016 (XALL) |
0 |
20 |
A |
america |
|
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1016 (XALL) |
0 |
20 |
A |
americas |
|
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1016 (XALL) |
0 |
20 |
A |
arts |
|
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1016 (XALL) |
0 |
20 |
A |
as |
|
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1016 (XALL) |
0 |
20 |
A |
as |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
as |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
as |
|
|
1016 (XALL) |
0 |
20 |
A |
audience |
|
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1016 (XALL) |
0 |
20 |
A |
audiencepleasing |
|
|
1016 (XALL) |
0 |
20 |
A |
authenticity |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
authenticity |
|
|
1016 (XALL) |
0 |
20 |
A |
bareja |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
bareja |
|
|
1016 (XALL) |
0 |
20 |
A |
barejas |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
barejas |
|
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1016 (XALL) |
0 |
20 |
A |
barrage |
|
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1016 (XALL) |
0 |
20 |
A |
became |
|
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1016 (XALL) |
0 |
20 |
A |
beneficiary |
|
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1016 (XALL) |
0 |
20 |
A |
beth |
|
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1016 (XALL) |
0 |
20 |
A |
between |
|
|
1016 (XALL) |
0 |
20 |
A |
between |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
between |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
between |
|
|
1016 (XALL) |
0 |
20 |
A |
birth |
|
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1016 (XALL) |
0 |
20 |
A |
bodies |
|
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1016 (XALL) |
0 |
20 |
A |
boston |
|
|
1016 (XALL) |
0 |
20 |
A |
both |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
c16ec |
|
|
1016 (XALL) |
0 |
20 |
A |
cabaret |
|
|
1016 (XALL) |
0 |
20 |
A |
cabaret |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
cabaret |
|
|
1016 (XALL) |
0 |
20 |
A |
carnival |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
carnival |
|
|
1016 (XALL) |
0 |
20 |
A |
celebrity |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
celebrity |
|
|
1016 (XALL) |
0 |
20 |
A |
century |
|
|
1016 (XALL) |
0 |
20 |
A |
choreographed |
|
|
1016 (XALL) |
0 |
20 |
A |
cinema |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
coar |
|
|
1016 (XALL) |
0 |
20 |
A |
cold |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
cold |
|
|
1016 (XALL) |
0 |
20 |
A |
colorful |
|
|
1016 (XALL) |
0 |
20 |
A |
comedy |
|
|
1016 (XALL) |
0 |
20 |
A |
comedy |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
comedy |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
comedy |
|
|
1016 (XALL) |
0 |
20 |
A |
constructing |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
constructing |
|
|
1016 (XALL) |
0 |
20 |
A |
contemporary |
|
|
1016 (XALL) |
0 |
20 |
A |
contents |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
contents |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
context |
|
|
1016 (XALL) |
0 |
20 |
A |
convenience |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
convenience |
|
|
1016 (XALL) |
0 |
20 |
A |
costumes |
|
|
1016 (XALL) |
0 |
20 |
A |
counterpart |
|
|
1016 (XALL) |
0 |
20 |
A |
countries |
|
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1016 (XALL) |
0 |
20 |
A |
countries |
|
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1016 (XALL) |
0 |
20 |
A |
country |
|
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1016 (XALL) |
0 |
20 |
A |
countrys |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
cover |
|
|
1016 (XALL) |
0 |
20 |
A |
criticism |
|
|
1016 (XALL) |
0 |
20 |
A |
criticism |
|
|
1016 (XALL) |
0 |
20 |
A |
dance |
|
|
1016 (XALL) |
0 |
20 |
A |
delectated |
|
|
1016 (XALL) |
0 |
20 |
A |
differed |
|
|
1016 (XALL) |
0 |
20 |
A |
different |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
different |
|
|
1016 (XALL) |
0 |
20 |
A |
directed |
|
|
1016 (XALL) |
0 |
20 |
A |
diva |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
diva |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
document |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
doiorg |
|
|
1016 (XALL) |
0 |
20 |
A |
dramatic |
|
|
1016 (XALL) |
0 |
20 |
A |
early |
|
|
1016 (XALL) |
0 |
20 |
A |
early |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
early |
|
|
1016 (XALL) |
0 |
20 |
A |
eastward |
|
|
1016 (XALL) |
0 |
20 |
A |
elaborated |
|
|
1016 (XALL) |
0 |
20 |
A |
elena |
|
|
1016 (XALL) |
0 |
20 |
A |
elżbieta |
|
|
1016 (XALL) |
0 |
20 |
A |
ends |
|
|
1016 (XALL) |
0 |
20 |
A |
english |
|
|
1016 (XALL) |
0 |
20 |
A |
ev |
|
|
1016 (XALL) |
0 |
20 |
A |
examines |
|
|
1016 (XALL) |
0 |
20 |
A |
famous |
|
|
1016 (XALL) |
0 |
20 |
A |
feminist |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
feminist |
|
|
1016 (XALL) |
0 |
20 |
A |
film |
|
|
1016 (XALL) |
0 |
20 |
A |
film |
|
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1016 (XALL) |
0 |
20 |
A |
film |
|
|
1016 (XALL) |
0 |
20 |
A |
film |
|
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1016 (XALL) |
0 |
20 |
A |
film |
|
|
1016 (XALL) |
0 |
20 |
A |
film |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
film |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
film |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
film |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
film |
|
|
1016 (XALL) |
0 |
20 |
A |
filmography |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
filmography |
|
|
1016 (XALL) |
0 |
20 |
A |
films |
|
|
1016 (XALL) |
0 |
20 |
A |
films |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
films |
|
|
1016 (XALL) |
0 |
20 |
A |
forties |
|
|
1016 (XALL) |
0 |
20 |
A |
freedom |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
freedom |
|
|
1016 (XALL) |
0 |
20 |
A |
from |
|
|
1016 (XALL) |
0 |
20 |
A |
from |
|
|
1016 (XALL) |
0 |
20 |
A |
frontmatter |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
frontmatter |
|
|
1016 (XALL) |
0 |
20 |
A |
genre |
|
|
1016 (XALL) |
0 |
20 |
A |
genre |
|
|
1016 (XALL) |
0 |
20 |
A |
genre |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
genre |
|
|
1016 (XALL) |
0 |
20 |
A |
goscilo |
|
|
1016 (XALL) |
0 |
20 |
A |
grigorii |
|
|
1016 (XALL) |
0 |
20 |
A |
helena |
|
|
1016 (XALL) |
0 |
20 |
A |
history |
|
|
1016 (XALL) |
0 |
20 |
A |
history |
|
|
1016 (XALL) |
0 |
20 |
A |
hollywood |
|
|
1016 (XALL) |
0 |
20 |
A |
hollywood |
|
|
1016 (XALL) |
0 |
20 |
A |
holmgren |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
http |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
httppurlorgcoaraccessrightc16ec |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
https |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
https |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
https |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
httpsdoiorg1015159798887191287 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
httpswwwdegruytercomdocumentcoverisbn9798887191287original |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
httpswwwdegruytercomisbn9798887191287 |
|
|
1016 (XALL) |
0 |
20 |
A |
hybrid |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
hybrid |
|
|
1016 (XALL) |
0 |
20 |
A |
identity |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
identity |
|
|
1016 (XALL) |
0 |
20 |
A |
incorporation |
|
|
1016 (XALL) |
0 |
20 |
A |
index |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
index |
|
|
1016 (XALL) |
0 |
20 |
A |
inspired |
|
|
1016 (XALL) |
0 |
20 |
A |
instantiations |
|
|
1016 (XALL) |
0 |
20 |
A |
into |
|
|
1016 (XALL) |
0 |
20 |
A |
intrepid |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
intrepid |
|
|
1016 (XALL) |
0 |
20 |
A |
introduction |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
introduction |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
isbn |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
isbn |
|
|
1016 (XALL) |
0 |
20 |
A |
it |
|
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1016 (XALL) |
0 |
20 |
A |
its |
|
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1016 (XALL) |
0 |
20 |
A |
its |
|
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1016 (XALL) |
0 |
20 |
A |
its |
|
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1016 (XALL) |
0 |
20 |
A |
its |
|
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1016 (XALL) |
0 |
20 |
A |
ivan |
|
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1016 (XALL) |
0 |
20 |
A |
ivan |
|
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
ivan |
|
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1016 (XALL) |
0 |
20 |
A |
justin |
|
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1016 (XALL) |
0 |
20 |
A |
kaganovsky |
|
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1016 (XALL) |
0 |
20 |
A |
kirill |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
kirill |
|
|
1016 (XALL) |
0 |
20 |
A |
kolkhoz |
|
|
1016 (XALL) |
0 |
20 |
A |
kolkhoz |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
kolkhoz |
|
|
1016 (XALL) |
0 |
20 |
A |
language |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
language |
|
|
1016 (XALL) |
0 |
20 |
A |
leto |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
leto |
|
|
1016 (XALL) |
0 |
20 |
A |
like |
|
|
1016 (XALL) |
0 |
20 |
A |
lilya |
|
|
1016 (XALL) |
0 |
20 |
A |
lure |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
lure |
|
|
1016 (XALL) |
0 |
20 |
A |
ma |
|
|
1016 (XALL) |
0 |
20 |
A |
market |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
market |
|
|
1016 (XALL) |
0 |
20 |
A |
marriage |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
marriage |
|
|
1016 (XALL) |
0 |
20 |
A |
media |
|
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1016 (XALL) |
0 |
20 |
A |
melodies |
|
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1016 (XALL) |
0 |
20 |
A |
migration |
|
|
1016 (XALL) |
0 |
20 |
A |
mirror |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
mirror |
|
|
1016 (XALL) |
0 |
20 |
A |
mitwirkender |
|
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1016 (XALL) |
0 |
20 |
A |
mitwirkender |
|
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1016 (XALL) |
0 |
20 |
A |
mitwirkender |
|
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1016 (XALL) |
0 |
20 |
A |
mitwirkender |
|
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1016 (XALL) |
0 |
20 |
A |
mitwirkender |
|
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1016 (XALL) |
0 |
20 |
A |
mitwirkender |
|
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1016 (XALL) |
0 |
20 |
A |
mitwirkender |
|
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1016 (XALL) |
0 |
20 |
A |
mobile |
|
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1016 (XALL) |
0 |
20 |
A |
model |
|
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1016 (XALL) |
0 |
20 |
A |
most |
|
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1016 (XALL) |
0 |
20 |
A |
moviegoers |
|
|
1016 (XALL) |
0 |
20 |
A |
music |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
music |
|
|
1016 (XALL) |
0 |
20 |
A |
musical |
|
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1016 (XALL) |
0 |
20 |
A |
musical |
|
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1016 (XALL) |
0 |
20 |
A |
musical |
|
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1016 (XALL) |
0 |
20 |
A |
musical |
|
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1016 (XALL) |
0 |
20 |
A |
musical |
|
|
1016 (XALL) |
0 |
20 |
A |
musical |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
musical |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
musical |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
musical |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
musical |
|
|
1016 (XALL) |
0 |
20 |
A |
musicals |
|
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1016 (XALL) |
0 |
20 |
A |
musicals |
|
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1016 (XALL) |
0 |
20 |
A |
musicals |
|
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1016 (XALL) |
0 |
20 |
A |
musicals |
|
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1016 (XALL) |
0 |
20 |
A |
musicals |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
musicals |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
musicals |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
musicals |
|
|
1016 (XALL) |
0 |
20 |
A |
notion |
|
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1016 (XALL) |
0 |
20 |
A |
numbers |
|
|
1016 (XALL) |
0 |
20 |
A |
one |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
one |
|
|
1016 (XALL) |
0 |
20 |
A |
online |
|
|
1016 (XALL) |
0 |
20 |
A |
onlineressource |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
original |
|
|
1016 (XALL) |
0 |
20 |
A |
ostrowska |
|
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1016 (XALL) |
0 |
20 |
A |
part |
|
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1016 (XALL) |
0 |
20 |
A |
part |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
part |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
part |
|
|
1016 (XALL) |
0 |
20 |
A |
pawel |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
pawel |
|
|
1016 (XALL) |
0 |
20 |
A |
pawlikowski |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
pawlikowski |
|
|
1016 (XALL) |
0 |
20 |
A |
pawlikowskis |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
pawlikowskis |
|
|
1016 (XALL) |
0 |
20 |
A |
performing |
|
|
1016 (XALL) |
0 |
20 |
A |
perplexing |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
perplexing |
|
|
1016 (XALL) |
0 |
20 |
A |
pioneering |
|
|
1016 (XALL) |
0 |
20 |
A |
pleasing |
|
|
1016 (XALL) |
0 |
20 |
A |
polish |
|
|
1016 (XALL) |
0 |
20 |
A |
polish |
|
|
1016 (XALL) |
0 |
20 |
A |
polish |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
polish |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
polish |
|
|
1016 (XALL) |
0 |
20 |
A |
polishlanguage |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
polishlanguage |
|
|
1016 (XALL) |
0 |
20 |
A |
pop |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
pop |
|
|
1016 (XALL) |
0 |
20 |
A |
popular |
|
|
1016 (XALL) |
0 |
20 |
A |
popularity |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
popularity |
|
|
1016 (XALL) |
0 |
20 |
A |
postmodernity |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
postmodernity |
|
|
1016 (XALL) |
0 |
20 |
A |
press |
|
|
1016 (XALL) |
0 |
20 |
A |
prokhorov |
|
|
1016 (XALL) |
0 |
20 |
A |
prokhorov |
|
|
1016 (XALL) |
0 |
20 |
A |
pugacheva |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
pugacheva |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
purlorg |
|
|
1016 (XALL) |
0 |
20 |
A |
pyr |
|
|
1016 (XALL) |
0 |
20 |
A |
pyrev |
|
|
1016 (XALL) |
0 |
20 |
A |
pyrev |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
pyrev |
|
|
1016 (XALL) |
0 |
20 |
A |
pyrevs |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
pyrevs |
|
|
1016 (XALL) |
0 |
20 |
A |
relied |
|
|
1016 (XALL) |
0 |
20 |
A |
ressource |
|
|
1016 (XALL) |
0 |
20 |
A |
resulted |
|
|
1016 (XALL) |
0 |
20 |
A |
rimgaila |
|
|
1016 (XALL) |
0 |
20 |
A |
rotaru |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
rotaru |
|
|
1016 (XALL) |
0 |
20 |
A |
russian |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
russian |
|
|
1016 (XALL) |
0 |
20 |
A |
salys |
|
|
1016 (XALL) |
0 |
20 |
A |
scenarios |
|
|
1016 (XALL) |
0 |
20 |
A |
screen |
|
|
1016 (XALL) |
0 |
20 |
A |
seiten |
|
|
1016 (XALL) |
0 |
20 |
A |
seiten |
|
|
1016 (XALL) |
0 |
20 |
A |
serebrennikov |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
serebrennikov |
|
|
1016 (XALL) |
0 |
20 |
A |
serebrennikovs |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
serebrennikovs |
|
|
1016 (XALL) |
0 |
20 |
A |
singing |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
singing |
|
|
1016 (XALL) |
0 |
20 |
A |
slavic |
|
|
1016 (XALL) |
0 |
20 |
A |
slavic |
|
|
1016 (XALL) |
0 |
20 |
A |
slavic |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
slavic |
|
|
1016 (XALL) |
0 |
20 |
A |
smoczyńska |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
smoczyńska |
|
|
1016 (XALL) |
0 |
20 |
A |
smoczyńskas |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
smoczyńskas |
|
|
1016 (XALL) |
0 |
20 |
A |
sofia |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
sofia |
|
|
1016 (XALL) |
0 |
20 |
A |
sound |
|
|
1016 (XALL) |
0 |
20 |
A |
soviet |
|
|
1016 (XALL) |
0 |
20 |
A |
soviet |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
soviet |
|
|
1016 (XALL) |
0 |
20 |
A |
space |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
space |
|
|
1016 (XALL) |
0 |
20 |
A |
stalin |
|
|
1016 (XALL) |
0 |
20 |
A |
stalin |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
stalin |
|
|
1016 (XALL) |
0 |
20 |
A |
stanislaw |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
stanislaw |
|
|
1016 (XALL) |
0 |
20 |
A |
stars |
|
|
1016 (XALL) |
0 |
20 |
A |
studies |
|
|
1016 (XALL) |
0 |
20 |
A |
studies |
|
|
1016 (XALL) |
0 |
20 |
A |
synchronicity |
|
|
1016 (XALL) |
0 |
20 |
A |
that |
|
|
1016 (XALL) |
0 |
20 |
A |
that |
|
|
1016 (XALL) |
0 |
20 |
A |
that |
|
|
1016 (XALL) |
0 |
20 |
A |
that |
|
|
1016 (XALL) |
0 |
20 |
A |
thaw |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
thaw |
|
|
1016 (XALL) |
0 |
20 |
A |
their |
|
|
1016 (XALL) |
0 |
20 |
A |
thirties |
|
|
1016 (XALL) |
0 |
20 |
A |
this |
|
|
1016 (XALL) |
0 |
20 |
A |
this |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
transnational |
|
|
1016 (XALL) |
0 |
20 |
A |
tug |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
tug |
|
|
1016 (XALL) |
0 |
20 |
A |
tune |
|
|
1016 (XALL) |
0 |
20 |
A |
tune |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
tune |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
tune |
|
|
1016 (XALL) |
0 |
20 |
A |
tuneful |
|
|
1016 (XALL) |
0 |
20 |
A |
two |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
two |
|
|
1016 (XALL) |
0 |
20 |
A |
union |
|
|
1016 (XALL) |
0 |
20 |
A |
urban |
|
|
1016 (XALL) |
0 |
20 |
A |
vagaries |
|
|
1016 (XALL) |
0 |
20 |
A |
variations |
|
|
1016 (XALL) |
0 |
20 |
A |
verfasserin |
|
|
1016 (XALL) |
0 |
20 |
A |
versions |
|
|
1016 (XALL) |
0 |
20 |
A |
video |
|
|
1016 (XALL) |
0 |
20 |
A |
volume |
|
|
1016 (XALL) |
0 |
20 |
A |
war |
|
|
1016 (XALL) |
0 |
20 |
A |
war |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
war |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
war |
|
|
1016 (XALL) |
0 |
20 |
A |
well |
|
|
1016 (XALL) |
0 |
20 |
A |
well |
|
|
1016 (XALL) |
0 |
20 |
A |
while |
|
|
1016 (XALL) |
0 |
20 |
A |
wilmes |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
wwwdegruytercom |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
wwwdegruytercom |
|
|
1016 (XALL) |
0 |
20 |
A |
yet |
|
|
8661 (XCLT) |
0 |
21 |
A |
arts |
|
|
8661 (XCLT) |
0 |
21 |
A |
context |
|
|
8661 (XCLT) |
0 |
21 |
A |
criticism |
|
|
8661 (XCLT) |
0 |
21 |
A |
different |
|
|
8661 (XCLT) |
0 |
21 |
A |
film |
|
|
8661 (XCLT) |
0 |
21 |
A |
film |
|
|
8661 (XCLT) |
0 |
21 |
A |
films |
|
|
8661 (XCLT) |
0 |
21 |
A |
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|
|
8661 (XCLT) |
0 |
21 |
A |
musical |
|
|
8661 (XCLT) |
0 |
21 |
A |
musical |
|
|
8661 (XCLT) |
0 |
21 |
A |
performing |
|
|
8661 (XCLT) |
0 |
21 |
A |
singing |
|
|
8661 (XCLT) |
0 |
21 |
A |
slavic |
|
|
8661 (XCLT) |
0 |
21 |
A |
transnational |
|
|
8661 (XCLT) |
0 |
21 |
A |
tune |
|
|
8661 (XCLT) |
0 |
21 |
A |
tune |
|
|
8661 (XCLT) |
0 |
21 |
A |
video |
|
|
1018 (XVLG), 2100 (XVER) |
0 |
22 |
B |
academic |
|
|
59 (XVLO), 2100 (XVER) |
0 |
22 |
a |
boston |
|
|
59 (XVLO), 2100 (XVER) |
0 |
22 |
a |
ma |
|
|
1018 (XVLG), 2100 (XVER) |
0 |
22 |
B |
press |
|
|
1018 (XVLG), 2100 (XVER) |
0 |
22 |
B |
studies |
|
|
8314 (XPUS) |
0 |
23 |
A |
boston ma |
|
|
8314 (XPUS) |
0 |
23 |
A |
boston ma academic studies press |
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|
12 (XPPN) |
0 |
24 |
X |
1847913636 |
|
|
8183 (XONX) |
0 |
30 |
A |
93 |
|
|
8183 (XONX) |
0 |
30 |
A |
cover |
|
|
8183 (XONX) |
0 |
30 |
A |
cover |
|
|
8183 (XONX) |
0 |
30 |
A |
link |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
c |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
computermedien |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
cr |
|
|
54 (XSPR), 2050 (XCOD) |
0 |
31 |
A |
eng |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
online |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
onlineressource |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
ressource |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
text |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
txt |
|
|
1053 (XLCD), 2050 (XCOD) |
0 |
31 |
B |
us |
|
|
1053 (XLCD), 2050 (XCOD) |
0 |
31 |
B |
xd |
|
|
1053 (XLCD), 2050 (XCOD) |
0 |
31 |
B |
xdus |
|
|
8600 (XBBG) |
0 |
34 |
A |
Oau |
|
|
1032 (XURL) |
0 |
35 |
a |
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|
|
1032 (XURL) |
0 |
35 |
a |
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1032 (XURL) |
0 |
35 |
a |
www.degruyter.comisbn9798887191287 |
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|
5041 (XTHM) |
0 |
42 |
A |
context |
|
|
5041 (XTHM) |
0 |
42 |
A |
different |
|
|
5041 (XTHM) |
0 |
42 |
A |
film |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
B |
films |
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|
5041 (XTHM) |
0 |
42 |
A |
goscilo |
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|
5041 (XTHM) |
0 |
42 |
A |
helena |
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|
5041 (XTHM) |
0 |
42 |
A |
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|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
B |
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|
|
5041 (XTHM) |
0 |
42 |
A |
singing |
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|
5041 (XTHM) |
0 |
42 |
A |
slavic |
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|
5041 (XTHM) |
0 |
42 |
A |
transnational |
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|
5041 (XTHM) |
0 |
42 |
A |
tune |
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|
8715 |
0 |
53 |
B |
xd-us |
|
|
1012 (XAED) |
0 |
64 |
A |
0001 |
|
|
1012 (XAED) |
0 |
64 |
A |
2024-01-11 |
|
|
1012 (XAED) |
0 |
64 |
A |
2024-01-11 11 18 32.000 |
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8607 (XUUU) |
0 |
99 |
A |
https://doi.org/10.1515/9798887191287 |
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8607 (XUUU) |
0 |
99 |
A |
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8607 (XUUU) |
0 |
99 |
A |
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2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba cl muar |
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|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba cl muar |
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|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba ebkall |
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|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba ebkall |
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|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba ecl muar |
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|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba ecl muar |
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|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba eebkall |
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|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba eebkall |
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|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba esshall |
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|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba esshall |
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|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba ppall |
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|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba ppall |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba sshall |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
eba sshall |
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|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
gbv degruyter alles |
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|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
gbv degruyter alles |
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|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
pda11sshe |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
pda11sshe |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
pda13enge |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
pda13enge |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
pda17sshee |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
pda17sshee |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
pda5ebk |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
pda5ebk |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
zdb 23 dgg |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
zdb 23 dgg |
|
|
8399 (XTMP) |
0 |
110 |
A |
k10plus |
|
|
8711 (XVFR) |
0 |
117 |
B |
093081626 |
|
|
8711 (XVFR) |
0 |
117 |
B |
653113 |
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|
46 (XSP) |
0 |
8 |
C |
rel 10421319 |
|
|
46 (XSP) |
0 |
8 |
C |
rel 10421319 |
|
|
8310 (XSWW) |
0 |
8 |
E |
rel 10421319 |
|
|
8310 (XSWW) |
0 |
8 |
E |
rel 10421319 |
|
|
8530 (XSNR), 8533 (XNID) |
0 |
14 |
V |
rel 10421319 |
|
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8530 (XSNR), 8533 (XNID) |
0 |
14 |
V |
rel 10421319 |
|
|
1 (XPRS), 1009 (XPSW) |
0 |
16 |
N |
rel 10421319 |
|
|
1 (XPRS), 1009 (XPSW) |
0 |
16 |
N |
rel 10421319 |
|
|
1016 (XALL) |
0 |
20 |
A |
rel 10421319 |
|
|
1016 (XALL) |
0 |
20 |
A |
rel 10421319 |
|
|
8661 (XCLT) |
0 |
21 |
D |
rel 10421319 |
|
|
8661 (XCLT) |
0 |
21 |
D |
rel 10421319 |
|
|
21 (XSW), 2073 (XSWP), 2074 (XSWS), 2075 (XSWG), 2076 (XSWC), 2077 (XSWK), 2078 (XSWU) |
0 |
41 |
Z |
rel 10421319 |
|
|
21 (XSW), 2073 (XSWP), 2074 (XSWS), 2075 (XSWG), 2076 (XSWC), 2077 (XSWK), 2078 (XSWU) |
0 |
41 |
Z |
rel 10421319 |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
C |
rel 10421319 |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
C |
rel 10421319 |
|
|
46 (XSP) |
0 |
8 |
C |
rel 10425323 |
|
|
8310 (XSWW) |
0 |
8 |
E |
rel 10425323 |
|
|
8530 (XSNR), 8533 (XNID) |
0 |
14 |
V |
rel 10425323 |
|
|
1 (XPRS), 1009 (XPSW) |
0 |
16 |
N |
rel 10425323 |
|
|
1016 (XALL) |
0 |
20 |
A |
rel 10425323 |
|
|
8661 (XCLT) |
0 |
21 |
D |
rel 10425323 |
|
|
21 (XSW), 2073 (XSWP), 2074 (XSWS), 2075 (XSWG), 2076 (XSWC), 2077 (XSWK), 2078 (XSWU) |
0 |
41 |
Z |
rel 10425323 |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
C |
rel 10425323 |
|
|
46 (XSP) |
0 |
8 |
C |
rel 10475520 |
|
|
46 (XSP) |
0 |
8 |
C |
rel 10475520 |
|
|
8310 (XSWW) |
0 |
8 |
E |
rel 10475520 |
|
|
8310 (XSWW) |
0 |
8 |
E |
rel 10475520 |
|
|
8530 (XSNR), 8533 (XNID) |
0 |
14 |
V |
rel 10475520 |
|
|
8530 (XSNR), 8533 (XNID) |
0 |
14 |
V |
rel 10475520 |
|
|
1 (XPRS), 1009 (XPSW) |
0 |
16 |
N |
rel 10475520 |
|
|
1 (XPRS), 1009 (XPSW) |
0 |
16 |
N |
rel 10475520 |
|
|
1016 (XALL) |
0 |
20 |
A |
rel 10475520 |
|
|
1016 (XALL) |
0 |
20 |
A |
rel 10475520 |
|
|
8661 (XCLT) |
0 |
21 |
D |
rel 10475520 |
|
|
8661 (XCLT) |
0 |
21 |
D |
rel 10475520 |
|
|
21 (XSW), 2073 (XSWP), 2074 (XSWS), 2075 (XSWG), 2076 (XSWC), 2077 (XSWK), 2078 (XSWU) |
0 |
41 |
Z |
rel 10475520 |
|
|
21 (XSW), 2073 (XSWP), 2074 (XSWS), 2075 (XSWG), 2076 (XSWC), 2077 (XSWK), 2078 (XSWU) |
0 |
41 |
Z |
rel 10475520 |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
C |
rel 10475520 |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
C |
rel 10475520 |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
C |
rel 53826885 |
|
|
8530 (XSNR), 8533 (XNID) |
0 |
14 |
V |
rel 53826885 |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
P |
rel 53826885 |
|
|
1 (XPRS), 8195 (XPNE) |
0 |
16 |
R |
rel 53826885 |
|
|
1016 (XALL) |
0 |
20 |
A |
rel 53826885 |
|
|
8661 (XCLT) |
0 |
21 |
C |
rel 53826885 |
|
|
46 (XSP) |
0 |
8 |
C |
rel 166866995 |
|
|
8310 (XSWW) |
0 |
8 |
E |
rel 166866995 |
|
|
8530 (XSNR), 8533 (XNID) |
0 |
14 |
V |
rel 166866995 |
|
|
1 (XPRS), 1009 (XPSW) |
0 |
16 |
N |
rel 166866995 |
|
|
1016 (XALL) |
0 |
20 |
A |
rel 166866995 |
|
|
8661 (XCLT) |
0 |
21 |
D |
rel 166866995 |
|
|
21 (XSW), 2073 (XSWP), 2074 (XSWS), 2075 (XSWG), 2076 (XSWC), 2077 (XSWK), 2078 (XSWU) |
0 |
41 |
Z |
rel 166866995 |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
C |
rel 166866995 |
|
|
1016 (XALL) |
0 |
20 |
a |
1 |
|
|
1016 (XALL) |
0 |
20 |
a |
36506 |
|
|
1016 (XALL) |
0 |
20 |
a |
444013209x |
|
|
8000 (XEPN) |
0 |
25 |
Y |
444013209x |
|
|
1032 (XURL), 8588 (XLRL) |
0 |
35 |
c |
erf.sbb.spkberlin.dehan609779974www.degruyter.comisbn9798887191287 |
|
|
8578 (XEXK) |
0 |
37 |
A |
29 |
|
|
8578 (XEXK) |
0 |
37 |
A |
an |
|
|
8578 (XEXK) |
0 |
37 |
A |
book |
|
|
8578 (XEXK) |
0 |
37 |
A |
e |
|
|
8578 (XEXK) |
0 |
37 |
A |
ebook |
|
|
8578 (XEXK) |
0 |
37 |
A |
endbenutzer |
|
|
8578 (XEXK) |
0 |
37 |
A |
iiid |
|
|
8578 (XEXK) |
0 |
37 |
A |
kauf |
|
|
8578 (XEXK) |
0 |
37 |
A |
kx |
|
|
8578 (XEXK) |
0 |
37 |
A |
papierkopie |
|
|
8636 (XAUI) |
0 |
45 |
C |
s |
|
|
8615 (XABR) |
0 |
49 |
B |
acq |
|
|
8615 (XABR) |
0 |
49 |
B |
degruyter |
|
|
8615 (XABR) |
0 |
49 |
B |
einzelkauf |
|
|
2134 (XSST) |
0 |
49 |
A |
remote |
|
|
4015 (XSXN) |
0 |
64 |
C |
2023-12-18 |
|
|
4012 (XAEE) |
0 |
64 |
B |
2024-01-11 |
|
|
4015 (XSXN) |
0 |
64 |
C |
2024-01-11 |
|
|
30 (XDTM) |
0 |
65 |
A |
20240111 |
|
|
8410 (XSLK) |
0 |
65 |
B |
k 2024-01-11 |
|
|
2160 (XLNR), 8534 (XZNM) |
0 |
66 |
C |
1e36506 |
|
|
8149 (XSLS) |
0 |
77 |
B |
k |
|
|
8714 (XHAU) |
0 |
116 |
D |
5 |
|
|
|
|
IKT |
Mnm |
Access |
Type |
Value |
|
9000 |
JHR |
interval |
interval |
2023-2023 |
|
9001 |
MAT |
upshift |
ascii |
O |
|
9003 |
BKD |
bclcode |
number |
255.255 |
|
9004 |
TAA |
upshift |
ascii |
ENG |
|
9005 |
LND |
upshift |
ascii |
US |
|
9006 |
RBT |
bitmap |
bitmap |
0x00 |
|
9008 |
SUP |
upshift |
ascii |
Y |
|
9022 |
ZBI |
upshift |
ascii |
1 |
|
9029 |
TLT |
upshift |
ascii |
X |
|
9030 |
KEY |
upshift |
ascii |
X |
|
|
|
|
|
|