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Suchen (Alle Wörter (XALL)) Montez
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001A | $0EBP:12-03-24 |
001B | $0EBP:22-03-24$t13:45:47.000 |
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021A | $aThe @Routledge companion to Latine theatre and performance$hedited by Noe Montez and Olga Sanchez Saltveit |
028C | $dNoe Wesley$aMontez$BHerausgeberIn$4edt |
028C | $dOlga Sanchez$aSaltveit$BHerausgeberIn$4edt |
033A | $pAbingdon, Oxon$pNew York, NY$nRoutledge, |
034D | $a1 online resource |
039D | $iErscheint auch als$nDruck-Ausgabe$CISBN$69781032134888 |
044A | $N650$Ss$aHispanic American theater$xHistory |
044A | $N650$Ss$aAmerican drama$xHispanic American authors$xHistory and criticism |
044N | $ibisacsh$Ss$aPERFORMING ARTS / General |
044N | $ibisacsh$Ss$aPERFORMING ARTS / Theater / History & Criticism |
045F | $e23/eng/20240221$a792.089/68073 |
045X | $ibisacsh$aPER |
045X | $ibisacsh$aPER |
045X | $ibicssc$aAN |
047I | $aForeword / Jorge Huerta -- Introduction / Noe Montez and Olga Sanchez Saltveit -- Make your heart your face / Juliette Carrillo -- Translating the literal and metaphorical languages of theatrical make-believe / Guillermo Reyes -- Down the yellow brick road to Querencia : Brian Quijada's Somewhere over the border / Kristin Leahey -- Laughter for liberation: Latine comedy in the U.S. American theatre / Amelia Acosta Powell -- Luisa Capetillo: A beautiful anarchy / Magdalena Gómez -- A good light: Making the most of our spotlights / Amparo Garcia-Crow -- Ode to identity / Daniel Jáquez -- The struggles and successes of building an inclusive arts/activist community on the border / Samuel Valdez -- Discussing intersectionality of AfroLatinidad in entertainment and performance / Daphnie Sicre -- General permission / Elaine Romero -- Latinx presence in New York's downtown arts scenes 1963-1975 / Eric Meyer García -- "Quinto Festival de Teatro Chicano- Primer encuentro Latinoamericano : un continente, una cultura por un teatro libre y para la liberacion:" The vision, the plan, the event / Alma Martinez -- From Latin cigar factory workers/actors to Latine Pulitzers: Latine theatre in Florida / Lillian Manzor -- Latine theatre in Florida / Lillian Manzor -- La Rose: Broadway, 1906 and San Juan Bautista, 1981 / Ricardo Ernesto Rocha -- Fornésian dreamscapes : navigating Queer world-making / Melody Contreras -- Su teatro : original sinners and institution builders / Anthony J. Garcia -- Pregones/PRTT: Lighting the spark: For the love of theatre / Rosalba Rolón -- He is the man that I am: Nightlife and legacy in Marga Gomez's Latin standards / Javier Luis Hurtado -- "Why do we exist?" Theatre and placemaking within southern Arizona's Sonoran heritage / Marc David Pinate -- Creating a path in higher education when there is none / Elizabeth C. Ramirez -- Considering diasporican drama / Jon D. Rossini -- Our ritual, our process: A conversation with Migdalia Cruz / Marissa Chibás -- Topology and the dramatic writer / Georgina Escobar -- Resisting relapse: Positive identity and empowerment for youth on the frontera / Adriana Dominguez -- The new old sound : a worksheet manifesto / Beto O'Byrne -- Yana Wana : a dramatic call to action for indigenous Latinx youth in Texas / Roxanne Schroeder-Arce and María F. Rocha -- The stranger and the city : theatre, democracy, inclusion / Ana Candida Carneiro -- Articulating a complete life: The Queer pastorelas of Teatro Alebrijes / Javier Luis Hurtado -- Mi cuenta / Krysta Gonzales -- Jornaleros: Art, labor and drama / Guillermo Avilés-Rodríguez -- Material bodies and object vitality: Octavio Solis's Don Quixote and Quixote Nuevo / Carla Della Gatta -- Racial masquerade and Black Latinidades in Rachel Lynett's Black Mexican / Jade Power-Sotomayor -- Tú eres mi otro yo : the Ecodramaturgy of José Cruz González / Theresa J. May -- Dancing migration: Trespassing, borders, and precarious crossings in Silvana Cardell's Supper, People on the Move / Amelia Rose Estrada -- Testimonio: Exploring the Latinx weave in theatre / Rose Cano -- El Silencio : a Chicana perspective on contemporary Latinx theatre and performance as testimonio / Elisa Gonzales -- Erased or stereotyped: Latine bisexual representation in the American theatre / Maria-Tania Bandes B. Weingarden -- Sonic resistance and resilience in Teatro Luna's Talking while female and other acts / Melissa Huerta -- The orange and the brick : a story about US Latine playwriting / Caridad Svich -- Creating opportunities: A Latinx playwright's journey / Diana Burbano -- San Diego Rep Latinx New Play Festival / Maria Patrice Amon -- Circles rising: Latina directors in community / Estefanía Fadul -- South Texas playwrights / Jerry Ruiz -- Latinx theatre : the new frontier / Henry Godinez -- Crafting culture on Chicago's stages / Priscilla Maria Page -- Familism at work in Latine theatres / Olga Sanchez Saltveit -- A play is a poem standing up / Marisela Treviño Orta -- The graying of the field : how I survived the transition from 'new dramatist' to one who is no longer new / Migdalia Cruz -- Latinx TikTok : Rasquache Theatre goes digitial / Trevor Boffone. |
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33 (XTSL) |
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routcotol |
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1003 (XGPK), 2088 (XPST) |
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3 |
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montez |
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1003 (XGPK), 2088 (XPST) |
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3 |
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noe |
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3 |
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olga |
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3 |
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saltveit |
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1003 (XGPK), 2088 (XPST) |
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3 |
B |
sanchez |
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1003 (XGPK), 2088 (XPST) |
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3 |
B |
wesley |
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46 (XSP), 8310 (XSWW) |
0 |
8 |
D |
american drama |
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46 (XSP), 8310 (XSWW) |
0 |
8 |
D |
hispanic american theater |
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1000 (XATS) |
0 |
9 |
I |
montrout |
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1000 (XATS) |
0 |
9 |
I |
saltrout |
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8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
routledge companion to latine theatre and performance |
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8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
the routledge companion to latine theatre and performance |
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7 (XISB), 1007 (XNUM) |
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14 |
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1003229522 |
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7 (XISB), 1007 (XNUM) |
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1003229522 |
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7 (XISB), 1007 (XNUM) |
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a |
1003848109 |
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1003848109 |
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1003848125 |
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1003848125 |
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1007 (XNUM), 8530 (XSNR) |
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101213557 |
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1032134887 |
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1032134933 |
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9781003848103 |
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9781003848127 |
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9781003848127 |
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9781032134888 |
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ebp101213557 |
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tfg9781003229520 |
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montez,noe wesley |
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saltveit,olga sanchez |
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3010 (XSYS), 8272 (XSDC) |
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792.08968073 |
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8312 (XSRR), 8544 (XGTI) |
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19 |
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1883144019 |
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1010 (XTXT), 1016 (XALL) |
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20 |
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1010 (XTXT), 1016 (XALL) |
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1003229522 |
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1003229522 |
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1010 (XTXT), 1016 (XALL) |
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1003229522 |
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1016 (XALL) |
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1003848109 |
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1003848109 |
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1010 (XTXT), 1016 (XALL) |
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1003848109 |
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1016 (XALL) |
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1003848125 |
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1016 (XALL) |
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1003848125 |
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1010 (XTXT), 1016 (XALL) |
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1003848125 |
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1016 (XALL) |
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101213557 |
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1016 (XALL) |
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1032134887 |
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1016 (XALL) |
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1032134933 |
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1010 (XTXT), 1016 (XALL) |
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104324 |
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1010 (XTXT), 1016 (XALL) |
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1043249781003229520 |
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1010 (XTXT), 1016 (XALL) |
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13488 |
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1010 (XTXT), 1016 (XALL) |
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13493 |
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1016 (XALL) |
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1906 |
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1016 (XALL) |
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1016 (XALL) |
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1010 (XTXT), 1016 (XALL) |
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1010 (XTXT), 1016 (XALL) |
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84810 |
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1010 (XTXT), 1016 (XALL) |
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84810 |
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1010 (XTXT), 1016 (XALL) |
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84812 |
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1010 (XTXT), 1016 (XALL) |
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84812 |
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1010 (XTXT), 1016 (XALL) |
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9 |
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1010 (XTXT), 1016 (XALL) |
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978 |
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978 |
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1010 (XTXT), 1016 (XALL) |
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1010 (XTXT), 1016 (XALL) |
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1016 (XALL) |
0 |
20 |
A |
brian |
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1016 (XALL) |
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20 |
A |
brick |
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1016 (XALL) |
0 |
20 |
A |
brick |
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1016 (XALL) |
0 |
20 |
A |
broadway |
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1016 (XALL) |
0 |
20 |
A |
builders |
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1016 (XALL) |
0 |
20 |
A |
building |
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1016 (XALL) |
0 |
20 |
A |
burbano |
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1016 (XALL) |
0 |
20 |
A |
byrne |
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1016 (XALL) |
0 |
20 |
A |
c |
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1016 (XALL) |
0 |
20 |
A |
call |
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1016 (XALL) |
0 |
20 |
A |
candida |
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1016 (XALL) |
0 |
20 |
A |
cano |
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1016 (XALL) |
0 |
20 |
A |
capetillo |
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1016 (XALL) |
0 |
20 |
A |
cardell |
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1016 (XALL) |
0 |
20 |
A |
cardells |
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1016 (XALL) |
0 |
20 |
A |
caridad |
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1016 (XALL) |
0 |
20 |
A |
carla |
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1016 (XALL) |
0 |
20 |
A |
carneiro |
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1016 (XALL) |
0 |
20 |
A |
carrillo |
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1016 (XALL) |
0 |
20 |
A |
chibás |
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1016 (XALL) |
0 |
20 |
A |
chicago |
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1016 (XALL) |
0 |
20 |
A |
chicagos |
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1016 (XALL) |
0 |
20 |
A |
chicana |
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1016 (XALL) |
0 |
20 |
A |
chicano |
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1016 (XALL) |
0 |
20 |
A |
chicano |
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1016 (XALL) |
0 |
20 |
A |
cigar |
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1016 (XALL) |
0 |
20 |
A |
circles |
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1016 (XALL) |
0 |
20 |
A |
city |
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1016 (XALL) |
0 |
20 |
A |
comedy |
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1016 (XALL) |
0 |
20 |
A |
community |
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1016 (XALL) |
0 |
20 |
A |
community |
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1016 (XALL) |
0 |
20 |
A |
companion |
|
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4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
companion |
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1016 (XALL) |
0 |
20 |
A |
complete |
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1016 (XALL) |
0 |
20 |
A |
considering |
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1016 (XALL) |
0 |
20 |
A |
contemporary |
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1016 (XALL) |
0 |
20 |
A |
continente |
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1016 (XALL) |
0 |
20 |
A |
contreras |
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1016 (XALL) |
0 |
20 |
A |
conversation |
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1016 (XALL) |
0 |
20 |
A |
crafting |
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1016 (XALL) |
0 |
20 |
A |
creating |
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1016 (XALL) |
0 |
20 |
A |
creating |
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1016 (XALL) |
0 |
20 |
A |
criticism |
|
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1016 (XALL) |
0 |
20 |
A |
criticism |
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1016 (XALL) |
0 |
20 |
A |
crossings |
|
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1016 (XALL) |
0 |
20 |
A |
crow |
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1016 (XALL) |
0 |
20 |
A |
cruz |
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1016 (XALL) |
0 |
20 |
A |
cruz |
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1016 (XALL) |
0 |
20 |
A |
cruz |
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1016 (XALL) |
0 |
20 |
A |
cuenta |
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1016 (XALL) |
0 |
20 |
A |
cultura |
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1016 (XALL) |
0 |
20 |
A |
culture |
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1016 (XALL) |
0 |
20 |
A |
dancing |
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1016 (XALL) |
0 |
20 |
A |
daniel |
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1016 (XALL) |
0 |
20 |
A |
daphnie |
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1016 (XALL) |
0 |
20 |
A |
david |
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1016 (XALL) |
0 |
20 |
A |
della |
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1016 (XALL) |
0 |
20 |
A |
democracy |
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1016 (XALL) |
0 |
20 |
A |
diana |
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1016 (XALL) |
0 |
20 |
A |
diasporican |
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1016 (XALL) |
0 |
20 |
A |
diego |
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1016 (XALL) |
0 |
20 |
A |
digitial |
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1016 (XALL) |
0 |
20 |
A |
directors |
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1016 (XALL) |
0 |
20 |
A |
discussing |
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1016 (XALL) |
0 |
20 |
A |
do |
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1016 (XALL) |
0 |
20 |
A |
dominguez |
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1016 (XALL) |
0 |
20 |
A |
don |
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1016 (XALL) |
0 |
20 |
A |
down |
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1016 (XALL) |
0 |
20 |
A |
downtown |
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1016 (XALL) |
0 |
20 |
A |
drama |
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1016 (XALL) |
0 |
20 |
A |
drama |
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1016 (XALL) |
0 |
20 |
A |
drama |
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1016 (XALL) |
0 |
20 |
A |
dramatic |
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1016 (XALL) |
0 |
20 |
A |
dramatic |
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1016 (XALL) |
0 |
20 |
A |
dramatist |
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1016 (XALL) |
0 |
20 |
A |
dramatist |
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1016 (XALL) |
0 |
20 |
A |
dreamscapes |
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1016 (XALL) |
0 |
20 |
A |
ecodramaturgy |
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1016 (XALL) |
0 |
20 |
A |
edited |
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1016 (XALL) |
0 |
20 |
A |
education |
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1016 (XALL) |
0 |
20 |
A |
el |
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1016 (XALL) |
0 |
20 |
A |
elaine |
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1016 (XALL) |
0 |
20 |
A |
elisa |
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1016 (XALL) |
0 |
20 |
A |
elizabeth |
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1016 (XALL) |
0 |
20 |
A |
empowerment |
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1016 (XALL) |
0 |
20 |
A |
encuentro |
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1016 (XALL) |
0 |
20 |
A |
entertainment |
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1016 (XALL) |
0 |
20 |
A |
erased |
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1016 (XALL) |
0 |
20 |
A |
eres |
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1016 (XALL) |
0 |
20 |
A |
eric |
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1016 (XALL) |
0 |
20 |
A |
ernesto |
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1016 (XALL) |
0 |
20 |
A |
escobar |
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1016 (XALL) |
0 |
20 |
A |
estefanía |
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1016 (XALL) |
0 |
20 |
A |
estrada |
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1016 (XALL) |
0 |
20 |
A |
event |
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1016 (XALL) |
0 |
20 |
A |
exist |
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1016 (XALL) |
0 |
20 |
A |
exist |
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1016 (XALL) |
0 |
20 |
A |
exploring |
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1016 (XALL) |
0 |
20 |
A |
f |
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1016 (XALL) |
0 |
20 |
A |
face |
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1016 (XALL) |
0 |
20 |
A |
factory |
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1016 (XALL) |
0 |
20 |
A |
fadul |
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1016 (XALL) |
0 |
20 |
A |
familism |
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1016 (XALL) |
0 |
20 |
A |
female |
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1016 (XALL) |
0 |
20 |
A |
festival |
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1016 (XALL) |
0 |
20 |
A |
festival |
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1016 (XALL) |
0 |
20 |
A |
field |
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1016 (XALL) |
0 |
20 |
A |
florida |
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1016 (XALL) |
0 |
20 |
A |
florida |
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1016 (XALL) |
0 |
20 |
A |
for |
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1016 (XALL) |
0 |
20 |
A |
for |
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1016 (XALL) |
0 |
20 |
A |
for |
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1016 (XALL) |
0 |
20 |
A |
for |
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1016 (XALL) |
0 |
20 |
A |
foreword |
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1016 (XALL) |
0 |
20 |
A |
fornésian |
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1016 (XALL) |
0 |
20 |
A |
from |
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1016 (XALL) |
0 |
20 |
A |
from |
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1016 (XALL) |
0 |
20 |
A |
frontera |
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1016 (XALL) |
0 |
20 |
A |
frontier |
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1016 (XALL) |
0 |
20 |
A |
garcia |
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1016 (XALL) |
0 |
20 |
A |
garcia |
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1016 (XALL) |
0 |
20 |
A |
garciacrow |
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1016 (XALL) |
0 |
20 |
A |
garcía |
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1016 (XALL) |
0 |
20 |
A |
gatta |
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1016 (XALL) |
0 |
20 |
A |
general |
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1016 (XALL) |
0 |
20 |
A |
general |
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1016 (XALL) |
0 |
20 |
A |
georgina |
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1016 (XALL) |
0 |
20 |
A |
godinez |
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1016 (XALL) |
0 |
20 |
A |
goes |
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1016 (XALL) |
0 |
20 |
A |
gomez |
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1016 (XALL) |
0 |
20 |
A |
gomezs |
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1016 (XALL) |
0 |
20 |
A |
gonzales |
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1016 (XALL) |
0 |
20 |
A |
gonzales |
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1016 (XALL) |
0 |
20 |
A |
gonzález |
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1016 (XALL) |
0 |
20 |
A |
good |
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1016 (XALL) |
0 |
20 |
A |
gómez |
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1016 (XALL) |
0 |
20 |
A |
graying |
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1016 (XALL) |
0 |
20 |
A |
guillermo |
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1016 (XALL) |
0 |
20 |
A |
guillermo |
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1016 (XALL) |
0 |
20 |
A |
he |
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1016 (XALL) |
0 |
20 |
A |
heart |
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1016 (XALL) |
0 |
20 |
A |
henry |
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1016 (XALL) |
0 |
20 |
A |
herausgeberin |
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1016 (XALL) |
0 |
20 |
A |
herausgeberin |
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1016 (XALL) |
0 |
20 |
A |
heritage |
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1016 (XALL) |
0 |
20 |
A |
higher |
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1016 (XALL) |
0 |
20 |
A |
hispanic |
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1016 (XALL) |
0 |
20 |
A |
hispanic |
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1016 (XALL) |
0 |
20 |
A |
history |
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1016 (XALL) |
0 |
20 |
A |
history |
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1016 (XALL) |
0 |
20 |
A |
history |
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1016 (XALL) |
0 |
20 |
A |
how |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
https |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
httpswwwtaylorfranciscombooks9781003229520 |
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1016 (XALL) |
0 |
20 |
A |
huerta |
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1016 (XALL) |
0 |
20 |
A |
huerta |
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1016 (XALL) |
0 |
20 |
A |
hurtado |
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1016 (XALL) |
0 |
20 |
A |
hurtado |
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1016 (XALL) |
0 |
20 |
A |
identity |
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1016 (XALL) |
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20 |
A |
identity |
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1016 (XALL) |
0 |
20 |
A |
inclusion |
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1016 (XALL) |
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20 |
A |
inclusive |
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1016 (XALL) |
0 |
20 |
A |
indigenous |
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1016 (XALL) |
0 |
20 |
A |
institution |
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1016 (XALL) |
0 |
20 |
A |
intersectionality |
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1016 (XALL) |
0 |
20 |
A |
introduction |
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1016 (XALL) |
0 |
20 |
A |
is |
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1016 (XALL) |
0 |
20 |
A |
is |
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1016 (XALL) |
0 |
20 |
A |
is |
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1016 (XALL) |
0 |
20 |
A |
is |
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1016 (XALL) |
0 |
20 |
A |
isbn |
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1016 (XALL) |
0 |
20 |
A |
j |
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1016 (XALL) |
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20 |
A |
j |
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1016 (XALL) |
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20 |
A |
jade |
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1016 (XALL) |
0 |
20 |
A |
javier |
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1016 (XALL) |
0 |
20 |
A |
javier |
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1016 (XALL) |
0 |
20 |
A |
jáquez |
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1016 (XALL) |
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20 |
A |
jerry |
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1016 (XALL) |
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20 |
A |
jon |
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1016 (XALL) |
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20 |
A |
jorge |
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1016 (XALL) |
0 |
20 |
A |
jornaleros |
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1016 (XALL) |
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20 |
A |
josé |
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1016 (XALL) |
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20 |
A |
journey |
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1016 (XALL) |
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20 |
A |
juan |
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1016 (XALL) |
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20 |
A |
juliette |
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1016 (XALL) |
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20 |
A |
kristin |
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1016 (XALL) |
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20 |
A |
krysta |
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1016 (XALL) |
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20 |
A |
labor |
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1016 (XALL) |
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20 |
A |
languages |
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1016 (XALL) |
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20 |
A |
latin |
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1016 (XALL) |
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20 |
A |
latin |
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1016 (XALL) |
0 |
20 |
A |
latina |
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1016 (XALL) |
0 |
20 |
A |
latine |
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1016 (XALL) |
0 |
20 |
A |
latine |
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1016 (XALL) |
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20 |
A |
latine |
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1016 (XALL) |
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20 |
A |
latine |
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1016 (XALL) |
0 |
20 |
A |
latine |
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1016 (XALL) |
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20 |
A |
latine |
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1016 (XALL) |
0 |
20 |
A |
latine |
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1016 (XALL) |
0 |
20 |
A |
latine |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
latine |
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1016 (XALL) |
0 |
20 |
A |
latinidades |
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1016 (XALL) |
0 |
20 |
A |
latinoamericano |
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1016 (XALL) |
0 |
20 |
A |
latinx |
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1016 (XALL) |
0 |
20 |
A |
latinx |
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1016 (XALL) |
0 |
20 |
A |
latinx |
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1016 (XALL) |
0 |
20 |
A |
latinx |
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1016 (XALL) |
0 |
20 |
A |
latinx |
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1016 (XALL) |
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20 |
A |
latinx |
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1016 (XALL) |
0 |
20 |
A |
latinx |
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1016 (XALL) |
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20 |
A |
latinx |
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1016 (XALL) |
0 |
20 |
A |
laughter |
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1016 (XALL) |
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20 |
A |
leahey |
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1016 (XALL) |
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20 |
A |
legacy |
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1016 (XALL) |
0 |
20 |
A |
liberacion |
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1016 (XALL) |
0 |
20 |
A |
liberacion |
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1016 (XALL) |
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20 |
A |
liberation |
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1016 (XALL) |
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20 |
A |
libre |
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1016 (XALL) |
0 |
20 |
A |
life |
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1016 (XALL) |
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20 |
A |
light |
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1016 (XALL) |
0 |
20 |
A |
lighting |
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1016 (XALL) |
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20 |
A |
lillian |
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1016 (XALL) |
0 |
20 |
A |
lillian |
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1016 (XALL) |
0 |
20 |
A |
literal |
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1016 (XALL) |
0 |
20 |
A |
longer |
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1016 (XALL) |
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20 |
A |
love |
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1016 (XALL) |
0 |
20 |
A |
luis |
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1016 (XALL) |
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20 |
A |
luis |
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1016 (XALL) |
0 |
20 |
A |
luisa |
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1016 (XALL) |
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20 |
A |
luna |
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1016 (XALL) |
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20 |
A |
lunas |
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1016 (XALL) |
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20 |
A |
lynett |
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1016 (XALL) |
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20 |
A |
lynetts |
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1016 (XALL) |
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20 |
A |
magdalena |
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1016 (XALL) |
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20 |
A |
make |
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1016 (XALL) |
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20 |
A |
make |
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1016 (XALL) |
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20 |
A |
makebelieve |
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1016 (XALL) |
0 |
20 |
A |
making |
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1016 (XALL) |
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20 |
A |
making |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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20 |
A |
manifesto |
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1016 (XALL) |
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20 |
A |
manzor |
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1016 (XALL) |
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20 |
A |
manzor |
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1016 (XALL) |
0 |
20 |
A |
marc |
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1016 (XALL) |
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20 |
A |
marga |
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1016 (XALL) |
0 |
20 |
A |
maria |
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1016 (XALL) |
0 |
20 |
A |
maria |
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1016 (XALL) |
0 |
20 |
A |
maria |
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1016 (XALL) |
0 |
20 |
A |
mariatania |
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1016 (XALL) |
0 |
20 |
A |
marisela |
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1016 (XALL) |
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20 |
A |
marissa |
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1016 (XALL) |
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20 |
A |
maría |
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1016 (XALL) |
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20 |
A |
martinez |
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1016 (XALL) |
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20 |
A |
masquerade |
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1016 (XALL) |
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20 |
A |
material |
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1016 (XALL) |
0 |
20 |
A |
may |
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1016 (XALL) |
0 |
20 |
A |
melissa |
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1016 (XALL) |
0 |
20 |
A |
melody |
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1016 (XALL) |
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20 |
A |
metaphorical |
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1016 (XALL) |
0 |
20 |
A |
mexican |
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1016 (XALL) |
0 |
20 |
A |
meyer |
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1016 (XALL) |
0 |
20 |
A |
mi |
|
|
1016 (XALL) |
0 |
20 |
A |
mi |
|
|
1016 (XALL) |
0 |
20 |
A |
migdalia |
|
|
1016 (XALL) |
0 |
20 |
A |
migdalia |
|
|
1016 (XALL) |
0 |
20 |
A |
migration |
|
|
1016 (XALL) |
0 |
20 |
A |
montez |
|
|
1016 (XALL) |
0 |
20 |
A |
montez |
|
|
1016 (XALL) |
0 |
20 |
A |
montez |
|
|
1016 (XALL) |
0 |
20 |
A |
most |
|
|
1016 (XALL) |
0 |
20 |
A |
move |
|
|
1016 (XALL) |
0 |
20 |
A |
navigating |
|
|
1016 (XALL) |
0 |
20 |
A |
new |
|
|
1016 (XALL) |
0 |
20 |
A |
new |
|
|
1016 (XALL) |
0 |
20 |
A |
new |
|
|
1016 (XALL) |
0 |
20 |
A |
new |
|
|
1016 (XALL) |
0 |
20 |
A |
new |
|
|
1016 (XALL) |
0 |
20 |
A |
new |
|
|
1016 (XALL) |
0 |
20 |
A |
new |
|
|
1016 (XALL) |
0 |
20 |
A |
nightlife |
|
|
1016 (XALL) |
0 |
20 |
A |
no |
|
|
1016 (XALL) |
0 |
20 |
A |
noe |
|
|
1016 (XALL) |
0 |
20 |
A |
noe |
|
|
1016 (XALL) |
0 |
20 |
A |
noe |
|
|
1016 (XALL) |
0 |
20 |
A |
none |
|
|
1016 (XALL) |
0 |
20 |
A |
nuevo |
|
|
1016 (XALL) |
0 |
20 |
A |
ny |
|
|
1016 (XALL) |
0 |
20 |
A |
o |
|
|
1016 (XALL) |
0 |
20 |
A |
object |
|
|
1016 (XALL) |
0 |
20 |
A |
obyrne |
|
|
1016 (XALL) |
0 |
20 |
A |
octavio |
|
|
1016 (XALL) |
0 |
20 |
A |
ode |
|
|
1016 (XALL) |
0 |
20 |
A |
old |
|
|
1016 (XALL) |
0 |
20 |
A |
olga |
|
|
1016 (XALL) |
0 |
20 |
A |
olga |
|
|
1016 (XALL) |
0 |
20 |
A |
olga |
|
|
1016 (XALL) |
0 |
20 |
A |
olga |
|
|
1016 (XALL) |
0 |
20 |
A |
one |
|
|
1016 (XALL) |
0 |
20 |
A |
online |
|
|
1016 (XALL) |
0 |
20 |
A |
opportunities |
|
|
1016 (XALL) |
0 |
20 |
A |
or |
|
|
1016 (XALL) |
0 |
20 |
A |
orange |
|
|
1016 (XALL) |
0 |
20 |
A |
original |
|
|
1016 (XALL) |
0 |
20 |
A |
orta |
|
|
1016 (XALL) |
0 |
20 |
A |
other |
|
|
1016 (XALL) |
0 |
20 |
A |
otro |
|
|
1016 (XALL) |
0 |
20 |
A |
our |
|
|
1016 (XALL) |
0 |
20 |
A |
our |
|
|
1016 (XALL) |
0 |
20 |
A |
our |
|
|
1016 (XALL) |
0 |
20 |
A |
over |
|
|
1016 (XALL) |
0 |
20 |
A |
oxon |
|
|
1016 (XALL) |
0 |
20 |
A |
page |
|
|
1016 (XALL) |
0 |
20 |
A |
para |
|
|
1016 (XALL) |
0 |
20 |
A |
pastorelas |
|
|
1016 (XALL) |
0 |
20 |
A |
path |
|
|
1016 (XALL) |
0 |
20 |
A |
patrice |
|
|
1016 (XALL) |
0 |
20 |
A |
people |
|
|
1016 (XALL) |
0 |
20 |
A |
performance |
|
|
1016 (XALL) |
0 |
20 |
A |
performance |
|
|
1016 (XALL) |
0 |
20 |
A |
performance |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
performance |
|
|
1016 (XALL) |
0 |
20 |
A |
performing |
|
|
1016 (XALL) |
0 |
20 |
A |
performing |
|
|
1016 (XALL) |
0 |
20 |
A |
permission |
|
|
1016 (XALL) |
0 |
20 |
A |
perspective |
|
|
1016 (XALL) |
0 |
20 |
A |
pinate |
|
|
1016 (XALL) |
0 |
20 |
A |
placemaking |
|
|
1016 (XALL) |
0 |
20 |
A |
plan |
|
|
1016 (XALL) |
0 |
20 |
A |
play |
|
|
1016 (XALL) |
0 |
20 |
A |
play |
|
|
1016 (XALL) |
0 |
20 |
A |
playwright |
|
|
1016 (XALL) |
0 |
20 |
A |
playwrights |
|
|
1016 (XALL) |
0 |
20 |
A |
playwrights |
|
|
1016 (XALL) |
0 |
20 |
A |
playwriting |
|
|
1016 (XALL) |
0 |
20 |
A |
poem |
|
|
1016 (XALL) |
0 |
20 |
A |
por |
|
|
1016 (XALL) |
0 |
20 |
A |
positive |
|
|
1016 (XALL) |
0 |
20 |
A |
powell |
|
|
1016 (XALL) |
0 |
20 |
A |
power |
|
|
1016 (XALL) |
0 |
20 |
A |
powersotomayor |
|
|
1016 (XALL) |
0 |
20 |
A |
precarious |
|
|
1016 (XALL) |
0 |
20 |
A |
pregones |
|
|
1016 (XALL) |
0 |
20 |
A |
pregonesprtt |
|
|
1016 (XALL) |
0 |
20 |
A |
presence |
|
|
1016 (XALL) |
0 |
20 |
A |
primer |
|
|
1016 (XALL) |
0 |
20 |
A |
priscilla |
|
|
1016 (XALL) |
0 |
20 |
A |
process |
|
|
1016 (XALL) |
0 |
20 |
A |
prtt |
|
|
1016 (XALL) |
0 |
20 |
A |
pulitzers |
|
|
1016 (XALL) |
0 |
20 |
A |
queer |
|
|
1016 (XALL) |
0 |
20 |
A |
queer |
|
|
1016 (XALL) |
0 |
20 |
A |
querencia |
|
|
1016 (XALL) |
0 |
20 |
A |
quijada |
|
|
1016 (XALL) |
0 |
20 |
A |
quijadas |
|
|
1016 (XALL) |
0 |
20 |
A |
quinto |
|
|
1016 (XALL) |
0 |
20 |
A |
quixote |
|
|
1016 (XALL) |
0 |
20 |
A |
quixote |
|
|
1016 (XALL) |
0 |
20 |
A |
rachel |
|
|
1016 (XALL) |
0 |
20 |
A |
racial |
|
|
1016 (XALL) |
0 |
20 |
A |
ramirez |
|
|
1016 (XALL) |
0 |
20 |
A |
rasquache |
|
|
1016 (XALL) |
0 |
20 |
A |
relapse |
|
|
1016 (XALL) |
0 |
20 |
A |
rep |
|
|
1016 (XALL) |
0 |
20 |
A |
representation |
|
|
1016 (XALL) |
0 |
20 |
A |
resilience |
|
|
1016 (XALL) |
0 |
20 |
A |
resistance |
|
|
1016 (XALL) |
0 |
20 |
A |
resisting |
|
|
1016 (XALL) |
0 |
20 |
A |
resource |
|
|
1016 (XALL) |
0 |
20 |
A |
reyes |
|
|
1016 (XALL) |
0 |
20 |
A |
ricardo |
|
|
1016 (XALL) |
0 |
20 |
A |
rising |
|
|
1016 (XALL) |
0 |
20 |
A |
ritual |
|
|
1016 (XALL) |
0 |
20 |
A |
road |
|
|
1016 (XALL) |
0 |
20 |
A |
rocha |
|
|
1016 (XALL) |
0 |
20 |
A |
rocha |
|
|
1016 (XALL) |
0 |
20 |
A |
rodríguez |
|
|
1016 (XALL) |
0 |
20 |
A |
rolón |
|
|
1016 (XALL) |
0 |
20 |
A |
romero |
|
|
1016 (XALL) |
0 |
20 |
A |
rosalba |
|
|
1016 (XALL) |
0 |
20 |
A |
rose |
|
|
1016 (XALL) |
0 |
20 |
A |
rose |
|
|
1016 (XALL) |
0 |
20 |
A |
rose |
|
|
1016 (XALL) |
0 |
20 |
A |
rossini |
|
|
1016 (XALL) |
0 |
20 |
A |
routledge |
|
|
1016 (XALL) |
0 |
20 |
A |
routledge |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
routledge |
|
|
1016 (XALL) |
0 |
20 |
A |
roxanne |
|
|
1016 (XALL) |
0 |
20 |
A |
ruiz |
|
|
1016 (XALL) |
0 |
20 |
A |
saltveit |
|
|
1016 (XALL) |
0 |
20 |
A |
saltveit |
|
|
1016 (XALL) |
0 |
20 |
A |
saltveit |
|
|
1016 (XALL) |
0 |
20 |
A |
saltveit |
|
|
1016 (XALL) |
0 |
20 |
A |
samuel |
|
|
1016 (XALL) |
0 |
20 |
A |
san |
|
|
1016 (XALL) |
0 |
20 |
A |
san |
|
|
1016 (XALL) |
0 |
20 |
A |
sanchez |
|
|
1016 (XALL) |
0 |
20 |
A |
sanchez |
|
|
1016 (XALL) |
0 |
20 |
A |
sanchez |
|
|
1016 (XALL) |
0 |
20 |
A |
sanchez |
|
|
1016 (XALL) |
0 |
20 |
A |
scenes |
|
|
1016 (XALL) |
0 |
20 |
A |
schroeder |
|
|
1016 (XALL) |
0 |
20 |
A |
schroederarce |
|
|
1016 (XALL) |
0 |
20 |
A |
sicre |
|
|
1016 (XALL) |
0 |
20 |
A |
silencio |
|
|
1016 (XALL) |
0 |
20 |
A |
silvana |
|
|
1016 (XALL) |
0 |
20 |
A |
sinners |
|
|
1016 (XALL) |
0 |
20 |
A |
solis |
|
|
1016 (XALL) |
0 |
20 |
A |
soliss |
|
|
1016 (XALL) |
0 |
20 |
A |
somewhere |
|
|
1016 (XALL) |
0 |
20 |
A |
sonic |
|
|
1016 (XALL) |
0 |
20 |
A |
sonoran |
|
|
1016 (XALL) |
0 |
20 |
A |
sotomayor |
|
|
1016 (XALL) |
0 |
20 |
A |
sound |
|
|
1016 (XALL) |
0 |
20 |
A |
south |
|
|
1016 (XALL) |
0 |
20 |
A |
southern |
|
|
1016 (XALL) |
0 |
20 |
A |
spark |
|
|
1016 (XALL) |
0 |
20 |
A |
spotlights |
|
|
1016 (XALL) |
0 |
20 |
A |
stages |
|
|
1016 (XALL) |
0 |
20 |
A |
standards |
|
|
1016 (XALL) |
0 |
20 |
A |
standing |
|
|
1016 (XALL) |
0 |
20 |
A |
stereotyped |
|
|
1016 (XALL) |
0 |
20 |
A |
story |
|
|
1016 (XALL) |
0 |
20 |
A |
stranger |
|
|
1016 (XALL) |
0 |
20 |
A |
struggles |
|
|
1016 (XALL) |
0 |
20 |
A |
su |
|
|
1016 (XALL) |
0 |
20 |
A |
successes |
|
|
1016 (XALL) |
0 |
20 |
A |
supper |
|
|
1016 (XALL) |
0 |
20 |
A |
survived |
|
|
1016 (XALL) |
0 |
20 |
A |
svich |
|
|
1016 (XALL) |
0 |
20 |
A |
talking |
|
|
1016 (XALL) |
0 |
20 |
A |
tania |
|
|
1016 (XALL) |
0 |
20 |
A |
teatro |
|
|
1016 (XALL) |
0 |
20 |
A |
teatro |
|
|
1016 (XALL) |
0 |
20 |
A |
teatro |
|
|
1016 (XALL) |
0 |
20 |
A |
teatro |
|
|
1016 (XALL) |
0 |
20 |
A |
teatro |
|
|
1016 (XALL) |
0 |
20 |
A |
testimonio |
|
|
1016 (XALL) |
0 |
20 |
A |
testimonio |
|
|
1016 (XALL) |
0 |
20 |
A |
texas |
|
|
1016 (XALL) |
0 |
20 |
A |
texas |
|
|
1016 (XALL) |
0 |
20 |
A |
that |
|
|
1016 (XALL) |
0 |
20 |
A |
theater |
|
|
1016 (XALL) |
0 |
20 |
A |
theater |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatres |
|
|
1016 (XALL) |
0 |
20 |
A |
theatrical |
|
|
1016 (XALL) |
0 |
20 |
A |
there |
|
|
1016 (XALL) |
0 |
20 |
A |
theresa |
|
|
1016 (XALL) |
0 |
20 |
A |
tiktok |
|
|
1016 (XALL) |
0 |
20 |
A |
topology |
|
|
1016 (XALL) |
0 |
20 |
A |
transition |
|
|
1016 (XALL) |
0 |
20 |
A |
translating |
|
|
1016 (XALL) |
0 |
20 |
A |
trespassing |
|
|
1016 (XALL) |
0 |
20 |
A |
treviño |
|
|
1016 (XALL) |
0 |
20 |
A |
trevor |
|
|
1016 (XALL) |
0 |
20 |
A |
tú |
|
|
1016 (XALL) |
0 |
20 |
A |
una |
|
|
1016 (XALL) |
0 |
20 |
A |
up |
|
|
1016 (XALL) |
0 |
20 |
A |
us |
|
|
1016 (XALL) |
0 |
20 |
A |
us |
|
|
1016 (XALL) |
0 |
20 |
A |
valdez |
|
|
1016 (XALL) |
0 |
20 |
A |
vision |
|
|
1016 (XALL) |
0 |
20 |
A |
vitality |
|
|
1016 (XALL) |
0 |
20 |
A |
wana |
|
|
1016 (XALL) |
0 |
20 |
A |
we |
|
|
1016 (XALL) |
0 |
20 |
A |
weave |
|
|
1016 (XALL) |
0 |
20 |
A |
weingarden |
|
|
1016 (XALL) |
0 |
20 |
A |
wesley |
|
|
1016 (XALL) |
0 |
20 |
A |
when |
|
|
1016 (XALL) |
0 |
20 |
A |
while |
|
|
1016 (XALL) |
0 |
20 |
A |
who |
|
|
1016 (XALL) |
0 |
20 |
A |
why |
|
|
1016 (XALL) |
0 |
20 |
A |
with |
|
|
1016 (XALL) |
0 |
20 |
A |
within |
|
|
1016 (XALL) |
0 |
20 |
A |
work |
|
|
1016 (XALL) |
0 |
20 |
A |
workers |
|
|
1016 (XALL) |
0 |
20 |
A |
workersactors |
|
|
1016 (XALL) |
0 |
20 |
A |
worksheet |
|
|
1016 (XALL) |
0 |
20 |
A |
world |
|
|
1016 (XALL) |
0 |
20 |
A |
worldmaking |
|
|
1016 (XALL) |
0 |
20 |
A |
writer |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
wwwtaylorfranciscom |
|
|
1016 (XALL) |
0 |
20 |
A |
y |
|
|
1016 (XALL) |
0 |
20 |
A |
yana |
|
|
1016 (XALL) |
0 |
20 |
A |
yellow |
|
|
1016 (XALL) |
0 |
20 |
A |
yo |
|
|
1016 (XALL) |
0 |
20 |
A |
york |
|
|
1016 (XALL) |
0 |
20 |
A |
york |
|
|
1016 (XALL) |
0 |
20 |
A |
yorks |
|
|
1016 (XALL) |
0 |
20 |
A |
your |
|
|
1016 (XALL) |
0 |
20 |
A |
your |
|
|
1016 (XALL) |
0 |
20 |
A |
youth |
|
|
1016 (XALL) |
0 |
20 |
A |
youth |
|
|
8661 (XCLT) |
0 |
21 |
A |
american |
|
|
8661 (XCLT) |
0 |
21 |
A |
american |
|
|
8661 (XCLT) |
0 |
21 |
A |
arts |
|
|
8661 (XCLT) |
0 |
21 |
A |
arts |
|
|
8661 (XCLT) |
0 |
21 |
A |
companion |
|
|
8661 (XCLT) |
0 |
21 |
A |
criticism |
|
|
8661 (XCLT) |
0 |
21 |
A |
drama |
|
|
8661 (XCLT) |
0 |
21 |
A |
general |
|
|
8661 (XCLT) |
0 |
21 |
A |
hispanic |
|
|
8661 (XCLT) |
0 |
21 |
A |
history |
|
|
8661 (XCLT) |
0 |
21 |
A |
latine |
|
|
8661 (XCLT) |
0 |
21 |
A |
performance |
|
|
8661 (XCLT) |
0 |
21 |
A |
performing |
|
|
8661 (XCLT) |
0 |
21 |
A |
performing |
|
|
8661 (XCLT) |
0 |
21 |
A |
routledge |
|
|
8661 (XCLT) |
0 |
21 |
A |
theater |
|
|
8661 (XCLT) |
0 |
21 |
A |
theater |
|
|
8661 (XCLT) |
0 |
21 |
A |
theatre |
|
|
59 (XVLO), 2100 (XVER) |
0 |
22 |
a |
abingdon |
|
|
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1016 (XALL) |
0 |
20 |
A |
arts |
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1016 (XALL) |
0 |
20 |
A |
arts |
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1016 (XALL) |
0 |
20 |
A |
arts |
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1016 (XALL) |
0 |
20 |
A |
arts |
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1016 (XALL) |
0 |
20 |
A |
artsactivist |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
authors |
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1016 (XALL) |
0 |
20 |
A |
avilés |
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1016 (XALL) |
0 |
20 |
A |
avilésrodríguez |
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1016 (XALL) |
0 |
20 |
A |
b |
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1016 (XALL) |
0 |
20 |
A |
bandes |
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1016 (XALL) |
0 |
20 |
A |
bautista |
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1016 (XALL) |
0 |
20 |
A |
beautiful |
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1016 (XALL) |
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20 |
A |
believe |
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1016 (XALL) |
0 |
20 |
A |
beto |
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1016 (XALL) |
0 |
20 |
A |
bisexual |
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1016 (XALL) |
0 |
20 |
A |
black |
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1016 (XALL) |
0 |
20 |
A |
black |
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1016 (XALL) |
0 |
20 |
A |
bodies |
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1016 (XALL) |
0 |
20 |
A |
boffone |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
books |
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1016 (XALL) |
0 |
20 |
A |
border |
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1016 (XALL) |
0 |
20 |
A |
border |
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1016 (XALL) |
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20 |
A |
borders |
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1016 (XALL) |
0 |
20 |
A |
brian |
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1016 (XALL) |
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20 |
A |
brick |
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1016 (XALL) |
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20 |
A |
brick |
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1016 (XALL) |
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20 |
A |
broadway |
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1016 (XALL) |
0 |
20 |
A |
builders |
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1016 (XALL) |
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20 |
A |
building |
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1016 (XALL) |
0 |
20 |
A |
burbano |
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1016 (XALL) |
0 |
20 |
A |
byrne |
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1016 (XALL) |
0 |
20 |
A |
c |
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1016 (XALL) |
0 |
20 |
A |
call |
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1016 (XALL) |
0 |
20 |
A |
candida |
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1016 (XALL) |
0 |
20 |
A |
cano |
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1016 (XALL) |
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20 |
A |
capetillo |
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1016 (XALL) |
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20 |
A |
cardell |
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1016 (XALL) |
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20 |
A |
cardells |
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1016 (XALL) |
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20 |
A |
caridad |
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1016 (XALL) |
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20 |
A |
carla |
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1016 (XALL) |
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20 |
A |
carneiro |
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1016 (XALL) |
0 |
20 |
A |
carrillo |
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1016 (XALL) |
0 |
20 |
A |
chibás |
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1016 (XALL) |
0 |
20 |
A |
chicago |
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1016 (XALL) |
0 |
20 |
A |
chicagos |
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1016 (XALL) |
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20 |
A |
chicana |
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1016 (XALL) |
0 |
20 |
A |
chicano |
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1016 (XALL) |
0 |
20 |
A |
chicano |
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1016 (XALL) |
0 |
20 |
A |
cigar |
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1016 (XALL) |
0 |
20 |
A |
circles |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
comedy |
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1016 (XALL) |
0 |
20 |
A |
community |
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1016 (XALL) |
0 |
20 |
A |
community |
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1016 (XALL) |
0 |
20 |
A |
companion |
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4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
companion |
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1016 (XALL) |
0 |
20 |
A |
complete |
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1016 (XALL) |
0 |
20 |
A |
considering |
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1016 (XALL) |
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20 |
A |
contemporary |
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1016 (XALL) |
0 |
20 |
A |
continente |
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1016 (XALL) |
0 |
20 |
A |
contreras |
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1016 (XALL) |
0 |
20 |
A |
conversation |
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1016 (XALL) |
0 |
20 |
A |
crafting |
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1016 (XALL) |
0 |
20 |
A |
creating |
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1016 (XALL) |
0 |
20 |
A |
creating |
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1016 (XALL) |
0 |
20 |
A |
criticism |
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1016 (XALL) |
0 |
20 |
A |
criticism |
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1016 (XALL) |
0 |
20 |
A |
crossings |
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1016 (XALL) |
0 |
20 |
A |
crow |
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1016 (XALL) |
0 |
20 |
A |
cruz |
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1016 (XALL) |
0 |
20 |
A |
cruz |
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1016 (XALL) |
0 |
20 |
A |
cruz |
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1016 (XALL) |
0 |
20 |
A |
cuenta |
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1016 (XALL) |
0 |
20 |
A |
cultura |
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1016 (XALL) |
0 |
20 |
A |
culture |
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1016 (XALL) |
0 |
20 |
A |
dancing |
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1016 (XALL) |
0 |
20 |
A |
daniel |
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1016 (XALL) |
0 |
20 |
A |
daphnie |
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1016 (XALL) |
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20 |
A |
david |
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1016 (XALL) |
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20 |
A |
della |
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1016 (XALL) |
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20 |
A |
democracy |
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1016 (XALL) |
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20 |
A |
diana |
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1016 (XALL) |
0 |
20 |
A |
diasporican |
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1016 (XALL) |
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20 |
A |
diego |
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1016 (XALL) |
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20 |
A |
digitial |
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1016 (XALL) |
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20 |
A |
directors |
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1016 (XALL) |
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20 |
A |
discussing |
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1016 (XALL) |
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20 |
A |
do |
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1016 (XALL) |
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20 |
A |
dominguez |
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1016 (XALL) |
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20 |
A |
don |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
drama |
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1016 (XALL) |
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A |
drama |
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1016 (XALL) |
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A |
drama |
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1016 (XALL) |
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20 |
A |
dramatic |
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1016 (XALL) |
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A |
dramatic |
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1016 (XALL) |
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A |
dramatist |
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1016 (XALL) |
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20 |
A |
dramatist |
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1016 (XALL) |
0 |
20 |
A |
dreamscapes |
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1016 (XALL) |
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A |
ecodramaturgy |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
0 |
20 |
A |
elaine |
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1016 (XALL) |
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20 |
A |
elisa |
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1016 (XALL) |
0 |
20 |
A |
elizabeth |
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1016 (XALL) |
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20 |
A |
empowerment |
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1016 (XALL) |
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20 |
A |
encuentro |
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1016 (XALL) |
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20 |
A |
entertainment |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
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20 |
A |
eric |
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1016 (XALL) |
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20 |
A |
ernesto |
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1016 (XALL) |
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20 |
A |
escobar |
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1016 (XALL) |
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20 |
A |
estefanía |
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1016 (XALL) |
0 |
20 |
A |
estrada |
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1016 (XALL) |
0 |
20 |
A |
event |
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1016 (XALL) |
0 |
20 |
A |
exist |
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1016 (XALL) |
0 |
20 |
A |
exist |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
f |
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1016 (XALL) |
0 |
20 |
A |
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1016 (XALL) |
0 |
20 |
A |
factory |
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1016 (XALL) |
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20 |
A |
fadul |
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1016 (XALL) |
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20 |
A |
familism |
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1016 (XALL) |
0 |
20 |
A |
female |
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1016 (XALL) |
0 |
20 |
A |
festival |
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1016 (XALL) |
0 |
20 |
A |
festival |
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1016 (XALL) |
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20 |
A |
field |
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1016 (XALL) |
0 |
20 |
A |
florida |
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1016 (XALL) |
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20 |
A |
florida |
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1016 (XALL) |
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20 |
A |
for |
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1016 (XALL) |
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20 |
A |
for |
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1016 (XALL) |
0 |
20 |
A |
for |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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20 |
A |
foreword |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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20 |
A |
from |
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1016 (XALL) |
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20 |
A |
from |
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1016 (XALL) |
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20 |
A |
frontera |
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1016 (XALL) |
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A |
frontier |
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1016 (XALL) |
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20 |
A |
garcia |
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1016 (XALL) |
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20 |
A |
garcia |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
garcía |
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1016 (XALL) |
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20 |
A |
gatta |
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1016 (XALL) |
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20 |
A |
general |
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1016 (XALL) |
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20 |
A |
general |
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1016 (XALL) |
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A |
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1016 (XALL) |
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20 |
A |
godinez |
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1016 (XALL) |
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20 |
A |
goes |
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1016 (XALL) |
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20 |
A |
gomez |
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1016 (XALL) |
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20 |
A |
gomezs |
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1016 (XALL) |
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20 |
A |
gonzales |
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1016 (XALL) |
0 |
20 |
A |
gonzales |
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1016 (XALL) |
0 |
20 |
A |
gonzález |
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1016 (XALL) |
0 |
20 |
A |
good |
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1016 (XALL) |
0 |
20 |
A |
gómez |
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1016 (XALL) |
0 |
20 |
A |
graying |
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1016 (XALL) |
0 |
20 |
A |
guillermo |
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1016 (XALL) |
0 |
20 |
A |
guillermo |
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1016 (XALL) |
0 |
20 |
A |
he |
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1016 (XALL) |
0 |
20 |
A |
heart |
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1016 (XALL) |
0 |
20 |
A |
henry |
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1016 (XALL) |
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20 |
A |
herausgeberin |
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1016 (XALL) |
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20 |
A |
herausgeberin |
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1016 (XALL) |
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20 |
A |
heritage |
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1016 (XALL) |
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A |
higher |
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1016 (XALL) |
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20 |
A |
hispanic |
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1016 (XALL) |
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20 |
A |
hispanic |
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1016 (XALL) |
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20 |
A |
history |
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1016 (XALL) |
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20 |
A |
history |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
0 |
20 |
A |
how |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
https |
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1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
httpswwwtaylorfranciscombooks9781003229520 |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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20 |
A |
hurtado |
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1016 (XALL) |
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20 |
A |
hurtado |
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1016 (XALL) |
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20 |
A |
identity |
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1016 (XALL) |
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20 |
A |
identity |
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1016 (XALL) |
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20 |
A |
inclusion |
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1016 (XALL) |
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A |
inclusive |
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1016 (XALL) |
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20 |
A |
indigenous |
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1016 (XALL) |
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20 |
A |
institution |
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1016 (XALL) |
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20 |
A |
intersectionality |
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1016 (XALL) |
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20 |
A |
introduction |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
javier |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
jorge |
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1016 (XALL) |
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A |
jornaleros |
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A |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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A |
juan |
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A |
juliette |
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1016 (XALL) |
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A |
kristin |
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A |
krysta |
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1016 (XALL) |
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A |
labor |
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A |
languages |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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A |
latine |
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1016 (XALL) |
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A |
latine |
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1016 (XALL) |
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A |
latine |
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1016 (XALL) |
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A |
latine |
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1016 (XALL) |
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A |
latine |
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1016 (XALL) |
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A |
latine |
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1016 (XALL) |
0 |
20 |
A |
latine |
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4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
latine |
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1016 (XALL) |
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20 |
A |
latinidades |
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1016 (XALL) |
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20 |
A |
latinoamericano |
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1016 (XALL) |
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A |
latinx |
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A |
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A |
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A |
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A |
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A |
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A |
latinx |
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A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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20 |
A |
liberacion |
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1016 (XALL) |
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A |
liberation |
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1016 (XALL) |
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A |
libre |
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1016 (XALL) |
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20 |
A |
life |
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1016 (XALL) |
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20 |
A |
light |
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1016 (XALL) |
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A |
lighting |
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A |
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A |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
love |
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1016 (XALL) |
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20 |
A |
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1016 (XALL) |
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A |
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1016 (XALL) |
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A |
luisa |
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1016 (XALL) |
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A |
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A |
lunas |
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A |
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A |
lynetts |
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A |
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A |
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A |
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A |
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0 |
20 |
A |
making |
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1016 (XALL) |
0 |
20 |
A |
making |
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1016 (XALL) |
0 |
20 |
A |
man |
|
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1016 (XALL) |
0 |
20 |
A |
manifesto |
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1016 (XALL) |
0 |
20 |
A |
manzor |
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1016 (XALL) |
0 |
20 |
A |
manzor |
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1016 (XALL) |
0 |
20 |
A |
marc |
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1016 (XALL) |
0 |
20 |
A |
marga |
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1016 (XALL) |
0 |
20 |
A |
maria |
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1016 (XALL) |
0 |
20 |
A |
maria |
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1016 (XALL) |
0 |
20 |
A |
maria |
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1016 (XALL) |
0 |
20 |
A |
mariatania |
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1016 (XALL) |
0 |
20 |
A |
marisela |
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1016 (XALL) |
0 |
20 |
A |
marissa |
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1016 (XALL) |
0 |
20 |
A |
maría |
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1016 (XALL) |
0 |
20 |
A |
martinez |
|
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1016 (XALL) |
0 |
20 |
A |
masquerade |
|
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1016 (XALL) |
0 |
20 |
A |
material |
|
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1016 (XALL) |
0 |
20 |
A |
may |
|
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1016 (XALL) |
0 |
20 |
A |
melissa |
|
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1016 (XALL) |
0 |
20 |
A |
melody |
|
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1016 (XALL) |
0 |
20 |
A |
metaphorical |
|
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1016 (XALL) |
0 |
20 |
A |
mexican |
|
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1016 (XALL) |
0 |
20 |
A |
meyer |
|
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1016 (XALL) |
0 |
20 |
A |
mi |
|
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1016 (XALL) |
0 |
20 |
A |
mi |
|
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1016 (XALL) |
0 |
20 |
A |
migdalia |
|
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1016 (XALL) |
0 |
20 |
A |
migdalia |
|
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1016 (XALL) |
0 |
20 |
A |
migration |
|
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1016 (XALL) |
0 |
20 |
A |
montez |
|
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1016 (XALL) |
0 |
20 |
A |
montez |
|
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1016 (XALL) |
0 |
20 |
A |
montez |
|
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1016 (XALL) |
0 |
20 |
A |
most |
|
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1016 (XALL) |
0 |
20 |
A |
move |
|
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1016 (XALL) |
0 |
20 |
A |
navigating |
|
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1016 (XALL) |
0 |
20 |
A |
new |
|
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1016 (XALL) |
0 |
20 |
A |
new |
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1016 (XALL) |
0 |
20 |
A |
new |
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1016 (XALL) |
0 |
20 |
A |
new |
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1016 (XALL) |
0 |
20 |
A |
new |
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1016 (XALL) |
0 |
20 |
A |
new |
|
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1016 (XALL) |
0 |
20 |
A |
new |
|
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1016 (XALL) |
0 |
20 |
A |
nightlife |
|
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1016 (XALL) |
0 |
20 |
A |
no |
|
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1016 (XALL) |
0 |
20 |
A |
noe |
|
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1016 (XALL) |
0 |
20 |
A |
noe |
|
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1016 (XALL) |
0 |
20 |
A |
noe |
|
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1016 (XALL) |
0 |
20 |
A |
none |
|
|
1016 (XALL) |
0 |
20 |
A |
nuevo |
|
|
1016 (XALL) |
0 |
20 |
A |
ny |
|
|
1016 (XALL) |
0 |
20 |
A |
o |
|
|
1016 (XALL) |
0 |
20 |
A |
object |
|
|
1016 (XALL) |
0 |
20 |
A |
obyrne |
|
|
1016 (XALL) |
0 |
20 |
A |
octavio |
|
|
1016 (XALL) |
0 |
20 |
A |
ode |
|
|
1016 (XALL) |
0 |
20 |
A |
old |
|
|
1016 (XALL) |
0 |
20 |
A |
olga |
|
|
1016 (XALL) |
0 |
20 |
A |
olga |
|
|
1016 (XALL) |
0 |
20 |
A |
olga |
|
|
1016 (XALL) |
0 |
20 |
A |
olga |
|
|
1016 (XALL) |
0 |
20 |
A |
one |
|
|
1016 (XALL) |
0 |
20 |
A |
online |
|
|
1016 (XALL) |
0 |
20 |
A |
opportunities |
|
|
1016 (XALL) |
0 |
20 |
A |
or |
|
|
1016 (XALL) |
0 |
20 |
A |
orange |
|
|
1016 (XALL) |
0 |
20 |
A |
original |
|
|
1016 (XALL) |
0 |
20 |
A |
orta |
|
|
1016 (XALL) |
0 |
20 |
A |
other |
|
|
1016 (XALL) |
0 |
20 |
A |
otro |
|
|
1016 (XALL) |
0 |
20 |
A |
our |
|
|
1016 (XALL) |
0 |
20 |
A |
our |
|
|
1016 (XALL) |
0 |
20 |
A |
our |
|
|
1016 (XALL) |
0 |
20 |
A |
over |
|
|
1016 (XALL) |
0 |
20 |
A |
oxon |
|
|
1016 (XALL) |
0 |
20 |
A |
page |
|
|
1016 (XALL) |
0 |
20 |
A |
para |
|
|
1016 (XALL) |
0 |
20 |
A |
pastorelas |
|
|
1016 (XALL) |
0 |
20 |
A |
path |
|
|
1016 (XALL) |
0 |
20 |
A |
patrice |
|
|
1016 (XALL) |
0 |
20 |
A |
people |
|
|
1016 (XALL) |
0 |
20 |
A |
performance |
|
|
1016 (XALL) |
0 |
20 |
A |
performance |
|
|
1016 (XALL) |
0 |
20 |
A |
performance |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
performance |
|
|
1016 (XALL) |
0 |
20 |
A |
performing |
|
|
1016 (XALL) |
0 |
20 |
A |
performing |
|
|
1016 (XALL) |
0 |
20 |
A |
permission |
|
|
1016 (XALL) |
0 |
20 |
A |
perspective |
|
|
1016 (XALL) |
0 |
20 |
A |
pinate |
|
|
1016 (XALL) |
0 |
20 |
A |
placemaking |
|
|
1016 (XALL) |
0 |
20 |
A |
plan |
|
|
1016 (XALL) |
0 |
20 |
A |
play |
|
|
1016 (XALL) |
0 |
20 |
A |
play |
|
|
1016 (XALL) |
0 |
20 |
A |
playwright |
|
|
1016 (XALL) |
0 |
20 |
A |
playwrights |
|
|
1016 (XALL) |
0 |
20 |
A |
playwrights |
|
|
1016 (XALL) |
0 |
20 |
A |
playwriting |
|
|
1016 (XALL) |
0 |
20 |
A |
poem |
|
|
1016 (XALL) |
0 |
20 |
A |
por |
|
|
1016 (XALL) |
0 |
20 |
A |
positive |
|
|
1016 (XALL) |
0 |
20 |
A |
powell |
|
|
1016 (XALL) |
0 |
20 |
A |
power |
|
|
1016 (XALL) |
0 |
20 |
A |
powersotomayor |
|
|
1016 (XALL) |
0 |
20 |
A |
precarious |
|
|
1016 (XALL) |
0 |
20 |
A |
pregones |
|
|
1016 (XALL) |
0 |
20 |
A |
pregonesprtt |
|
|
1016 (XALL) |
0 |
20 |
A |
presence |
|
|
1016 (XALL) |
0 |
20 |
A |
primer |
|
|
1016 (XALL) |
0 |
20 |
A |
priscilla |
|
|
1016 (XALL) |
0 |
20 |
A |
process |
|
|
1016 (XALL) |
0 |
20 |
A |
prtt |
|
|
1016 (XALL) |
0 |
20 |
A |
pulitzers |
|
|
1016 (XALL) |
0 |
20 |
A |
queer |
|
|
1016 (XALL) |
0 |
20 |
A |
queer |
|
|
1016 (XALL) |
0 |
20 |
A |
querencia |
|
|
1016 (XALL) |
0 |
20 |
A |
quijada |
|
|
1016 (XALL) |
0 |
20 |
A |
quijadas |
|
|
1016 (XALL) |
0 |
20 |
A |
quinto |
|
|
1016 (XALL) |
0 |
20 |
A |
quixote |
|
|
1016 (XALL) |
0 |
20 |
A |
quixote |
|
|
1016 (XALL) |
0 |
20 |
A |
rachel |
|
|
1016 (XALL) |
0 |
20 |
A |
racial |
|
|
1016 (XALL) |
0 |
20 |
A |
ramirez |
|
|
1016 (XALL) |
0 |
20 |
A |
rasquache |
|
|
1016 (XALL) |
0 |
20 |
A |
relapse |
|
|
1016 (XALL) |
0 |
20 |
A |
rep |
|
|
1016 (XALL) |
0 |
20 |
A |
representation |
|
|
1016 (XALL) |
0 |
20 |
A |
resilience |
|
|
1016 (XALL) |
0 |
20 |
A |
resistance |
|
|
1016 (XALL) |
0 |
20 |
A |
resisting |
|
|
1016 (XALL) |
0 |
20 |
A |
resource |
|
|
1016 (XALL) |
0 |
20 |
A |
reyes |
|
|
1016 (XALL) |
0 |
20 |
A |
ricardo |
|
|
1016 (XALL) |
0 |
20 |
A |
rising |
|
|
1016 (XALL) |
0 |
20 |
A |
ritual |
|
|
1016 (XALL) |
0 |
20 |
A |
road |
|
|
1016 (XALL) |
0 |
20 |
A |
rocha |
|
|
1016 (XALL) |
0 |
20 |
A |
rocha |
|
|
1016 (XALL) |
0 |
20 |
A |
rodríguez |
|
|
1016 (XALL) |
0 |
20 |
A |
rolón |
|
|
1016 (XALL) |
0 |
20 |
A |
romero |
|
|
1016 (XALL) |
0 |
20 |
A |
rosalba |
|
|
1016 (XALL) |
0 |
20 |
A |
rose |
|
|
1016 (XALL) |
0 |
20 |
A |
rose |
|
|
1016 (XALL) |
0 |
20 |
A |
rose |
|
|
1016 (XALL) |
0 |
20 |
A |
rossini |
|
|
1016 (XALL) |
0 |
20 |
A |
routledge |
|
|
1016 (XALL) |
0 |
20 |
A |
routledge |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
routledge |
|
|
1016 (XALL) |
0 |
20 |
A |
roxanne |
|
|
1016 (XALL) |
0 |
20 |
A |
ruiz |
|
|
1016 (XALL) |
0 |
20 |
A |
saltveit |
|
|
1016 (XALL) |
0 |
20 |
A |
saltveit |
|
|
1016 (XALL) |
0 |
20 |
A |
saltveit |
|
|
1016 (XALL) |
0 |
20 |
A |
saltveit |
|
|
1016 (XALL) |
0 |
20 |
A |
samuel |
|
|
1016 (XALL) |
0 |
20 |
A |
san |
|
|
1016 (XALL) |
0 |
20 |
A |
san |
|
|
1016 (XALL) |
0 |
20 |
A |
sanchez |
|
|
1016 (XALL) |
0 |
20 |
A |
sanchez |
|
|
1016 (XALL) |
0 |
20 |
A |
sanchez |
|
|
1016 (XALL) |
0 |
20 |
A |
sanchez |
|
|
1016 (XALL) |
0 |
20 |
A |
scenes |
|
|
1016 (XALL) |
0 |
20 |
A |
schroeder |
|
|
1016 (XALL) |
0 |
20 |
A |
schroederarce |
|
|
1016 (XALL) |
0 |
20 |
A |
sicre |
|
|
1016 (XALL) |
0 |
20 |
A |
silencio |
|
|
1016 (XALL) |
0 |
20 |
A |
silvana |
|
|
1016 (XALL) |
0 |
20 |
A |
sinners |
|
|
1016 (XALL) |
0 |
20 |
A |
solis |
|
|
1016 (XALL) |
0 |
20 |
A |
soliss |
|
|
1016 (XALL) |
0 |
20 |
A |
somewhere |
|
|
1016 (XALL) |
0 |
20 |
A |
sonic |
|
|
1016 (XALL) |
0 |
20 |
A |
sonoran |
|
|
1016 (XALL) |
0 |
20 |
A |
sotomayor |
|
|
1016 (XALL) |
0 |
20 |
A |
sound |
|
|
1016 (XALL) |
0 |
20 |
A |
south |
|
|
1016 (XALL) |
0 |
20 |
A |
southern |
|
|
1016 (XALL) |
0 |
20 |
A |
spark |
|
|
1016 (XALL) |
0 |
20 |
A |
spotlights |
|
|
1016 (XALL) |
0 |
20 |
A |
stages |
|
|
1016 (XALL) |
0 |
20 |
A |
standards |
|
|
1016 (XALL) |
0 |
20 |
A |
standing |
|
|
1016 (XALL) |
0 |
20 |
A |
stereotyped |
|
|
1016 (XALL) |
0 |
20 |
A |
story |
|
|
1016 (XALL) |
0 |
20 |
A |
stranger |
|
|
1016 (XALL) |
0 |
20 |
A |
struggles |
|
|
1016 (XALL) |
0 |
20 |
A |
su |
|
|
1016 (XALL) |
0 |
20 |
A |
successes |
|
|
1016 (XALL) |
0 |
20 |
A |
supper |
|
|
1016 (XALL) |
0 |
20 |
A |
survived |
|
|
1016 (XALL) |
0 |
20 |
A |
svich |
|
|
1016 (XALL) |
0 |
20 |
A |
talking |
|
|
1016 (XALL) |
0 |
20 |
A |
tania |
|
|
1016 (XALL) |
0 |
20 |
A |
teatro |
|
|
1016 (XALL) |
0 |
20 |
A |
teatro |
|
|
1016 (XALL) |
0 |
20 |
A |
teatro |
|
|
1016 (XALL) |
0 |
20 |
A |
teatro |
|
|
1016 (XALL) |
0 |
20 |
A |
teatro |
|
|
1016 (XALL) |
0 |
20 |
A |
testimonio |
|
|
1016 (XALL) |
0 |
20 |
A |
testimonio |
|
|
1016 (XALL) |
0 |
20 |
A |
texas |
|
|
1016 (XALL) |
0 |
20 |
A |
texas |
|
|
1016 (XALL) |
0 |
20 |
A |
that |
|
|
1016 (XALL) |
0 |
20 |
A |
theater |
|
|
1016 (XALL) |
0 |
20 |
A |
theater |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatre |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
theatre |
|
|
1016 (XALL) |
0 |
20 |
A |
theatres |
|
|
1016 (XALL) |
0 |
20 |
A |
theatrical |
|
|
1016 (XALL) |
0 |
20 |
A |
there |
|
|
1016 (XALL) |
0 |
20 |
A |
theresa |
|
|
1016 (XALL) |
0 |
20 |
A |
tiktok |
|
|
1016 (XALL) |
0 |
20 |
A |
topology |
|
|
1016 (XALL) |
0 |
20 |
A |
transition |
|
|
1016 (XALL) |
0 |
20 |
A |
translating |
|
|
1016 (XALL) |
0 |
20 |
A |
trespassing |
|
|
1016 (XALL) |
0 |
20 |
A |
treviño |
|
|
1016 (XALL) |
0 |
20 |
A |
trevor |
|
|
1016 (XALL) |
0 |
20 |
A |
tú |
|
|
1016 (XALL) |
0 |
20 |
A |
una |
|
|
1016 (XALL) |
0 |
20 |
A |
up |
|
|
1016 (XALL) |
0 |
20 |
A |
us |
|
|
1016 (XALL) |
0 |
20 |
A |
us |
|
|
1016 (XALL) |
0 |
20 |
A |
valdez |
|
|
1016 (XALL) |
0 |
20 |
A |
vision |
|
|
1016 (XALL) |
0 |
20 |
A |
vitality |
|
|
1016 (XALL) |
0 |
20 |
A |
wana |
|
|
1016 (XALL) |
0 |
20 |
A |
we |
|
|
1016 (XALL) |
0 |
20 |
A |
weave |
|
|
1016 (XALL) |
0 |
20 |
A |
weingarden |
|
|
1016 (XALL) |
0 |
20 |
A |
wesley |
|
|
1016 (XALL) |
0 |
20 |
A |
when |
|
|
1016 (XALL) |
0 |
20 |
A |
while |
|
|
1016 (XALL) |
0 |
20 |
A |
who |
|
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1016 (XALL) |
0 |
20 |
A |
why |
|
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1016 (XALL) |
0 |
20 |
A |
with |
|
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1016 (XALL) |
0 |
20 |
A |
within |
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1016 (XALL) |
0 |
20 |
A |
work |
|
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1016 (XALL) |
0 |
20 |
A |
workers |
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1016 (XALL) |
0 |
20 |
A |
workersactors |
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1016 (XALL) |
0 |
20 |
A |
worksheet |
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|
1016 (XALL) |
0 |
20 |
A |
world |
|
|
1016 (XALL) |
0 |
20 |
A |
worldmaking |
|
|
1016 (XALL) |
0 |
20 |
A |
writer |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
wwwtaylorfranciscom |
|
|
1016 (XALL) |
0 |
20 |
A |
y |
|
|
1016 (XALL) |
0 |
20 |
A |
yana |
|
|
1016 (XALL) |
0 |
20 |
A |
yellow |
|
|
1016 (XALL) |
0 |
20 |
A |
yo |
|
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1016 (XALL) |
0 |
20 |
A |
york |
|
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1016 (XALL) |
0 |
20 |
A |
york |
|
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1016 (XALL) |
0 |
20 |
A |
yorks |
|
|
1016 (XALL) |
0 |
20 |
A |
your |
|
|
1016 (XALL) |
0 |
20 |
A |
your |
|
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1016 (XALL) |
0 |
20 |
A |
youth |
|
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1016 (XALL) |
0 |
20 |
A |
youth |
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8661 (XCLT) |
0 |
21 |
A |
american |
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8661 (XCLT) |
0 |
21 |
A |
american |
|
|
8661 (XCLT) |
0 |
21 |
A |
arts |
|
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8661 (XCLT) |
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21 |
A |
arts |
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8661 (XCLT) |
0 |
21 |
A |
companion |
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8661 (XCLT) |
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21 |
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criticism |
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8661 (XCLT) |
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21 |
A |
drama |
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8661 (XCLT) |
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21 |
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8661 (XCLT) |
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21 |
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hispanic |
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8661 (XCLT) |
0 |
21 |
A |
history |
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8661 (XCLT) |
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21 |
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latine |
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8661 (XCLT) |
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21 |
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8661 (XCLT) |
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8661 (XCLT) |
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8661 (XCLT) |
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21 |
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routledge |
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8661 (XCLT) |
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21 |
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theater |
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8661 (XCLT) |
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8661 (XCLT) |
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59 (XVLO), 2100 (XVER) |
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22 |
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abingdon |
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59 (XVLO), 2100 (XVER) |
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22 |
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oxon |
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1018 (XVLG), 2100 (XVER) |
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22 |
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59 (XVLO), 2100 (XVER) |
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22 |
a |
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8314 (XPUS) |
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23 |
A |
abingdon oxon |
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8314 (XPUS) |
0 |
23 |
A |
abingdon oxon new york ny routledge |
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8314 (XPUS) |
0 |
23 |
A |
new york ny |
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12 (XPPN) |
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24 |
X |
1883144019 |
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|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
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2050 (XCOD), 8630 (XIMD) |
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31 |
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computermedien |
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2050 (XCOD), 8630 (XIMD) |
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31 |
E |
cr |
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54 (XSPR), 2050 (XCOD) |
0 |
31 |
A |
eng |
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2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
online |
|
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2050 (XCOD), 8630 (XIMD) |
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31 |
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onlineressource |
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2050 (XCOD), 8630 (XIMD) |
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31 |
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2050 (XCOD), 8630 (XIMD) |
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31 |
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2050 (XCOD), 8630 (XIMD) |
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31 |
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txt |
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8600 (XBBG) |
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34 |
A |
Oax |
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1032 (XURL) |
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35 |
a |
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5040 (XSLW), 5041 (XTHM) |
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42 |
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american |
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5040 (XSLW), 5041 (XTHM) |
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42 |
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5041 (XTHM) |
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42 |
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companion |
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42 |
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5040 (XSLW), 5041 (XTHM) |
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42 |
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hispanic |
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5041 (XTHM) |
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42 |
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latine |
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5041 (XTHM) |
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5041 (XTHM) |
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5041 (XTHM) |
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42 |
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olga |
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5041 (XTHM) |
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42 |
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42 |
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5041 (XTHM) |
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42 |
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5041 (XTHM) |
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42 |
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theatre |
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1012 (XAED) |
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64 |
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1012 (XAED) |
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64 |
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1012 (XAED) |
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64 |
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ebp |
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8607 (XUUU) |
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99 |
A |
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2064 (XXPL), 8135 (XXPR) |
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103 |
a |
bsz 7 hus tuub |
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2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
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2064 (XXPL), 8135 (XXPR) |
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103 |
a |
gbv 7 tfc luen |
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2064 (XXPL), 8135 (XXPR) |
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103 |
a |
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2064 (XXPL), 8135 (XXPR) |
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103 |
a |
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2064 (XXPL), 8135 (XXPR) |
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103 |
a |
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2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
zdb 7 tfc |
|
|
2064 (XXPL), 8135 (XXPR) |
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103 |
a |
zdb 7 tfc |
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8399 (XTMP) |
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110 |
A |
k10plus |
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8711 (XVFR) |
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117 |
B |
101213557 |
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8711 (XVFR) |
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117 |
B |
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1016 (XALL) |
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20 |
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1 |
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1016 (XALL) |
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20 |
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1016 (XALL) |
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20 |
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8900 |
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8000 (XEPN) |
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25 |
Y |
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1032 (XURL), 8588 (XLRL) |
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35 |
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8578 (XEXK) |
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8578 (XEXK) |
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8636 (XAUI) |
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45 |
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8410 (XSLK) |
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8149 (XSLS) |
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8714 (XHAU) |
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IKT |
Mnm |
Access |
Type |
Value |
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9000 |
JHR |
interval |
interval |
2024-2024 |
|
9001 |
MAT |
upshift |
ascii |
O |
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9003 |
BKD |
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255.255 |
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9004 |
TAA |
upshift |
ascii |
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9005 |
LND |
upshift |
ascii |
UU |
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9006 |
RBT |
bitmap |
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0x00 |
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9008 |
SUP |
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ascii |
Y |
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9022 |
ZBI |
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ascii |
0 |
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9029 |
TLT |
upshift |
ascii |
X |
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9030 |
KEY |
upshift |
ascii |
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