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E-Books/Online Ressourcen
Titel: 
The Eye of the Cinematograph : Lévinas and Realisms of the Body / Keyvan Manafi
Person/en: 
Sprache/n: 
Englisch
Veröffentlichungsangabe: 
Edinburgh : Edinburgh University Press, 2023
Copyright-Datum: 
©2023
Umfang: 
1 Online-Ressource (248 p.) : 27 B/W illustrations 27 B&W images
Anmerkung: 
In English
Bibliogr. Zusammenhang: 
ISBN: 
978-1-3995-0726-4
Identifikator: 
DOI: 10.1515/9781399507264
Mehr zum Titel: 
Frontmatter
Contents
Figures
Acknowledgements
1 The Ethical and the Image
2 The Image and the Body
3 The Body and the Camera
4 Literal Durations and Cinematic Parallelism
5 The Inhuman Eye and the Formless Body
7 The Withdrawal of the Body
8 The Offscreen and the Promise of the Image
Coda
Bibliography
Index
Schlagwörter: 
Mehr zum Thema: 
Klassifikation der Library of Congress: PN1995
Dewey Dezimal-Klassifikation: 791.4301
bisacsh: PER004030
Inhalt: 
Explores the encounter between Emmanuel Levinas’ ethical thought and aesthetic realisms of the bodyPresents an interdisciplinary approach that brings together film studies, philosophies of ethics, cultural studies and critical theory to contribute to the fields of film-philosophy and cinematic thinkingExpands the existing enquiries into the consequences of Emmanuel Levinas’ philosophy for aesthetics and draws out a new encounter between his ethical thought and filmMakes a case for the hospitality of the cinematic image by investigating its unique visual being as a gift and proposes an affirmative account of the ethics of the cinematograph through discussions of cinematic realismThe Eye of the Cinematograph investigates the ethical and aesthetic implications of the automatic formation of the body’s image by the camera. Drawing on Emmanuel Levinas’ thought, Manafi asks what happens when the other makes their body available to the gaze of the camera to be automatically recorded, and this giving of the body is preserved within the image, juxtaposed with other images to allude to a story that might otherwise remain untold.To locate the ethical at this intersection of the body and the aesthetic, this book articulates an ethical account of a diverse range of film theories to demonstrate alternative encounters with the other that realisms of the body offer. Manafi discusses works by Chantal Akerman, Bruno Dumont, Pedro Costa, Gus Van Sant, Sohrab Shahid Saless, Abbas Kiarostami, Amir Naderi, Jafar Panahi, Carlos Reygadas and Andy Warhol to make a case for the ethics and aesthetics of incompleteness and performative failure
Mehr zum Titel: 
Cover
Access Status:
 
Standort: 
Elektronische Ressource - Nutzung mit Bibliotheksausweis der Staatsbibliothek zu Berlin
Volltext: 
 
 
 
Literaturverwaltung: 
10 von 765
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10 von 765
vorheriges Dokument      nächstes Dokument