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2 von 82 |
|
|
Ihre Aktion |
Suchen (Systematiken (XSYS)) AFKP
|
|
|
|
|
|
|
|
001A | $0EBP:11-01-24 |
001B | $0EBP:11-01-24$t07:01:44.000 |
001D | $0EBP:11-01-24 |
001F | $00 |
001U | $0utf8 |
002@ | $0Oax |
002C | $aText$btxt |
002D | $aComputermedien$bc |
002E | $aOnline-Ressource$bcr |
003@ | $01877719994 |
004A | $0978-1-003-36209-8$febook |
004A | $01-003-36209-5 |
004A | $0978-1-000-98504-7$felectronic bk. : PDF |
004A | $01-000-98504-0$felectronic bk. : PDF |
004A | $0978-1-000-98506-1$felectronic bk. : EPUB |
004A | $01-000-98506-7$felectronic bk. : EPUB |
004P | $Sp$0978-1-032-42289-3$fhardback |
004P | $Sp$0978-1-032-42288-6$fpaperback |
004V | $010.4324/9781003362098 |
006X | $iTFG$09781003362098 |
006X | $iEBP$010023254X |
007G | $iKEP$010023254X |
008G | $aK10plus |
010@ | $aeng |
011@ | $a2024 |
017C | $uhttps://www.taylorfrancis.com/books/9781003362098$mX:TFG$xH$4ZZ |
017L | $aGBV-7-TFC-SBB |
017L | $aZDB-7-TFC |
021A | $aImprovisation the Michael Chekhov way$dactive exploration of acting techniques$hWil Kilroy |
028A | $dWil$aKilroy$BVerfasserIn$4aut |
033A | $pNew York, NY$nRoutledge, |
034D | $a1 online resource |
039D | $iErscheint auch als$nDruck-Ausgabe$CISBN$69781032422893 |
044A | $N600$Sp$aChekhov, Michael$d1891-1955 |
044A | $N650$Ss$aImprovisation (Acting) |
044N | $Ss$aPERFORMING ARTS / Acting & Auditioning |
044N | $Ss$aPERFORMING ARTS / Theater / History & Criticism |
045F | $e23/eng/20230810$a792.02/8 |
045X | $ibisacsh$aPER |
045X | $ibisacsh$aPER |
045X | $ibisacsh$aPER |
045X | $ibicssc$aAFKP |
047I | $aExpansion/contraction -- the pulse of life -- The four brothers of art : ease, beauty, form and wholeness/entirety -- Qualities of movement : molding, flowing, flying, and radiating -- Archetypal gestures -- Radiating and receiving -- The three sister sensations : balancing, falling, floating -- Qualities and sensations -- Moveable centers -- The imaginary body -- Costume characters -- Thinking, feeling, and willing : the trinity of the psychology -- Atmospheres -- Tempo and rhythm -- Focal points -- Psychological gesture. |
|
|
| |
|
|
|
|
|
|
IKT |
ILN |
Index |
Key |
Phrase |
|
|
33 (XTSL) |
0 |
0 |
@ |
imprthmic |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
kilroy |
|
|
1003 (XGPK), 2088 (XPST) |
0 |
3 |
B |
wil |
|
|
46 (XSP), 8310 (XSWW) |
0 |
8 |
D |
chekhov, michael |
|
|
46 (XSP), 8310 (XSWW) |
0 |
8 |
D |
improvisation acting |
|
|
1000 (XATS) |
0 |
9 |
I |
kilrimpr |
|
|
8060 (XHTP), 8062 (XTPR) |
0 |
10 |
b |
improvisation the michael chekhov way |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
1000985040 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
1000985040 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
1000985067 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
1000985067 |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
10023254x |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
10023254x |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
1003362095 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
1003362095 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
1032422882 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
1032422890 |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
1043249781003362098 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
9781000985047 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
9781000985047 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
9781000985061 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
9781000985061 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
9781003362098 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
9781003362098 |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
9781003362098 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
9781032422886 |
|
|
7 (XISB), 1007 (XNUM) |
0 |
14 |
a |
9781032422893 |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
ebp10023254x |
|
|
1007 (XNUM), 8530 (XSNR) |
0 |
14 |
z |
tfg9781003362098 |
|
|
1 (XPRS), 1004 (XPER) |
0 |
16 |
A |
kilroy,wil |
|
|
3010 (XSYS), 8272 (XSDC) |
0 |
18 |
m |
792.028 |
|
|
3010 (XSYS) |
0 |
18 |
P |
afkp |
|
|
3010 (XSYS) |
0 |
18 |
P |
per |
|
|
3010 (XSYS) |
0 |
18 |
P |
per |
|
|
3010 (XSYS) |
0 |
18 |
P |
per |
|
|
8312 (XSRR), 8544 (XGTI) |
0 |
19 |
E |
1877719994 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
0 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
000 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
000 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
000 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
000 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
003 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
003 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
032 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
032 |
|
|
1016 (XALL) |
0 |
20 |
A |
1 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1 |
|
|
1016 (XALL) |
0 |
20 |
A |
1000985040 |
|
|
1016 (XALL) |
0 |
20 |
A |
1000985040 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1000985040 |
|
|
1016 (XALL) |
0 |
20 |
A |
1000985067 |
|
|
1016 (XALL) |
0 |
20 |
A |
1000985067 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1000985067 |
|
|
1016 (XALL) |
0 |
20 |
A |
10023254x |
|
|
1016 (XALL) |
0 |
20 |
A |
1003362095 |
|
|
1016 (XALL) |
0 |
20 |
A |
1003362095 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1003362095 |
|
|
1016 (XALL) |
0 |
20 |
A |
1032422882 |
|
|
1016 (XALL) |
0 |
20 |
A |
1032422890 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
104324 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
1043249781003362098 |
|
|
1016 (XALL) |
0 |
20 |
A |
1891 |
|
|
1016 (XALL) |
0 |
20 |
A |
18911955 |
|
|
1016 (XALL) |
0 |
20 |
A |
1955 |
|
|
1016 (XALL) |
0 |
20 |
A |
2024 |
|
|
31 (XJAH), 1016 (XALL) |
0 |
20 |
W |
2024 |
|
|
31 (XJAH), 1016 (XALL) |
0 |
20 |
W |
2024 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
3 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
36209 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
36209 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
42288 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
42289 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
5 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
6 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
7 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
7 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
8 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
978 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
978 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
978 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
978 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
978 |
|
|
1016 (XALL) |
0 |
20 |
A |
9781000985047 |
|
|
1016 (XALL) |
0 |
20 |
A |
9781000985047 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9781000985047 |
|
|
1016 (XALL) |
0 |
20 |
A |
9781000985061 |
|
|
1016 (XALL) |
0 |
20 |
A |
9781000985061 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9781000985061 |
|
|
1016 (XALL) |
0 |
20 |
A |
9781003362098 |
|
|
1016 (XALL) |
0 |
20 |
A |
9781003362098 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9781003362098 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9781003362098 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9781003362098 |
|
|
1016 (XALL) |
0 |
20 |
A |
9781032422886 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9781032422886 |
|
|
1016 (XALL) |
0 |
20 |
A |
9781032422893 |
|
|
1016 (XALL) |
0 |
20 |
A |
9781032422893 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
9781032422893 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
98504 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
98504 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
98506 |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
98506 |
|
|
1016 (XALL) |
0 |
20 |
A |
acting |
|
|
1016 (XALL) |
0 |
20 |
A |
acting |
|
|
1016 (XALL) |
0 |
20 |
A |
acting |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
acting |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
active |
|
|
1016 (XALL) |
0 |
20 |
A |
archetypal |
|
|
1016 (XALL) |
0 |
20 |
A |
art |
|
|
1016 (XALL) |
0 |
20 |
A |
arts |
|
|
1016 (XALL) |
0 |
20 |
A |
arts |
|
|
1016 (XALL) |
0 |
20 |
A |
atmospheres |
|
|
1016 (XALL) |
0 |
20 |
A |
auditioning |
|
|
1016 (XALL) |
0 |
20 |
A |
balancing |
|
|
1016 (XALL) |
0 |
20 |
A |
beauty |
|
|
1016 (XALL) |
0 |
20 |
A |
body |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
books |
|
|
1016 (XALL) |
0 |
20 |
A |
brothers |
|
|
1016 (XALL) |
0 |
20 |
A |
centers |
|
|
1016 (XALL) |
0 |
20 |
A |
characters |
|
|
1016 (XALL) |
0 |
20 |
A |
chekhov |
|
|
1016 (XALL) |
0 |
20 |
A |
chekhov |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
chekhov |
|
|
1016 (XALL) |
0 |
20 |
A |
contraction |
|
|
1016 (XALL) |
0 |
20 |
A |
costume |
|
|
1016 (XALL) |
0 |
20 |
A |
criticism |
|
|
1016 (XALL) |
0 |
20 |
A |
ease |
|
|
1016 (XALL) |
0 |
20 |
A |
entirety |
|
|
1016 (XALL) |
0 |
20 |
A |
expansion |
|
|
1016 (XALL) |
0 |
20 |
A |
expansioncontraction |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
exploration |
|
|
1016 (XALL) |
0 |
20 |
A |
falling |
|
|
1016 (XALL) |
0 |
20 |
A |
feeling |
|
|
1016 (XALL) |
0 |
20 |
A |
floating |
|
|
1016 (XALL) |
0 |
20 |
A |
flowing |
|
|
1016 (XALL) |
0 |
20 |
A |
flying |
|
|
1016 (XALL) |
0 |
20 |
A |
focal |
|
|
1016 (XALL) |
0 |
20 |
A |
form |
|
|
1016 (XALL) |
0 |
20 |
A |
four |
|
|
1016 (XALL) |
0 |
20 |
A |
gesture |
|
|
1016 (XALL) |
0 |
20 |
A |
gestures |
|
|
1016 (XALL) |
0 |
20 |
A |
history |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
https |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
httpswwwtaylorfranciscombooks9781003362098 |
|
|
1016 (XALL) |
0 |
20 |
A |
imaginary |
|
|
1016 (XALL) |
0 |
20 |
A |
improvisation |
|
|
1016 (XALL) |
0 |
20 |
A |
improvisation |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
improvisation |
|
|
1016 (XALL) |
0 |
20 |
A |
isbn |
|
|
1016 (XALL) |
0 |
20 |
A |
kilroy |
|
|
1016 (XALL) |
0 |
20 |
A |
kilroy |
|
|
1016 (XALL) |
0 |
20 |
A |
life |
|
|
1016 (XALL) |
0 |
20 |
A |
michael |
|
|
1016 (XALL) |
0 |
20 |
A |
michael |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
michael |
|
|
1016 (XALL) |
0 |
20 |
A |
molding |
|
|
1016 (XALL) |
0 |
20 |
A |
moveable |
|
|
1016 (XALL) |
0 |
20 |
A |
movement |
|
|
1016 (XALL) |
0 |
20 |
A |
new |
|
|
1016 (XALL) |
0 |
20 |
A |
ny |
|
|
1016 (XALL) |
0 |
20 |
A |
online |
|
|
1016 (XALL) |
0 |
20 |
A |
performing |
|
|
1016 (XALL) |
0 |
20 |
A |
performing |
|
|
1016 (XALL) |
0 |
20 |
A |
points |
|
|
1016 (XALL) |
0 |
20 |
A |
psychological |
|
|
1016 (XALL) |
0 |
20 |
A |
psychology |
|
|
1016 (XALL) |
0 |
20 |
A |
pulse |
|
|
1016 (XALL) |
0 |
20 |
A |
qualities |
|
|
1016 (XALL) |
0 |
20 |
A |
qualities |
|
|
1016 (XALL) |
0 |
20 |
A |
radiating |
|
|
1016 (XALL) |
0 |
20 |
A |
radiating |
|
|
1016 (XALL) |
0 |
20 |
A |
receiving |
|
|
1016 (XALL) |
0 |
20 |
A |
resource |
|
|
1016 (XALL) |
0 |
20 |
A |
rhythm |
|
|
1016 (XALL) |
0 |
20 |
A |
routledge |
|
|
1016 (XALL) |
0 |
20 |
A |
sensations |
|
|
1016 (XALL) |
0 |
20 |
A |
sensations |
|
|
1016 (XALL) |
0 |
20 |
A |
sister |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
techniques |
|
|
1016 (XALL) |
0 |
20 |
A |
tempo |
|
|
1016 (XALL) |
0 |
20 |
A |
theater |
|
|
1016 (XALL) |
0 |
20 |
A |
thinking |
|
|
1016 (XALL) |
0 |
20 |
A |
three |
|
|
1016 (XALL) |
0 |
20 |
A |
trinity |
|
|
1016 (XALL) |
0 |
20 |
A |
verfasserin |
|
|
1016 (XALL) |
0 |
20 |
A |
way |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
way |
|
|
1016 (XALL) |
0 |
20 |
A |
wholeness |
|
|
1016 (XALL) |
0 |
20 |
A |
wholenessentirety |
|
|
1016 (XALL) |
0 |
20 |
A |
wil |
|
|
1016 (XALL) |
0 |
20 |
A |
wil |
|
|
1016 (XALL) |
0 |
20 |
A |
willing |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
wwwtaylorfranciscom |
|
|
1016 (XALL) |
0 |
20 |
A |
york |
|
|
8661 (XCLT) |
0 |
21 |
A |
acting |
|
|
8661 (XCLT) |
0 |
21 |
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|
|
1016 (XALL) |
0 |
20 |
A |
costume |
|
|
1016 (XALL) |
0 |
20 |
A |
criticism |
|
|
1016 (XALL) |
0 |
20 |
A |
ease |
|
|
1016 (XALL) |
0 |
20 |
A |
entirety |
|
|
1016 (XALL) |
0 |
20 |
A |
expansion |
|
|
1016 (XALL) |
0 |
20 |
A |
expansioncontraction |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
exploration |
|
|
1016 (XALL) |
0 |
20 |
A |
falling |
|
|
1016 (XALL) |
0 |
20 |
A |
feeling |
|
|
1016 (XALL) |
0 |
20 |
A |
floating |
|
|
1016 (XALL) |
0 |
20 |
A |
flowing |
|
|
1016 (XALL) |
0 |
20 |
A |
flying |
|
|
1016 (XALL) |
0 |
20 |
A |
focal |
|
|
1016 (XALL) |
0 |
20 |
A |
form |
|
|
1016 (XALL) |
0 |
20 |
A |
four |
|
|
1016 (XALL) |
0 |
20 |
A |
gesture |
|
|
1016 (XALL) |
0 |
20 |
A |
gestures |
|
|
1016 (XALL) |
0 |
20 |
A |
history |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
https |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
httpswwwtaylorfranciscombooks9781003362098 |
|
|
1016 (XALL) |
0 |
20 |
A |
imaginary |
|
|
1016 (XALL) |
0 |
20 |
A |
improvisation |
|
|
1016 (XALL) |
0 |
20 |
A |
improvisation |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
improvisation |
|
|
1016 (XALL) |
0 |
20 |
A |
isbn |
|
|
1016 (XALL) |
0 |
20 |
A |
kilroy |
|
|
1016 (XALL) |
0 |
20 |
A |
kilroy |
|
|
1016 (XALL) |
0 |
20 |
A |
life |
|
|
1016 (XALL) |
0 |
20 |
A |
michael |
|
|
1016 (XALL) |
0 |
20 |
A |
michael |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
michael |
|
|
1016 (XALL) |
0 |
20 |
A |
molding |
|
|
1016 (XALL) |
0 |
20 |
A |
moveable |
|
|
1016 (XALL) |
0 |
20 |
A |
movement |
|
|
1016 (XALL) |
0 |
20 |
A |
new |
|
|
1016 (XALL) |
0 |
20 |
A |
ny |
|
|
1016 (XALL) |
0 |
20 |
A |
online |
|
|
1016 (XALL) |
0 |
20 |
A |
performing |
|
|
1016 (XALL) |
0 |
20 |
A |
performing |
|
|
1016 (XALL) |
0 |
20 |
A |
points |
|
|
1016 (XALL) |
0 |
20 |
A |
psychological |
|
|
1016 (XALL) |
0 |
20 |
A |
psychology |
|
|
1016 (XALL) |
0 |
20 |
A |
pulse |
|
|
1016 (XALL) |
0 |
20 |
A |
qualities |
|
|
1016 (XALL) |
0 |
20 |
A |
qualities |
|
|
1016 (XALL) |
0 |
20 |
A |
radiating |
|
|
1016 (XALL) |
0 |
20 |
A |
radiating |
|
|
1016 (XALL) |
0 |
20 |
A |
receiving |
|
|
1016 (XALL) |
0 |
20 |
A |
resource |
|
|
1016 (XALL) |
0 |
20 |
A |
rhythm |
|
|
1016 (XALL) |
0 |
20 |
A |
routledge |
|
|
1016 (XALL) |
0 |
20 |
A |
sensations |
|
|
1016 (XALL) |
0 |
20 |
A |
sensations |
|
|
1016 (XALL) |
0 |
20 |
A |
sister |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
techniques |
|
|
1016 (XALL) |
0 |
20 |
A |
tempo |
|
|
1016 (XALL) |
0 |
20 |
A |
theater |
|
|
1016 (XALL) |
0 |
20 |
A |
thinking |
|
|
1016 (XALL) |
0 |
20 |
A |
three |
|
|
1016 (XALL) |
0 |
20 |
A |
trinity |
|
|
1016 (XALL) |
0 |
20 |
A |
verfasserin |
|
|
1016 (XALL) |
0 |
20 |
A |
way |
|
|
4 (XTIT), 1016 (XALL) |
0 |
20 |
B |
way |
|
|
1016 (XALL) |
0 |
20 |
A |
wholeness |
|
|
1016 (XALL) |
0 |
20 |
A |
wholenessentirety |
|
|
1016 (XALL) |
0 |
20 |
A |
wil |
|
|
1016 (XALL) |
0 |
20 |
A |
wil |
|
|
1016 (XALL) |
0 |
20 |
A |
willing |
|
|
1010 (XTXT), 1016 (XALL) |
0 |
20 |
C |
wwwtaylorfranciscom |
|
|
1016 (XALL) |
0 |
20 |
A |
york |
|
|
8661 (XCLT) |
0 |
21 |
A |
acting |
|
|
8661 (XCLT) |
0 |
21 |
A |
acting |
|
|
8661 (XCLT) |
0 |
21 |
A |
acting |
|
|
8661 (XCLT) |
0 |
21 |
A |
acting |
|
|
8661 (XCLT) |
0 |
21 |
A |
active |
|
|
8661 (XCLT) |
0 |
21 |
A |
arts |
|
|
8661 (XCLT) |
0 |
21 |
A |
arts |
|
|
8661 (XCLT) |
0 |
21 |
A |
auditioning |
|
|
8661 (XCLT) |
0 |
21 |
A |
chekhov |
|
|
8661 (XCLT) |
0 |
21 |
A |
chekhov |
|
|
8661 (XCLT) |
0 |
21 |
A |
criticism |
|
|
8661 (XCLT) |
0 |
21 |
A |
exploration |
|
|
8661 (XCLT) |
0 |
21 |
A |
history |
|
|
8661 (XCLT) |
0 |
21 |
A |
improvisation |
|
|
8661 (XCLT) |
0 |
21 |
A |
improvisation |
|
|
8661 (XCLT) |
0 |
21 |
A |
kilroy |
|
|
8661 (XCLT) |
0 |
21 |
A |
michael |
|
|
8661 (XCLT) |
0 |
21 |
A |
michael |
|
|
8661 (XCLT) |
0 |
21 |
A |
performing |
|
|
8661 (XCLT) |
0 |
21 |
A |
performing |
|
|
8661 (XCLT) |
0 |
21 |
A |
techniques |
|
|
8661 (XCLT) |
0 |
21 |
A |
theater |
|
|
8661 (XCLT) |
0 |
21 |
A |
way |
|
|
8661 (XCLT) |
0 |
21 |
A |
wil |
|
|
59 (XVLO), 2100 (XVER) |
0 |
22 |
a |
new |
|
|
59 (XVLO), 2100 (XVER) |
0 |
22 |
a |
ny |
|
|
1018 (XVLG), 2100 (XVER) |
0 |
22 |
B |
routledge |
|
|
59 (XVLO), 2100 (XVER) |
0 |
22 |
a |
york |
|
|
8314 (XPUS) |
0 |
23 |
A |
new york ny |
|
|
8314 (XPUS) |
0 |
23 |
A |
new york ny routledge |
|
|
12 (XPPN) |
0 |
24 |
X |
1877719994 |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
c |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
computermedien |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
cr |
|
|
54 (XSPR), 2050 (XCOD) |
0 |
31 |
A |
eng |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
online |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
onlineressource |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
ressource |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
text |
|
|
2050 (XCOD), 8630 (XIMD) |
0 |
31 |
E |
txt |
|
|
8600 (XBBG) |
0 |
34 |
A |
Oax |
|
|
1032 (XURL) |
0 |
35 |
a |
www.taylorfrancis.combooks9781003362098 |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
B |
1891 |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
B |
1955 |
|
|
5041 (XTHM) |
0 |
42 |
A |
acting |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
B |
acting |
|
|
5041 (XTHM) |
0 |
42 |
A |
active |
|
|
5041 (XTHM) |
0 |
42 |
A |
chekhov |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
B |
chekhov |
|
|
5041 (XTHM) |
0 |
42 |
A |
exploration |
|
|
5041 (XTHM) |
0 |
42 |
A |
improvisation |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
B |
improvisation |
|
|
5041 (XTHM) |
0 |
42 |
A |
kilroy |
|
|
5041 (XTHM) |
0 |
42 |
A |
michael |
|
|
5040 (XSLW), 5041 (XTHM) |
0 |
42 |
B |
michael |
|
|
5041 (XTHM) |
0 |
42 |
A |
techniques |
|
|
5041 (XTHM) |
0 |
42 |
A |
way |
|
|
5041 (XTHM) |
0 |
42 |
A |
wil |
|
|
1012 (XAED) |
0 |
64 |
A |
2024-01-11 |
|
|
1012 (XAED) |
0 |
64 |
A |
2024-01-11 07 01 44.000 |
|
|
1012 (XAED) |
0 |
64 |
A |
ebp |
|
|
8607 (XUUU) |
0 |
99 |
A |
https://www.taylorfrancis.com/books/9781003362098 |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
gbv 7 tfc sbb |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
gbv 7 tfc sbb |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
zdb 7 tfc |
|
|
2064 (XXPL), 8135 (XXPR) |
0 |
103 |
a |
zdb 7 tfc |
|
|
8399 (XTMP) |
0 |
110 |
A |
k10plus |
|
|
8711 (XVFR) |
0 |
117 |
B |
10023254x |
|
|
8711 (XVFR) |
0 |
117 |
B |
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|
|
1016 (XALL) |
0 |
20 |
a |
1 |
|
|
1016 (XALL) |
0 |
20 |
a |
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|
|
1016 (XALL) |
0 |
20 |
a |
8900 |
|
|
8000 (XEPN) |
0 |
25 |
Y |
4462184653 |
|
|
1032 (XURL), 8588 (XLRL) |
0 |
35 |
c |
erf.sbb.spkberlin.dehan1681975750xawww.taylorfrancis.combooks9781003362098 |
|
|
8578 (XEXK) |
0 |
37 |
A |
an |
|
|
8578 (XEXK) |
0 |
37 |
A |
bestand |
|
|
8578 (XEXK) |
0 |
37 |
A |
der |
|
|
8578 (XEXK) |
0 |
37 |
A |
endbenutzer |
|
|
8578 (XEXK) |
0 |
37 |
A |
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|
|
8578 (XEXK) |
0 |
37 |
A |
kx |
|
|
8578 (XEXK) |
0 |
37 |
A |
papierkopie |
|
|
8578 (XEXK) |
0 |
37 |
A |
staatsbibliothek |
|
|
8578 (XEXK) |
0 |
37 |
A |
temporär |
|
|
8636 (XAUI) |
0 |
45 |
C |
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|
|
8615 (XABR) |
0 |
49 |
B |
ebs |
|
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2134 (XSST) |
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49 |
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8615 (XABR) |
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49 |
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4012 (XAEE) |
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64 |
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|
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4015 (XSXN) |
0 |
64 |
C |
2024-01-18 |
|
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30 (XDTM) |
0 |
65 |
A |
20240118 |
|
|
8410 (XSLK) |
0 |
65 |
B |
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|
|
2160 (XLNR), 8534 (XZNM) |
0 |
66 |
C |
1e8900 |
|
|
8149 (XSLS) |
0 |
77 |
B |
k |
|
|
8714 (XHAU) |
0 |
116 |
D |
5 |
|
|
|
|
IKT |
Mnm |
Access |
Type |
Value |
|
9000 |
JHR |
interval |
interval |
2024-2024 |
|
9001 |
MAT |
upshift |
ascii |
O |
|
9003 |
BKD |
bclcode |
number |
255.255 |
|
9004 |
TAA |
upshift |
ascii |
ENG |
|
9005 |
LND |
upshift |
ascii |
UU |
|
9006 |
RBT |
bitmap |
bitmap |
0x00 |
|
9008 |
SUP |
upshift |
ascii |
Y |
|
9022 |
ZBI |
upshift |
ascii |
0 |
|
9029 |
TLT |
upshift |
ascii |
X |
|
9030 |
KEY |
upshift |
ascii |
X |
|
|
|
|
|
|